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Fiction. Mystery. HTML: Donna Leon's Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy's finest living sopranos, Flavia Petrelli�??then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca. Brunetti and his wife, Paola, attend an early performance, and Flavia receives a standing ovation. Back in her dressing room, she finds bouquets of yellow roses�??too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws' palazzo, Flavia confesses her alarm at these excessive displays of adoration. And when a talented young Venetian singer who has caught Flavia's attention is savagely attacked, Brunetti begins to think that Flavia's fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm… (more)
User reviews
Once again the
And then the reader might question the morality of the "justice" meted out in the end.
Signora Elettra goes on strike over what she sees as the unfair dismissal of one of her colleagues, and there is also some discussion of how Venice has changed particularly under the influence of tourism.
Another good read.
Flavia is already uncomfortable with the public side of her profession. As the admirer grows more and more bold, her fear and distress increase. When victims of violent attacks are somehow linked to Flavia, it's clear that her admirer is building up to a dangerous climax.
Once again, Donna Leon delivers a delightful glimpse into Brunetti's Venice. I particularly enjoyed the return of the old character, the friendship between Flavia and Brunetti adds another layer to the investigation. Brunetti and Paola, their children and the political sparring all make Falling in Love a fun installment in one of my favorite detective series.
And we meet an old
Flavia seems to have a stalker (even if it takes forever for the team to call it that) that sends flowers and demands attention. It all looks just annoying or just a bit disturbing until someone get pushed down the steps of a bridge. Brunetti decides to follow the case, despite it not being his job exactly and things starting to unravel.
Add to this a production of Tosca, a semi-strike in the police department and the world of Venice - with its streets and canals and the people that live there - Guido's family, Paola's parents, the policemen and policewomen of the city.
If you had read the rest of the series, it is a good entry in the series. But if you do not know the characters, they may sound a bit unfinished.
And after finishing the book, I almost want to go back and reread the early books in the series - in their proper order.
Flavia is already uncomfortable with the public side of her profession. As the admirer grows more and more bold, her fear and distress increase. When victims of violent attacks are somehow linked to Flavia, it's clear that her admirer is building up to a dangerous climax.
Once again, Donna Leon delivers a delightful glimpse into Brunetti's Venice. I particularly enjoyed the return of the old character, the friendship between Flavia and Brunetti adds another layer to the investigation. Brunetti and Paola, their children and the political sparring all make Falling in Love a fun installment in one of my favorite detective series.
And we meet an old
Flavia seems to have a stalker (even if it takes forever for the team to call it that) that sends flowers and demands attention. It all looks just annoying or just a bit disturbing until someone get pushed down the steps of a bridge. Brunetti decides to follow the case, despite it not being his job exactly and things starting to unravel.
Add to this a production of Tosca, a semi-strike in the police department and the world of Venice - with its streets and canals and the people that live there - Guido's family, Paola's parents, the policemen and policewomen of the city.
If you had read the rest of the series, it is a good entry in the series. But if you do not know the characters, they may sound a bit unfinished.
And after finishing the book, I almost want to go back and reread the early books in the series - in their proper order.
An improvement on her previous (By Its Cover), but otherwise unremarkable; there is little real mystery, the outcome predictable. I have seen more of the streets and sights of Venice in previous books, but Brunetti's wife Paola and in-laws do feature somewhat, which I welcome, as does the ever resourceful secretary Signorina Elettra, her involvement invariably adding some humour and comedy to proceedings. This time she is on strike against her boss Vice-Questore Patta and his sidekick Lieutenant Scarpa!
Commissario Guido Brunetti had come to her aide previously. She now turned to him to help discover who was sending the flowers and why.
As usual, Donna Leon has written a fast-paced mystery utilizing the skills of his trusted team members and trying to avoid his professional adversaries. FALLING IN LOVE includes her traditional wit and observations. Some of my favorites:
Regarding a curtain call: “The applause increased, and voices, both male and female, shouted out “Brava”, for those who were either blind or not Italian, “Bravo”. She didn’t seem to mind, so long as they shouted.”
“Fact was meaningless: only art was real.”
“Most history....is filled with lies. :You’ve acquired the gift of listening. In your work, much of what you hear is lies, so you’ve learned to pay attention to everything that’s said to you.”
People think they have babies, but we don’t: we have people, and we have them all their lives, and we never stop worrying about them.”
“Brunetti had read, just that week, an article reporting that 25 per cent of Americans did not know that the Earth circled the Sun; he wondered how many people ever realized that the world did not circle around them.”
Leon also includes some untranslated Italian phrases.
Review: Interesting story with an interesting ending.
Leon does a great job of back fill, so even if you haven't read the earlier episodes, it isn't difficult to follow.
I found the outcome of this case more satisfying than most of Brunetti’s other investigations, which typically end with the murderers receiving less than full justice for their crimes, or even altogether eluding justice. Brunetti usually has to be content with merely linking the crime to the guilty party. This case ended with a better sense of justice having been served.
An Opera singer is terrified by a stalker.
Years ago, in the first Commissario Guido Brunetti story Death at La Fenice, Guido Brunetti cleared the opera star Flavia petrelli in the
Presently, the soprano has returned to Venice, to its celebrated Opera House La Fenice, to sing the lead in its production of Tosca.
At a dinner party with Guido’s in-laws, Flavia reluctantly ‘confesses’ her nervousness, her fear, of being watched, of being stalked by an obsessive, ‘crazy’ fan.
Guido begins to delve into the world, the psyche of a possibly deranged, murderous fanatic.
What I know about opera would fit on a pinhead (!) so this title was fascinating to read - all the references to opera, stagecraft, costumes, music, lyrics, famous productions, the world-renowned La Fenice and, of course, the city of Venice.
A very good title. Love the book cover.
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