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Twenty years ago Chelsea Green published the first trade edition of The Man Who Planted Trees, a timeless eco-fable about what one person can do to restore the earth. The hero of the story, Elzéard Bouffier, spent his life planting one hundred acorns a day in a desolate, barren section of Provence in the south of France. The result was a total transformation of the landscape-from one devoid of life, with miserable, contentious inhabitants, to one filled with the scent of flowers, the songs of birds, and fresh, flowing water. Since our first publication, the book has sold over a quarter of a million copies and inspired countless numbers of people around the world to take action and plant trees. On National Arbor Day, April 29, 2005, Chelsea Green released a special twentieth anniversary edition with a new foreword by Wangari Maathai, winner of the 2004 Nobel Peace Prize and founder of the African Green Belt Movement.… (more)
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The landscape which, at the start of the story in the 1910s, is desolate and bleak, has become by the end, in the late 1940s, a sort of rural paradise of lush woodland, running streams, and happy red-cheeked villagers. It's a narrative with obvious ecological appeal, as well as carrying a message of humanist hopefulness:
Quand on se souvenait que tout était sorti des mains et de l'âme de cet homme, sans moyens techniques, on comprenait que les hommes pourraient être aussi efficaces que Dieu dans d'autres domaines que la destruction.
The contrast with destruction is important, since the narrative is twice interrupted – significantly, if discreetly – by world wars. Giono himself fought at Verdun, and found naturally enough that the experience had made him a committed pacifist. (He took this position pretty far, famously asking in 1937, ‘What's the worst that could happen if Germany does invade France?’) The simple, easy prose style turns this stance into something that feels timeless, like a fable.
In contrast to the dark ambiguity of the classic pre-modern legends and fairytales, I find that modern myths often have a sort of clunking unsubtlety to them – Paolo Coelho, for example. This is nowhere near that bad, but I must admit I'm a little cautious about a story whose conclusion is that ‘malgré tout, la condition humaine est admirable’, which perhaps risks encouraging a little too much complacency in the reader. Then again, sometimes you need a bit of encouragement, and certainly this short story has a message to deliver and captures the landscape of Haute Provence with great sensitivity.
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Beyond that, though, is the lesson that we get from the Narrator himself. Find inspiration. Find awe. Recognize strength where no one else sees it.