Status
Checked out
Due 22 Oct 2021
Genres
Description
A sequence of nine short works explores the intricate bonds between mothers and sons as reflected at pivotal junctures that shift the way each sees and understands the other.
User reviews
LibraryThing member porch_reader
Good short story writers amaze me, and Toibin definitely falls in that category. Each of these stories is marked by a rich sense of place and character. With just a few words, Toibin brings us into the lives of his characters, making us feel as though we've been there all along. The melancholy that
While each of these stories is linked by the common theme of relationships between mothers and sons, Toibin isn't looking for any easy generalizations. Instead, he uses the few pages he has been given to draw us into the particularities of each situation, leaving us as full at the end of each story as if we had just read an epic novel. This is simply a masterful collection.
Show More
often marks stories of the Irish soaks through each story, practically dripping from the pages. While each of these stories is linked by the common theme of relationships between mothers and sons, Toibin isn't looking for any easy generalizations. Instead, he uses the few pages he has been given to draw us into the particularities of each situation, leaving us as full at the end of each story as if we had just read an epic novel. This is simply a masterful collection.
Show Less
LibraryThing member SeanLong
I finished reading Colm Toibin’s collection of stories, Mothers and Sons, and I must say, Toibin is writing at such a high level right now that he’s incapable of an insipid piece of work. The book is suffused with a somber, dark tone and a theme that centers on a mother and son that makes it
Show More
more of an organic whole than just a group of individual stories. In a weird sort of way it’s like a novel with several different plot lines where everything comes together in the last story which is really a novella. I don’t know how he does it, but when a situation presented in one story is encountered again in another, each seems to make the other all the more richer. Even without the stunning variations of continuity I still think these stories are so well crafted that they can stand on their own without the support of the others. It’s very similar to what MacLaverty successfully pulled off in Matters of Life and Death. Show Less
LibraryThing member yooperprof
"A boy's best friend is his mother," covered in a variety of ways by one of the best Irish writers of our time.
Toibin's Ireland is _not_ the "happy Ireland" of the tourist books, but is a mournful place full of Joycian "The Dead-ish" memories.
The longest story, "The Long Winter," is set in
Toibin's Ireland is _not_ the "happy Ireland" of the tourist books, but is a mournful place full of Joycian "The Dead-ish" memories.
The longest story, "The Long Winter," is set in
Show More
Franco's Spain, and is very very good, but feels as if it is part of a longer novel still in gestation. Show Less
LibraryThing member CarltonC
Thoughtful restrained writing about telling moments in the relationships between mothers and sons.
For me the early stories were better, with their music backgrounds, and the final story set in Spain did not, but a very enjoyable collections.
For me the early stories were better, with their music backgrounds, and the final story set in Spain did not, but a very enjoyable collections.
LibraryThing member Bridget770
Toibin's descriptions of Ireland are captivating and really capture the essence. The stories are haunting and admiringly describe/detail the complex parent-child relatiionships. I don't think you need to be a mother or a son to relate.
LibraryThing member RandyMetcalfe
The stories collected here are muted, almost stripped of emotion despite some highly charged events occurring. It is as though Colm Tóibín wants the reader to take a step back and view these events calmly, dispassionately, perhaps forensically. And for some stories that works great. I like it
Most of these stories are straight-ahead short stories, narrow in scope and character, limited to a short time period, realistic both in terms of psychology and locale. In short, however much they mine the thematic connections between mothers and sons (which they all do), they do not breathe new life into the short form itself. I suspect that is probably a sign that Tóibín is more comfortable in the longer, novel form.
Inevitably different readers will prefer one or another of the stories here (they are all worthy), but for me it was “The Name of the Game” that stood out. Not unusually, a death initiates the action, which again not unusually, involves a life struggle, or, perhaps better, a struggle for survival. Class difference, which is not a major issue in most of these stories, is front and centre here, and because the action takes place at a distance from Dublin, Dublin can stand as an ideal, however misplaced, for the female protagonist, Nancy. Nancy’s struggle to transform the economic mess she has been left in by the untimely death of her husband reveals hidden strength in her, and no small amount of cunning. That I would gladly have seen the story expanded into a novel may just reveal my own preference for Tóibín’s longer, leisurely paced, novels. Well, to each their own, I guess. Gently recommended.
