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Ben Okri, winner of the 1991 Booker Prize for The Famished Road, now gives us Songs of Enchantment, and it is hard to imagine a more gloriously written novel. Azaro, the spririt-child, is a reluctant traveler in the realities of this world. In this moving story of love and transformation, his adventures begin with the disruption of his family. Under the pressure of poverty and myth, his mother departs to follow the legendary Madame Koto. An obsession for a beautiful beggar girl snares forbidden visions. Set in an age of enchantments, their story takes place among the upheavals of a nation struggling to be born. There are mass political hallucinations, battles of contending forces in the realm of dreams, mysterious disappearances, and the rise of the Jackal-headed Masquerade. With humor and wisdom, Ben Okri tells of Azaro's father and how, drawing on the magic of courage, he undergoes the great penance of love. Through the experiences of this unique family we see that life lived with compassion and fire and serenity can vanquish the forces of oppression, and counter the darkness with light. At the end of the absorbing novel we feel it to be true when Azaro's father says, "Stories can conquer fear, you know. They can make the heart bigger."… (more)
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Songs of Enchantment also has the magic of spirit children, -- and many of the same characters from The Famished Road -- but this novel goes way over the top. It reads like magic realism on steroids. Virtually the entire novel has visions, dreams, spirits, and all sorts of supernatural doings.
Reading Okri’s work requires getting accustomed to the style, but it does take on a lyrical flow. Unfortunately, the symbolism, cultural references, and allegorical elements of Nigerian history eluded me. This book needs to be read in a group setting – a graduate school class, for example – or with a dictionary of West African mythology.
Songs tells the story of Azara, a spirit-child, and his family in a Nigerian village. This example of a passage represents the style of almost the entire novel. Azara and his father have walked into the forest. The child’s father comments, “The forest is dreaming” (24), and they decide to go home. Suddenly they find themselves beset by strange sounds.
“We ran into a quivering universe, into resplendent and secret worlds. We ran through an abode of spirits, through the disconsolate forms of mesmeric dreams of hidden gods, through a sepia fog thick with hybrid beings, through the yellow village of invisible crows, past susurrant marketplaces of the unborn, and into the sprawling ghomind-infested alabaster landscapes of the recently dead. We kept pushing on through the inscrutable resistance of the moon-scented air, trying to find the road back into our familiar reality. But the road eluded us and we troubled the invisible forms of great trees with our breathing, and the spirits of extinct animals with our fear. Our heads pulsated with an infernal violet heat” (25).
I think I might do some research and give this one another try, but right now, only the poetic language and the flow save it. 3 stars
--Jim, 8/27/10