Status
Series
Genres
Description
Dazzling psychological suspense. Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell, "the best mystery writer in the English-speaking world" (Time magazine). From Doon with Death, now in a striking new paperback edition, is her classic debut novel--and the book that introduced one of the most popular sleuths of the twentieth century. There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons' past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest. Praise for From Doon with Death "One of the most remarkable novelists of her generation."--People "She has transcended her genre by her remarkable imaginative power to explore and illuminate the dark corners of the human psyche."--P.D. James… (more)
User reviews
Not only was FROM DOON WITH DEATH the first book in the Wexford series, it was Ruth Rendell's debut novel. FROM DOON WITH DEATH is in some senses a "forgotten book". This year the Wexford series of 22 titles comes to an end with THE MONSTER IN THE BOX.
In the history of the series FROM DOON WITH DEATH is important because it introduces Wexford and Burden, and really broke new ground in crime fiction with the creation of a detective duo in what was essentially a police procedural. Interestingly Wexford is already 52 years old, and so Rendell is immediately faced with the problem of how to age her detective. As Reactions to Reading points out in her recent post, if he had been aged in real-time, a la Ian Rankin's Rebus, Wexford would now be 97. So I reckon Wexford and Burden only age 1 year every 5 or 6 years, although their children do grow up.
I don't think FROM DOON WITH DEATH is Rendell's best book. It has many signs that this is a debut novel. In addition to its comparative brevity, I think Rendell's understanding of police procedures is a bit limited. Wexford comes over with a coarseness that is considerably reduced in later books, where he and Burden are both given quite detailed back-stories, and elements of family interest. And speaking of elements, I think there is a gender element in FROM DOON WITH DEATH, and if you read the book you'll see what I mean, that must have been a bit of a jolt for crime fiction readers in the mid 1960s.
I had no idea who "Doon" was and the reveal was a surprise. I'll be reading more in the series.
I agree with other reviewers who think the solution might have been more surprising
Rather wish Ms. Rendell had let us know how the widower reacted to the revelation and his murdered wife's last letter. He was one of the two characters I pitied.
I could never really get into any of the characters especially Inspector Wexford. The ending
Oh well not every book can be must read and 'From Doon With Death' certainly fell short of 'must read' stature
It's fairly well constructed and written, and while the lead characters aren't that well developed, they do come across as distinct personalities even in this short novel. There's a strong focus on psychological study of the various suspects and witnesses, and Wexford is shown as a broad-minded man whose uncensorious attitude to human frailities can be an asset in his job. But I found the general shape of the solution far too obvious from the very beginning of the book, and was disappointed to find that I was right.
For a series opener, it's a bit typical. What I mean is that having read other Inspector Wexford books, I know that the author takes time to more fully develop Wexford's character as the series progresses. Also, as a side note, don't forget that this book was written in 1964 and thus attitudes are a bit dated. Overall though, I love Ruth Rendell's work, and I'm very happy to have read this one.
I'd recommend it to readers who enjoy a good British mystery with solid plotting.
I still enjoyed it though and because I remember the TV series, Wexford and Burden were full characters to me already so I didn't feel they were lacking.
September 2014
An integuing mystery, carefully highlighting english country town life in
Quick and easy readable mystery.