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Fiction. Literature. Suspense. Thriller. HTML:Fifteen years ago, Susan Morrow left her first husband, Edward Sheffield, an unpublished writer. Now, she's enduring middle class suburbia as a doctor's wife, when out of the blue she receives a package containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says. As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life. Tony and Susan is a dazzling, eerie, riveting novel about fear and regret, blood and revenge, marriage and creativity. It is simply one of a kind. "A superb and thrilling novel...extrodinary." � Ian McEwan "Compelling...mesmerizing...absolutely irresistible."�New York Times "A perfect and literary puzzle, an irresistible tale anout marriage and murder, both thriling and moving." � Scott Turow "A page-turner of a literary thriller." � Sara Waters "Beautifully written, perfectly paced, impressively clever, and ultimately shocking in a way you never see coming." � Nelson DeMille "Absolutely terrifying, beautiful, and appalling. Parts of it shocked me, and I am not easily shocked." � Ruth Rendell.… (more)
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The story itself is quite unusual, Susan receives a manuscript from her ex husband, which he asks her to
In this way, we get to read Edward’s story for ourselves, along with Susan. It’s a thriller, which turns dark and violent. How you feel about this part of the book probably depends on which thrillers you like. I personally enjoyed the tensely written beginning more than the violence towards the end, but for others this may be different.
There are small breaks in between, which for me were the most enjoyable. During these, we get to share in Susan’s experience of reading – how she feels so far, and her anticipation of what is to come. As a keen reader myself, I found it a very accurate account.
As well as these small breaks, there are two interludes, during which we are given more of Susan’s own history – we find out more about both husbands, and the transition between them. Reading Edward’s manuscript rouses memories in Susan, as well as making her question things.
There are mixed reviews for this book, although the majority are positive, but I can see both points of view. Looking at my own response to the book, one of the main problems could be one of expectation. The book is described as being a book about fear and revenge, and when taken along with the internal thriller, I was expecting something rather different towards the end.
I therefore decided to wait a while before writing my review, and indeed my feelings about the book have improved. It’s one those books which sits quietly as you reflect on it, rather than being something instantly forgettable. The key, for me, is actually the difference between the two – a manuscript which achieves it’s aims with violence, compared to a much more subtle experience of thoughtfulness and change in Susan.
I agree with other reviewers who feel they would benefit from a second reading. Having different expectations this time should mean that I’m able to see more.
Quote to illustrate: "It was important to recognize the importance of things, for he knew now that everything important was important, nothing was more important than importance"
Susan receives a note out of the blue from ger ex-husband. He has written a novel and would like her, as his fiercest critic to read it and send her comments. We then get to read it along with her and the whole novel grips like a vice.
I always snort at the idea of a novel
Republished for some reason 7 years after the author died, having been nneglected, this is actually a must read!
I liked the idea of me, the reader, reading Edward's manuscript as Susan does, but I was expecting much more from the book overall. It's billed as a thriller and I felt there was going to be some big link between Susan's story and the manuscript, but if there was then I think I must have missed it. It felt as though the book petered out at the end, just when I was expecting a big surprise.
I think this is a fair read, and I enjoyed it for the most part, but it would be better if the reader didn't approach it expecting more than it can deliver.
I had got on pretty well with this novel until I started to lose patience with the narrative within the narrative and Edward’s creation, the character Tony. I persevered with the book and finished it today.
Like the character Susan I’m
I appreciated that the author (via the character Susan) was interested in the idea of a reader’s ongoing response to a work of fiction, how we get or don’t get involved in characters and scenarios, how our real lives impact on our responses because the mundane everyday world interrupts our immersion in the fictional world and our personal stories as readers affect our responses to fictional characters. I found this interesting.
I could also see how the author used different styles of writing for the two narratives – the more straightforward style that you would find in thrillers, detective stories etc for Edward’s book and the more clotted type of syntax you find in modern literature when a character’s internal thoughts and memories are worked through. Again, I found this quite interesting.
Overall though it didn’t quite work. Perhaps there needs to be just one character you could empathise with, care about or even just detest. I suppose this is isn’t easy when the author is depicting all the contradictions and shades of grey in everyday life.
On the whole I’m glad I ordered the book – something different and that good old stand-by ‘thought-provoking’.
I wanted to read this book before seeing the movie but the only edition I could get from the library was the audio version. I haven’t listened to an audio book in a very long time but think I could get very used to being able to do other things, like cook dinner or work on a jigsaw puzzle, while someone is reading to me – nice! I found this to be thoroughly addictive and stayed up late into the night wanting to hear just one more chapter.
The book smoothly moves back and forth between Edward’s novel and what’s happening to Susan as she reads this book. Susan begins to re-live her past with Edward. She begins to wonder what type of man Edward has become and whether this book and Edward’s request for her to read it is his means of sending her some type of a message about their marriage. Is he calling her to account for not trusting his ability to become an author? The book started to drag a bit for me towards the end and Susan at times could be irritating but the ultimate endings of both stories was pitch perfect. This is a literary work so don’t get it just for the thriller part. It’s the type of literary work that will have different meaning to different readers and would be a great choice for discussion in a book club as it leaves a lot of questions in the reader’s mind. I’ve actually seen this marketed as the new “Gone Girl” even though it was written in 1993. This book is much more profound than “Gone Girl” will ever be.
A unique and inventive story about the power of the written word, the responsibility of authors to their readers, revenge, grief, marriage and trust. The movie has become a must see for me but I’m not sure if a movie version of this book will fly since it’s the author’s writing ability that shines more so than the story. Though I’ve started another book, I can’t stop thinking about this one and know I will never forget it. Sad that the author is no longer with us and won’t know of the revival his book has had.
Highly recommended.
Most of TONY AND SUSAN is that book, the story within the story. It’s about Tony, a college professor, whose wife and child are abducted and murdered. The story starts out
Worse than the story within the story is the story, Susan reading. I cannot figure out why these parts of TONY AND SUSAN even exist. I call it “the story,” but is it really if it makes me wonder, so what? Again, I don’t know why it’s there. And again, the end is a letdown.
When Tony, his wife Susan and daughter Helen take their usual vacation drive to their Maine home, they decide
While the car in front slows to a slow pace, the one in back is right on their bumper. Closing in on the family, to no avail he attempts to pass as the front car speeds up and follows in the left lane blocking his progress.
A fatal mistake is made as they are pulled over because of a flat tire. From there the book grows darker and more dangerous. As they attackers fix the tire and a few get into Tony's car as they force him to leave his daughter and wife and make him drive in their car. As he watches the car with his family fade into the distance, the terror continues.
Started to rate this one 4 stars, but I'm following my heart and I can definitely