Show More
especially in “The Use of Reason” and “A Priest in the Family”. Perhaps not so much in “Famous Blue Raincoat” or “A Summer Job”.Most of these stories are straight-ahead short stories, narrow in scope and character, limited to a short time period, realistic both in terms of psychology and locale. In short, however much they mine the thematic connections between mothers and sons (which they all do), they do not breathe new life into the short form itself. I suspect that is probably a sign that Tóibín is more comfortable in the longer, novel form.
Inevitably different readers will prefer one or another of the stories here (they are all worthy), but for me it was “The Name of the Game” that stood out. Not unusually, a death initiates the action, which again not unusually, involves a life struggle, or, perhaps better, a struggle for survival. Class difference, which is not a major issue in most of these stories, is front and centre here, and because the action takes place at a distance from Dublin, Dublin can stand as an ideal, however misplaced, for the female protagonist, Nancy. Nancy’s struggle to transform the economic mess she has been left in by the untimely death of her husband reveals hidden strength in her, and no small amount of cunning. That I would gladly have seen the story expanded into a novel may just reveal my own preference for Tóibín’s longer, leisurely paced, novels. Well, to each their own, I guess. Gently recommended.
Show Less
LibraryThing member edwinbcn
Some works by the Irish author Colm Tóibín are great, particularly those set in Barcelona where the Tóibín lived in his young years. These short stories did not seem very inspired.
LibraryThing member linda.a.
Colm Tóibín's writing never fails to move me in its quietly powerful simplicity and these wonderful short stories are every bit as satisfying as his novels. The exploration of relationships between mothers and sons is full of insightful reflections and the quality of the writing is, at times.
Show More
quite breathtaking. This is a collection of stories which needs to be savoured and I know that I will be returning to them in order to enjoy the beauty of the prose. Show Less
LibraryThing member robfwalter
Com Toibin's beautiful prose is the standout feature of this collection. He writes with precision and delicacy and evokes emotion with patience and restraint. However the plotting, characterisation and themes are somewhat inconsistent. The settings are very Irish, all dead mothers and villages
The first two stories, "The Use of Reason" and "A Song" left me cold, as they described situations that were neither familiar nor interesting to me. I decided to persist and was glad I did when the subtle realism of "The Name of the Game" was up next. I wavered again in "Famous Blue Raincoat", but from there the stories alternated between wonderful and disappointing.
One of my great frustrations with short stories, and one of the reasons I don't often read them, is that by the time I've decided if a story is any good, it's almost over. There's rarely the chance to settle into a story knowing that the next pages will be worth savouring. Obviously this collection doesn't do anything to change that reservation, but the rewards - in the form of moving, emotionally true stories - are worth the frustrations, in my view.
Show More
where everybody knows your business, which I struggle to relate to unless there are more universal themes addressed.The first two stories, "The Use of Reason" and "A Song" left me cold, as they described situations that were neither familiar nor interesting to me. I decided to persist and was glad I did when the subtle realism of "The Name of the Game" was up next. I wavered again in "Famous Blue Raincoat", but from there the stories alternated between wonderful and disappointing.
One of my great frustrations with short stories, and one of the reasons I don't often read them, is that by the time I've decided if a story is any good, it's almost over. There's rarely the chance to settle into a story knowing that the next pages will be worth savouring. Obviously this collection doesn't do anything to change that reservation, but the rewards - in the form of moving, emotionally true stories - are worth the frustrations, in my view.
Show Less
Awards
Edge Hill Short Story Prize (Winner — 2007)
The New York Times Notable Books of the Year (Fiction & Poetry — 2007)