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Fiction. Literature. HTML: At the age of 29, Sydney has already been once divorced and once widowed. Trying to regain her footing once again, she has answered an ad to tutor the teenage daughter of a well-to-do couple as they spend a sultry summer in their oceanfront New Hampshire cottage. But when the Edwards' two grown sons, Ben and Jeff, arrive at the beach house, Sydney finds herself caught up in a destructive web of old tensions and bitter divisions. As the brothers vie for her affections, the fragile existence Sydney has rebuilt for herself is threatened. With the subtle wit, lyrical language, and brilliant insight into the human heart that has led her to be called "an author at one with her métier (Miami Herald), Shreve weaves a novel about marriage, family, and the supreme courage that it takes to love.… (more)
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But by the last third, I started wondering whether she knew quite where she was trying to go with the development of Sydney and the course of her life, and the end felt a bit loose.
I often find it difficult to enjoy books that are so focused on the emotions of their characters, because they seem somewhat false to me, but that is one problem I did not encounter here. Shreve nails the emotions in every situation, for every character, and it all feels just right. I didn't love the plot and felt the end was weak, but all the same this was an enjoyable read, and not as light as I had expected.
Reading a whole book in the present tense takes some getting used to—at times, especially in the beginning, the style seemed jerky and off-putting. But this is exactly the point: life is jerky, strange, and confusing while it is happening in the moment. As a result, it is a very different type of novel. Just like in real life, there are many unanswered questions and unresolved issues. The author leaves it to the reader to try to figure out why events happened the way they did. We are left to ponder the motivation behind important deeds. We are introduced to complex characters and are left with little to help us ferret out the puzzles these characters create in our mind.
With this book, we get to live real life in the moment and inside the mind of Sydney Sklar, the main character. There is little or no detailed character development for the other people in this book because we get to know these people, always in the moment, from the Sydney’s point of view.
Sydney is a fairly typical educated American woman on the verge of becoming 30. She has had a difficult and tragic past. She was briefly married to an air racer who she realized was too unstable to be the father of any future children they might have together, so she divorced him. She then married a physician, but ironically, this husband died of a brain aneurism within a year of their marriage. At the point the novel opens, Sydney is recovering from the death of her second husband and is a recent college graduate with a specialty in adolescent development.
She has taken a summer job living in a New Hampshire seaside cottage as a live-in tutor for Julie, the family’s 18-year-old learning-disabled daughter. Her job is to try to prepare the girl for next year’s college entrance exams. She lives in the house half as a family member and half as an employee. There is plenty of time for body surfing, relaxing, and observing the family. The mother, Mrs. Edwards, is openly anti-Semitic, and obviously dislikes Sydney, who is half Jewish. Mrs. Edwards appears distant and cool toward everyone in her family, but Sydney discovers layers of hidden loving complexity within this strange woman. Mr. Edwards is an architect who spends his summers at the beach house tending his rose garden. Sydney is deeply attracted to this surrogate father figure and Mr. Edwards finds in Sydney the brilliant older daughter he wish he’d had.
In her first few weeks on the job, Sydney is content tutoring Julie, body surfing in her spare time, and enjoying learning all she can about this interesting family. But then the two grown sons come to spend time at the summer home. Ben is a 35-year-old Boston corporate real estate executive, and Jeff is a 31-year-old M.I.T. professor of political science. It is obvious from the beginning that these two brothers have a major ongoing competition. It is also obvious that they both have eyes for Sydney.
Soon after they arrive, the two men take Sydney out body surfing at night. It’s fun, exhilarating, dangerous, and exciting. But something occurs that night that causes Sydney to turn against Ben, and toward Jeff. What happens next is the plot that makes up the core of this novel.
It strikes me that this work is an experiment in writing a novel completely in the present tense. This must have been a very difficult feat to pull off. Certainly, there are countless short stories written entirely in the present tense; but not to my mind an entire novel—at least none I can remember. Obviously, Shreve felt she was working in new territory. In the Acknowledgments, Shreve thanks no less than nine editors, “some professionals, all of them friends.” That’s an unusually long list of editors! The reader has to ask why Shreve chose to write this book in this unusual fashion.
Personally, I think it is because of the house. There is something very special to Anita Shreve about this fictional beach house on the New Hampshire coast. She has written four novels so far that deal with characters who have lived there: Fortune’s Rocks, set around 1900; Sea Glass, set in the Great Depression; The Pilot’s Wife, set in the mid-1990s; and now Body Surfing, set in the present day.
At the end of Body Surfing, Mr. Edwards leaves Sydney a box of archival papers that he has lovingly collected concerning the long history of the house and its inhabitants. To me, this is a clue that Sydney, and her box of house history will one day reappear in some future Shreve novel that will once again deal lovingly with this beautiful seacoast cottage. Will the next New-Hampshire-sea-cottage-centered book be set in the near future…perhaps during a time of dangerous rising coastal waters? I don’t know if I can imagine Anita Shreve doing a sci-fi book set in a near future. But that would be intriguing—and Shreve might love the challenge. Past, present, or future—whatever it is—I’d bet that Shreve will write another book about this house, and I know I’ll read it!
Sydney Sklar, only about 28 years old or so I think, has already weathered two marriages: divorcing an aviator who was likely to kill himself and being widowed by a doctor who, well, just died. She comes to the house as an employee, tutoring eighteen year old Julie, and gets caught up in another family's web.
Shreve does place very well:- I feel like I know the coast and the sea here and I could have told you we were back at the same house before she did. The characters can seem a bit watery too, but I'm not really complaining. They don't always feel like real people but I like them that way. I also like the way the writing flips between present and past tenses; it could drive you nuts but the device is used well and it doesn't.
All in all: a good read.
It took me a while to get into this novel - the writing was sparse, comprising short, brief paragraphs.
I found myself reading it jerkily and it took at least 50 pages to settle into the style. Once I'd become accustomed to it, however,I did enjoy it. The
Sydney Skylar is staying at the Beach House that appears in several of Ms Shreve's previous novels. She is recovering from the death of her second husband, having divorced the first. She is employed to teach Julie, the slow learning daughter of the Edwards family. When Julie's older brothers arrive for a holiday life starts to get complicated for Sydney.
Without giving too much away, I would say that there were some aspects of the narrative that I found a bit jarring, even far fetched.
This was not the best of Anita Shreve's novels that I've read and was almost disappointing in comparison, but Ms Shreve is an excellent author and I shall continue to eagerly await her books.
The story wends its way through three years of relationship changes and emotional stories before its conclusion leaving Sydney in a better place... or at least a hopeful one.
~Mel
The book is written in a spare, poetic style. Though some people complained about the present tense, I didn't
I thoroughly enjoyed the twisty (dare I say it--trashy! in a fun way) plot that focuses on a love triangle with one treacherous member.
Anita Shreve is one of my favorite authors. She's adept at observing people and relationships and getting to the core