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An ancient stone possessing awesome and terrifying powers wreaks havoc in this intelligent and provocative literary excursion into the supernatural A remarkable object has fallen into the hands of the abominable scientist Sir Giles Tumulty. Once positioned at the center of the crown of King Solomon, it is a stone of astonishing and terrifying power, capable of good and evil alike. Anyone who touches it can move through time and space, perform miracles, and heal or kill. The stone can replicate itself, and does so during the course of Sir Giles's inhuman experiments, subsequently falling into numerous unworthy hands throughout England. There are those who will attempt to use the stone for personal gain, only to discover that it is they themselves being used by a power beyond their comprehension; some will find themselves trapped in eternally repeating nightmares from which there is no escape; still others will be freed from their earthly burdens. And so begins the battle between the forces of darkness and light for control of the most dangerous object in existence. A gripping metaphysical thriller by Charles Williams, who along with C. S. Lewis, Owen Barfield, and J. R. R. Tolkien was one of Oxford's famed Inklings, Many Dimensions is at once a gripping supernatural adventure and a thought-provoking exploration of the good and evil that dwell in the heart of every human being.… (more)
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Many of the chapter titles have a clever ambivalence. "The Refusal of Lord Arglay" could mean that Arglay is refused or refusing. Similarly, "The Discovery of Giles Tumulty" could mean that Tumulty is discovered or discovering.
Many Dimensions functions with some effectiveness as a parable regarding the magical will. The overt reflection on this topic is quasi-incidentally remarked in a quotation from 13th-century English jurist Henry of Bracton: Attribuat igitur rex legi, quod lex attribuit ei, videlicet dominationem et potestatem. Non est enim rex ubi dominatur voluntas et non lex. (214) Williams doubtless contemplated this maxim in a theological, rather than a magical sense, but the action of his novel is open to both.
There is a surprisingly sympathetic treatment of Islam in this book, creating a contrast with the sort of moronic Islamophobia in which Williams' friend C.S. Lewis trafficked in the form of his villainous Calormenes. Although Williams was the author of works of Christian theology, his fiction shows him to have a generous religious imagination, including a warmth toward conscientious skepticism. This latter is on full display in the character of Lord Arglay, who at one point describes the Christian Passion as "one of the myths of our race."
I was struck by the echoes of the novels of G. K. Chesterton: the ancient Persian and
There are some aspects which would interest the thoughtful science fiction fan: some paradoxes of time travel are carefully dissected, and there is a fascinating description of what it might be like for one person to direct the thoughts of another (as distinct from simply taking control of their actions). The nature of faith is also touched upon (at one point Arglay decides to believe in God, as a sort of working hypothesis). The resolution should, perhaps, not be as unexpected as I found it; the spiritual thrust of the book leads inexorably away from the imposition of corrupt will upon the source of power, and towards sacrificial submission to the divine nature. MB 23-x-2007
I received this book through a Publisher's promotional giveaway. Although encouraged as a courtesy to provide feedback, I was under no obligation to write a review. The opinions I have expressed are my own.