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Fantasy. Fiction. Literature. Thriller. HTML:The second volume in Stephen King's #1 bestselling Dark Tower Series, The Drawing of the Three is an "epic in the making" (Kirkus Reviews) about a savage struggle against underworld evil and otherworldly enemies. "Stephen King is a master at creating living, breathing, believable characters," hails The Baltimore Sun. Beginning just less than seven hours after The Gunslinger ends, in the second installment to the thrilling Dark Tower Series, Roland encounters three mysterious doorways on a deserted beach along the Western Sea. Each one enters into a different person's life in New Yorkâ??here, he joins forces with the defiant young Eddie Dean, and with the beautiful, brilliant, and brave Odetta Holmes, to save the Dark Tower. "This quest is one of King's best...it communicates on a genuine, human level...but is rich in symbolism and allegory" (Columbus Sunday Dispatch). It is a science fiction odyssey that is unlike any tale that Stephen King has ever writt… (more)
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As Roland continues his journey he must leave his world - a different world
The different worlds provide a sense of connection for the reader, as well as feelings of humor. Roland struggles to grasp many aspects of our life - for example Roland is familiar with apothecaries in his world, who are more like mystics and run a dimly lit potion shop. In one of his adventures, he enters a drugstore expecting "a dim, candle-lit room full of bitter fumes, jars of unknown powers and liquids and philters," and is taken aback when he sees the brightly lit drugstore familiar in our world.
Different, yes. Interesting? Very. As Roland "draws the Three," King introduces new characters and an intriguing, elaborate story that will surely leave the reader gripping the pages tightly. Where "The Gunslinger" was slower paced in some areas, "The Drawing of the Three" keeps the reader rapidly turning the pages with very little downtime. However, the Plume publication of 2003 leaves a little to be desired in the formatting of the illustrations and the text. The text and illustrations do not match up - being at least several pages off, resulting in more of a hindrance than anything.
For those who read "The Gunslinger", this is obviously the next step in the story. If "The Gunslinger" was enjoyed, this will only further pique interest in the story. For those that read "The Gunslinger" and are unsure if the story is worth going on - this book will quickly change that feeling of unsureness and bring the reader further into King's epic fantasy world.
I have never felt like King's characters were flat, and usually they are far more complex than most others I read. They have their moments of weakness, heroics, fear, and joy (and sometimes all on one page). They make the bi-polar populous seem stoic. And this is not because of erratic behavior, it is because King explores all aspects of what goes on in the head of his characters.
I believe this is well exhibited and established in The Drawing of the Three. It is an excellent piece of writing.
Having found himself on the shore of a turgid grey sea, tasked by the man in black with "the drawing of the three," Roland is attacked by a lobster-like monstrosity that severs two of his fingers and leaves him with an infected wound that will soon kill him. Dragging himself along the beach with the last of his strength, Roland comes to a doorway standing alone on the sand - a doorway into another world.
Entering the doorway, Roland finds himself inside the mind of an inhabitant of that world, a man named Eddie Dean, who is sitting on a plane from Nassau to New York with two bags of cocaine strapped to his armpits.
The subsequent story is an example of Stephen King at his best, as Roland attempts to bring food and medicine back from our world to his, and to prevent Eddie from being arrested at customs. The point of view jumps from Eddie to Roland to a flight attendent to the pilot to customs officers and more besides, and yet never throws off the pacing or flow. One of King's finest talents as a writer is to look inside his characters' heads, to establish their motivations and make their behaviour and reactions perfectly understandable. Consider this scene, where Eddie has locked himself in the plane's toilet and the flight crew knows damn well he's smuggling cocaine:
Deere, the co-pilot, suggested Captain McDonald ought to lay off pounding on the door when McDonald, in his frustration at 3A's lack of a response, began to do so.
"Where's he going to go?" Deere asked. "What's he going to do? Flush himself down the john? He's too big."
"But if he's carrying-" McDonald began.
Deere, who had himself used cocaine on more than a few occasions, said: "If he's carrying, he's carrying heavy. He can't get rid of it."
"Turn off the water," McDonald snapped suddenly.
"Already have," the navigator (who had also tooted more than his flute on occasion) said. "But I don't think it matters. You can dissolve what goes into the holding tanks but you can't make it not there." They were clustered around the bathroom door, with its OCCUPIED sign glowing jeerily, all of them speaking in low tones. "The DEA guys drain it, draw off a sample, and the guy's hung."
"He could always say someone came in before him and dumped it," McDonald replied. His voice was gaining a raw edge... something was not right about this one. Something inside of him kept screaming Fast one! Fast one! as if the fellow from 3A were a riverboat gambler with palmed aces he was all ready to play.
