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For close to three thousand years, Helen of Troy has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek king Menelaus and the Trojan prince Paris, Helen was held responsible for an enduring enmity between East and West. But who was she? Helen exists in many guises: a matriarch from the Age of Heroes; the focus of a cult that conflated Helen the heroine with a pre-Greek fertility goddess; the home-wrecker of the Iliad; the bitch-whore of Greek tragedy; the pin-up of Romantic artists. Focusing on a flesh-and-blood aristocrat from the Greek Bronze Age, cultural and social historian Hughes reconstructs the context of her life. Through the eyes of a young Mycenaean princess, Hughes examines the physical, historical, and cultural traces that Helen has left on locations in Greece, North Africa, and Asia Minor.--From publisher description.… (more)
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In fact, in this long, well written and richly detailed work, I was delighted to be proven wrong.
Hughes has devoted significant serious scholarship to the study of Helen as a potential historical character as well as noting probably every instance where Helen appears as a mythic character, as well as noting probably every reference to Helen in literature, popular culture or even vague allusion for the last three millennia.
This is a multi-disciplinary approach that reaches across the lines between history and archaeology and anthropology and myth and poetry and literature and – well, everything – to deliver as definitive of a treatment as I believe could ever be possible of Helen of Troy. This could never hope to achieve the author’s aims if Hughes was not simply a true academic scholar who footnotes everything, but also a truly outstanding writer of a magnificent narrative. It was only in reading the second half of this thick work that I came to appreciate what her goals were and likewise to credit her with accomplishing these in this fine work.
If you think it is stretching a thesis to suggest that Helen pervades our culture long after Homer, long after classical Greece and ancient Rome, be prepared to discover Helen as a central character again and again, even in most unlikely places like the musings of medieval monks and on the stage of Elizabethan London.
I learned so much from this book – not only about the Bronze Age and archaic world I initially sought to further explore -- but about so many other seemingly unrelated aspects of history and western civilization, that I will without hesitation recommend this book to all with even the most peripheral interest in the subject. You will not regret it.
I read this immediateley
All the chapters are very short and most are very self contained, so it did look a bit like she had got all her students to write essays and then cobbled them together, with the left over bits dropped into the appendices.
Good read though.
I read Euripides's play first and was struck by Helen's similarities to Jesus - I read it from a post-Christian perspective. This book really helped me to understand how the Greeks would have seen Helen. Hughes is
My one complaint is that the footnotes are a mixture of references and fascinating asides that should be part of the main text. There are many hundreds of footnotes so the flow of your reading is constantly interupted, often only to be told that it's ibid.