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"Bournville is a quiet village in the heart of England famous for its chocolate. For eleven-year-old Mary, it is the center of her world, the place where most of her family's friends and neighbors have worked for decades and where the streets smell faintly of chocolate. During the next three-quarters of a century, Mary will have children and grandchildren and great-children. She will live through the Coronation of Queen Elizabeth II and the 1966 World Cup final (the last time England won), royal weddings and royal funerals, Brexit and Covid-19. Parts of the chocolate factory will be transformed into a theme park, and Bournville itself will gradually disappear into the sprawl of the growing city of Birmingham. As we travel through seventy-five years of social change, from James Bond to Princess Diana, and from wartime nostalgia to the World Wide Web, one pressing question starts to emerge: will these changing times bring Mary's family and their country closer together, or leave them more adrift and divided than ever before?" --From publisher's website.… (more)
User reviews
Bournville is a family saga spanning four
The Lamb family are a microcosm of British social and political attitudes as we move from the reformist optimism of the post-war Labour Government to Thatcherism, as Britain becomes multicultural, as it joins and leaves Europe, as factories turn into theme parks, as the Covid lockdown descends, as everything changes, and everything stays the same.
Coe has achieved a pleasing and deceptively effortless synthesis of the conventional and unconventional novel. He plays all kinds of stylistic and formal games while always keeping you engaged with the emotional heart of the story. He has written funnier books and the satirical anger of What a Carve Up! is almost entirely absent, but you wouldn’t want a novelist in his early sixties to rewrite the novels of his thirties. Bournville is thoughtful, formally inventive and ultimately deeply moving.
I felt that this was a very strong novel, with a good balance between story and historical background. But of course I'm reading it as someone who grew up at the same time as Coe and in a similar place, so he is putting his finger on a lot of things that have strong resonances for me. Especially the crass xenophobia of the WWII-obsessed atmosphere we grew up in during the sixties. Which started to dissolve a bit in the seventies, but came back with a vengeance after Thatcher came to power, and doesn't seem to have let off since. Coe's point seems to be that there's a specifically English way of avoiding serious engagement with the things that have gone wrong in our lives, echoed by the sheltered atmosphere of the Bournville planned community and by Mary's determined efforts to prevent family quarrels at the cost of allowing nastiness (specifically, her husband's intolerance to any kind of cultural or political difference) to continue indefinitely below the surface of family life.
I’m sure my request for Bournville by Jonathan Coe was inspired by the passing of Queen Elizabeth II. Promising a portrait of Britain as experienced by a middle class family over a period
After a prologue set in 2020, Coe begins with VE Day in 1945 where the residents of Bournville, a Birmingham village built around the Cadbury chocolate factory, simply known as the Works, are celebrating the end of the war. It’s here that eleven year old Mary lives with her parents Sam and Doll, and over the next seven decades, coinciding with seven memorable events in British history, Coe revisits Mary and her growing family.
The unique structure works well to reflect the national and individual experience of the changes in culture, attitudes, politics, technology and economics. I enjoyed the sojourn through each ‘occasion’ which includes the coronation of Queen Elizabeth II in 1953, the World Cup Final between England v. West Germany in 1966, the investiture of Prince Charles in 1969, his wedding to Lady Diana Spencer in 1981, and then the Princess’s tragic death in 1997, ending with 2020, which marks the 75th Anniversary of VE Day, and the start of the CoVid pandemic, but it is the journey of the characters that illustrate their meaning. Coe charts the family’s joys and griefs, triumphs and regrets, gains and losses, creating a history of their own as time marches on.
Written with tenderness, humour, and insight, Bournville evokes life’s ordinary and extraordinary moments. Enjoy with a block of Cadbury chocolate.
Although the four generations start with Doll, it's her daughter Mary who is the hub of the story, and her children and grandchildren who experience alongside her some of the most memorable times in recent history. I liked how their own family situations were woven in with these events. Whilst they went about their own business and had their own personal family experiences, they were encountering the same historical happenings as the rest of us which fostered a kind of solidarity with me as a reader.
I was enthralled by this book really and just soaked up the social detail. I always enjoy a good family drama. Whilst the Lamb family have their ups and downs, Bournville is just as much about the everyday and the way we all experience the ebbs and flows of life against a backdrop of constant evolution. I found it fascinating to follow the family through the years and to witness the changes they saw. I smiled, laughed and cried - the ending felt particularly poignant and the author's note at the end only added to that.
Bournville is a superb novel. It could be about any one of us and our family history and that's what makes it such a strong and engaging read. Changing attitudes, the rise of technology, the end of a war, Brexit, it's all contained between the covers and it had me engrossed from start to finish.
The problem with it is that the episodic nature of the narrative gives little opportunity for development of the the characters. There is no shade of grey about any of them. One is a racist, another a Brexity type, a third a professional musician who may be gay. But there is no depth to any of them and that’s unusual for Coe. It’s as if the structure of the narrative has, in the end, been inhibiting rather than liberating.
There is plenty to enjoy of course; the sub-plot around the Chocolate Wars is enjoyable and was new to me. Coe also gets the opportunity to give the UK government a well-deserved kicking for its handling of COVID. There are also appearances from characters that have appeared in other Coe novels - nice Easter Eggs for those of us who have read them, but not essential to the plot for those that haven’t.
Fortunately, I found this to be one of his best, on a par with The
He has always been adept at managing several different threads of a plot, and at conveying different times with great ease and plausibility. In this novel, he uses the device of seven major events, ranging from VE Day in 1945 to the lockdown arising from the Covid pandemic in 2020. He follows members of a gradually expanding family, starting in the workers’ village established by the Cadbury family for the staff of their factory complex in Bournville.
I found this novel particularly evocative as I have my own recollections of several of the events that Coe uses as hooks for the developments within the story. I was especially impressed by the manner in which he used separate characters’ contrasting views (often diametrically opposed) to throw different perspectives on the numerous sub plots and twists.
I was pleased to see him return to such strong, mid-season form with this novel.