Nature's god (Historical Illuminatus Chronicles vol. 3)

by Robert Anton Wilson

Paper Book, 1991

Status

Available

Call number

813

Collections

Publication

New York Roc 1991

Description

They are the most secret of organizations and the most powerful---the Illuminati. They continue to shift the patterns of history to fulfill plans of their own, to open pathways to power which ordinary mortals are never meant to tread. It is 1776, and Sigismundo Celine, a young Neapolitan aristocrat and musician---exiled from his homeland after an unfortunate duel---has fled Europe for the American colonies. Here he will seek to master the next levels of metaphysical magic, and search for the Indian territories. In the meantime, the Irish fisherman, Moon, is caught up in revolution, his fate linked with George Washington and Lafayette. While Sigismundo prepares to contest the most powerful of the Indian medicine men, Moon, Washington, and the troops are waging an equally desperate battle for survival. THESE ARE THE EVENTS WHICH WILL SOON RESHAPE THE WORLD...… (more)

User reviews

LibraryThing member ritaer
This book will give you a different vision of the American Revolution.
LibraryThing member RandyStafford
My reactions this novel in 1992. Some spoilers may follow.

Each of the three novels in this series has a different emphasis, a different style. The Earth Will Shake was pretty much a straightforward novel with an emphasis on the various warring Illuminati and the meaning of various occult symbols
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and initiations. That emphasis on symbology and initiation grew more in The Widow’s Son with less character development and a large element of philosophy and humor (in the footnotes especially). Nature’s God has large dollops of philosophy, mysticism, and humor

I was bored by the ceremony where Maria Babcock and Sigismundo Celine mystically meet out of the body. I also was bored by Maria Babcock’s initiation into the craft of women. The whole misanthropic and iconoclastic chapter called “The Wilderness Diary of Sigismundo Celine” was interesting to read (and reminded me of Marcus Aurelius Meditations or Robert Heinlein’s The Notebook of Lazarus Long) and even had some things worth thinking about but plot and story screech to a halt during this long segment. I felt the same way about the chapter “My Lady Greensleves” dealing with Maria Babcock’s intiation into womens’ craft though you could argue that this is plot moving forward at least.

By far the most interesting and best part of the novel was Seamus Muadhen and his experiences in the American Revolution. Wilson elegantly outlines the grueling experience of the war for the rebels who fought it. Thomas Jefferson’s and George Washington’s notion of Nature’s God as a giver of natural law, inalienable rights are contrasted with the Marquis de Sade’s notion of a meaningless, mechanistic universe where sadistic acts have as much value and meaning as anything else. Nature’s God is also contrasted with Celine’s view that all philosophy, all values derive from man. In Muadhen’s mind, as he fights the seemingly hopeless Revolution, he questions the existence of Nature’s God and his interest in his mind. In a sense, being a Rebel soldier is an initiation for Muadhen into higher truths just like the Babcocks and Celine have their initiations. Muadhen comes to see that reality can not be explained by any one system. And, in his mind, he comes to doubt the existence of Nature’s God, or, at least, a God concerned with man. Doubts, that is, till the timely rain which prevents the British retreat at Yorktown. Then he doubts his doubt. I also liked the image of Jefferson and Washington (quite profane in this book) as sorcerors enchanting men with their words. Why else would men endure so much so long for so hopeless a cause when paid just in glittering words? Washington may be a literal sorceror as he raps three times at sites around his siegeworks at Yorktown.
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Language

Original publication date

1988

ISBN

0451450590 / 9780451450593

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