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Biography & Autobiography. History. Nonfiction. HTML: An engrossing biography of the longest-reigning female pharaoh in Ancient Egypt and the story of her audacious rise to power. Hatshepsut�??the daughter of a general who usurped Egypt's throne�??was expected to bear the sons who would legitimize the reign of her father�??s family. Her failure to produce a male heir, however, paved the way for her improbable rule as a cross-dressing king. At just over twenty, Hatshepsut out-maneuvered the mother of Thutmose III, the infant king, for a seat on the throne, and ascended to the rank of pharaoh. Shrewdly operating the levers of power to emerge as Egypt's second female pharaoh, Hatshepsut was a master strategist, cloaking her political power plays in the veil of piety and sexual reinvention. She successfully negotiated a path from the royal nursery to the very pinnacle of authority, and her reign saw one of Ancient Egypt�??s most prolific building periods. Constructing a rich narrative history using the artifacts that remain, noted Egyptologist Kara Cooney offers a remarkable interpretation of how Hatshepsut rapidly but methodically consolidated power�??and why she fell from public favor just as quickly. The Woman Who Would Be King traces the unconventional life of an almost-forgotten pharaoh and explores our complicated reactions to women… (more)
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As a coincidence, I recently viewed a History of Ancient Egypt, a scholarly presentation by Egyptologist Bob Brier, just prior to receiving The Woman Who Would be King. As a result, I was familiar with Hatshepsut and the
The author of this non-fiction work was faced with a difficult task: How to present a book length treatment of a historical figure for which very little historical data is present, without drifting saw far into speculation and hagiography as to lose its non-fiction status. The same problem was presented in Alison Weir’s “biography” of Eleanor of Aquitaine, a historical figure of much more recent vintage and for whom we have much greater historical data. By and large, I was not terribly impressed with the result in this case.
We know a little about Hatshepsut from the scant historical record. She was undoubtedly a fascinating and extremely important historical figure. We also know something about the roles she filled and from this we can make relatively sound presumptions. However, the author takes some pretty substantial liberties with these presumptions and in some cases ventures into the absurd. She covers herself by inserting “mealy-mouthed” qualifiers such as “One can imagine…”, liberal use of the words “perhaps”, “may have” and “probably”, followed by flights of fancy whereby the author opines on the personality of long dead ancient Egyptians without any basis of fact whatsoever. For example, we have this silly attempt at divining a self-esteem problem suffered by one of Hatshepsut’s advisors, Senenmut:
“Did Senemut harbor a secret anxiety that he did not fit in at the palace? Was he ashamed when a learned elite from a venerable old family said something at which he knew he should take offense, but which he did not really understand? Did he cover over that disgrace with a witty retort?”
Such writing really has no place in a non-fiction work. Drafting complete supposition, with absolutely no basis in fact or the historical record, and then qualifying it with question marks and language does not disguise the fact that the author is venturing into the realm of fiction. She advances into hypocrisy when she labels fellow Egyptologist as “sensationalist” for proposing the theory that Tutankhamen was possibly murdered. Her flights of fancy are no less sensationalist due to the insertion of a question mark.
Here is the problem: There is not enough historical record to support a book length non-fiction treatment on Hatshepsut. We can take what is available and produce historical fiction, or we can produce a far shorter (and not commercially viable) scholarly treatise which advances theories which may have some support. The author has chosen something of a middle ground which has resulted in a still very short work, full of what rapidly becomes annoying phrases and leaps of logic with no historical support whatsoever. I cannot recommend it.
However, the importance of a work regarding this important historical woman is evident. There seems to be much debate about Hatshepsut's reign and apparently prior Egyptologists have regarded her as a scheming, ambitious bitch. A more nuanced and feminist view of her reign is welcome.
I am sure a more academic reader would be better served by this text than I, so I would recommend it as a classroom text or introduction for a student seriously interested in archaeology or Egyptology.
While there are many aspects of this texts that are both compelling and enjoyable, I found Cooney to be at her strongest when constructing her reading of Hatshepsut's theater of power. The fascinating and often surprising process by which Hatshepsut transforms herself from regent to Pharaoh is a joy to read. Her choices in self-representation are chronicled and illuminated by Cooney in a way that reads well, grounded in serious scholarship but open to speculation when required.
Obviously, due to the amount of speculation required in such an endeavor, there will always be detractors who believe this sort of thing should not be taken seriously. I think, however, that Cooney's expertise in the field does give credibility to her writing, even if imagination does occasionally run away a bit too far. Ultimately, I feel the effort is worth it. Cooney argues convincingly, creating a rich portrait of a vanished world and a unique, extraordinary woman.
Thank you to LibraryThing and Broadway Books for the Advanced Readers' copy.
Cooney does go far in her suppositions, but she is upfront about when she's going out on a limb. The book provides a lot of sources and notes about the differing views between Egyptologists, and the reasons for her views in particular.
The key thing with Hatshepsut is that she seems to have been an incredibly intelligent, capable, and bold woman. It seems clear that she was involved in the large decisions during her husband's reign and that the priests and generals were happy for her to continue as regent when he died, despite her young age.