...
McDonald - who had never put anything stronger than aspirin into his system in his entire life and then only rarely - turned to Deere. His lips were pressed together in a thin white line like a scar.
With only three throwaway lines nestled amongst the narrative, King establishes exactly why the captain is so determined to apprehend Eddie, without disrupting the flow at all. It adds a lot to the story, and proves that King can write quite well when he wants to.
After the "drawing" (recruitment) of Eddie Dean, we follow the formulaic drawing of the other two. All three of them are natives of New York City in various different periods of time, and the vast majority of the book is set there, with only brief interludes on the long, bleak beach in Roland's world. The second recruit is probably the low point of the book; I found her particular quirk to be somewhat annoying. The third, however, brings us back to the excellent storytelling of Eddie Dean's segment, with Roland going on a gunslinging shootout across New York City in his final desperate quest for antibiotics.
The strange thing is that, while this book is much better than "The Gunslinger," it too is clearly a set-up for a greater story to come. "The Gunslinger" gave us the hero and the quest; "The Drawing of the Three" gives us his posse. While I enjoyed this book a lot, I find myself wondering whether Volume III will advance the quest and give us more of Roland's world, or busy itself with yet more set-up. Once again, King himself acknowledges this in the afterword: "This longer second volume still leaves many questions unanswered and the story's climax far in the future, but I feel that it is a much more complete volume than the first... and the Dark Tower draws closer."
Unfortunately, we're in early '90s territory now, so King's inevitable decline in quality also draws closer...
But on the plus side, this book was very
So overall, it was a decent book, just not one of my favorites. I enjoyed the first book much more, and I am currently reading The Waste Lands.
While I don't have an affinity for King’s Dark Tower stuff (I'll always prefer his stand-alone
The entire book takes place along a desolate stretch of beach. Giant lobsters come out of the surf at night and occasionally a door will appear that allows Roland to enter 'our world' where he meets various characters, some of whom will help him on his quest to find the Dark Tower.
Though the second Dark tower book is an almost immediate continuation of the first one, it was written years afterward and it shows in the strength of King's writing. The Drawing of the Three is a massive improvement on The Gunslinger (though I missed the post-apocalyptic western flavor of the first book). The depth of character and attention to detail that I missed in the first book are here.
I did like the book, though I don't love the Dark Tower series in general. I would say that if you read The Gunslinger and didn't like it, you owe it to yourself to read this second book before deciding to abandon the series.
Here we have the second book in Stephen King's massive Dark Tower series. This was my second read-through of this one and, like my second read of The Gunslinger, I feel I could appreciate this one more the second time around. This is probably partially because I
Picking up almost exactly where the first book left off, Roland has been left quite a prophecy by the Man in Black. One that he doesn't quite understand just yet, but he will. Of course, not to make things too easy on our hero, he soon is confronted with terrors of the sea looking to have him for lunch! He doesn't come away unscathed, and now the clock is ticking.
Last time, Jake Chambers was pulled into Roland's world. This time, Roland is going to get pulled into ours. Three need to be drawn; The Prisoner, The Lady of Shadows, and Death. Each of these three will bring their own unique challenges for Roland, who is already in a world of hurt from those damned lobstrosities. Can he draw these three to his world before the infection takes him? Or will one of them get to him before that?
Yet another fantastic read from King, who knows how to pace a story within an inch of his life, or in this case, Roland's!
No less so my dabbling in King’s magnum opus (well, its fans would call it so), The Dark Tower series. I’ve just finished up book 2, entitled The Drawing of the Three, and I am now glad that I persisted after what I thought was a lacklustre gambit (The Gunslinger).
I was absolutely hooked on how Roland, in this episode, manages to pull three people from different times in New York City, into his mysterious world. I’m still flummoxed as to the meaning of it all, and to whatever is so darned important about the Tower, but I have to tip my hat to King’s amazing narrative, how he keeps you enthralled, wondering how on earth Roland, the last gunslinger of his world, can come through with the goods despite lobstrocities that sever digits galore, Customs-cornered-junkie-drug-smugglers, menacing Mafia figures, deadly schizophrenic invalids and perpetual fever and infection (thanks to those lobstrocity-severed digits). Sounds like an incredible mish-mash, but King weaves his story so convincingly, from one world to another, that it is pure magic.
And now, at the end of it all, stay tuned for the next installment coming your way, The Wastelands; no way I’m putting the series down now.
The most compelling of the three doorways (and sections of the book) is