I enjoyed this book, and felt like I got a lot out of it. I think Cooney's suppositions are generally reasonable, barring the idea that Hatshepsut truly believed in the religious visions she describes and uses to justify her rule. She does not have to have been grasping or power-hungry in order to use religion to her own ends, there is a middle ground (and Thutmose III was still too young to rule at this point).
Kara Cooney clearly has a passion for Ancient Egypt and especially for Hatshepsut, that is evident in this book. I realize now that as a reader who is
Usually when I read a biography or a book on a topic in history I like to be able to read actual facts about that topic. With Ancient Egypt (and especially Hatshepsut) readers are left to rely on hypotheses based upon ancient artifacts that have been found. Having said that, this book contained a lot of conjecture not only on the details concerning Hatshepsut's reign but also concerning her motivations and emotions. I don't necessarily mind the conjecture concerning her reign, it was the conjecture about her motivation that I didn't like and felt was unnecessary. The attempt to really humanize Hatshepsut didn't work for me as there is little evidence of any person's motivations during those times.
In the middle of the book Cooney really starts to focus on Hatshepsut's reign as king and what she accomplished (instead of her motivation) and it was really quite interesting. There is no doubt that Hatshepsut was an important and powerful woman in the ancient world and this book really reinforces why we should all strive to learn more about her. Thanks to NetGalley and the publisher for the galley.
Kara Cooney has little to go on in terms of source material, as the ancient Egyptians only recorded the things they wanted recorded and not much else. So,
I did find the repetitiveness of the sexual behavior a bit much. Granted, this was a huge part of Hatshepsut's life as God's Wife of Amen. I also did not like the way the author inserted Hatshepsut's point of view, for which there is no evidence.
In the author's note, the author quite rightly states that this is a fantasy.
I liked this book. I felt Cooney provided a thorough background for King Hatshepsut and led us logically from one stage of her development to the next with her conclusions. As with much of ancient history, there are (many) more questions than answers, but Cooney fills in the gaps with well-reasoned suppositions. My biggest surprise was the profound influence religion had on Hatshepsuts ascendancy to power and her ability to hold onto it. I have to admit I think I would forgo the kingship if I had to spend a lot of my day tending to a statue. The discussion of religious rituals and holidays were fascinating. I would recommend this book to anyone who is studying this era or has an intense interest in it. Those who are more used to popular biographies might find it a bit dry, but I love reading footnotes, so it was right up my alley.
I received an Advanced Reader's Copy from the publisher which did not influence my review.
If you're looking for a light read or a historical fic, this isn't the book for you. But if you have an interest in actual Egyptian history, by all means, read it.
I received an advance copy from the publisher in exchange for an honest review.
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Hatshepsut built many temples and monuments during her life, though many were defaced after her death. Usually the King's mother would have been the previous king's daughter, but Tutmose III's mother was only a concubine. The author suggests that the defacing of her monuments was not a personal vendetta on the part of her successor, but may have been a way to ensure the father-son succession that followed. Hatshepsut's successor may have wanted to emphasize his own paternity since that was his only claim to the throne at a time when the King's mother was generally high-born.
This book is straight history, not a novel, but easy to follow and an enjoyable read. It is well researched, and while it contains a lot of supposition of motives and emotions for the characters, the author states that these are her own opinions and why she thinks these opinions are likely to be true.
The author of this book is a professor of Egypt art and architecture. It was about the life of Queen Hatsheput. The author opens up by offering reasons as to why Queen Hatsheput was not as well known as the other female rulers like Cleopatra. She posits a
Review: This was an interesting look at some ancient history, and I certainly learned a lot, but I didn't always find it the easiest read. Hatshepsut was a fascinating figure, and I like Cooney's idea to use her to examine the perception of and reaction to women in political power, although this was used more as an introduction to the biography than analyzed in any critical detail. Cooney does a nice job of explaining the relevant social, political, and religious aspects of life in ancient Egypt, something which I - as a relative neophyte to Egyptian history - greatly appreciated as a means of putting Hatshepsut's life into context. The writing was generally smooth, although there were places where it was harder for me to get through - I felt like it occasionally lost track of the main narrative thread of Hatshepsut's life and struggles, and thus lost some of its driving force and became somewhat dense.
I also thought that Cooney did a good job of differentiating fact from interpretation in her reconstruction of Hatshepsut's life, something that is not always the case in histories based on limited or fragmentary sources. (She occasionally ventured a little far into the "may have" form of sentence construction when discussing aspects of Hatshepsut's life for which there is no direct evidence, but that's preferable to treating interpolation and interpretation as truth.) One issue that did bother me is that the evidence that Cooney did have was rarely "on display", as it were. Early in the book she discusses how most of Hatshepsut's monuments were destroyed, but I was never entirely clear on a) how archaeologists could tell they were Hatshepsut's monuments in the first place, and b) what evidence remains that wasn't destroyed. Not that I need to see every statue or read every hieroglyph, but I would have appreciated some more direct discussion of where this information was coming from. 3 out of 5 stars.
Recommendation: I found this book interesting but not exactly compelling. Those with a strong interest in ancient Egypt would certainly find this one worth a try, although those with a more casual interest may do better to stick to historical fiction set in ancient Egypt (a la Michelle Moran).