The Return of the Goddess: A Divine Comedy

by Elizabeth Cunningham

Paperback, 1992

Status

Available

Call number

813.54

Collection

Publication

Station Hill Press (1992), Paperback, 388 pages

Description

The Goddess is returning! She takes shape in the hands of an Episcopal priest's shy, retiring wife. She invades the dreams of a grande dame who thinks women priests are a scandal. She lures a poker-playing ex-convict onto unfamiliar terrain, literally. Then there is the mysterious old man in the wood, who's been watching, waiting for a sign of her return.  Who is the Goddess? Where has she been for so long? What does she want from the four human beings whose lives she is turning upside down and inside out? As they confront these questions, Esther, Spencer, Marvin and Fergus find themselves drawn together, forging friendships across boundaries of age, class and race, discovering--and recovering--powerful, erotic passions. All their encounters, with themselves and each other, lead them deeper into Blackwood, an old estate that shelters an imperiled grove of trees sacred to the Goddess, a grove it becomes their mission to save.  The Return of the Goddess, A Divine Comedy marks Cunningham's first explicit exploration of Christianity and the power of a divine feminine, long forgotten, obscured, and suppressed by the Church. She went on to write The Maeve Chronicles, featuring her iconic, outspoken Celtic Magdalen. The Return of the Goddess takes the reader inside the world of Cunningham's origins where a gap in a wall leads from the church to the sacred grove.  Twenty-six years after its first publication The Return of the Goddess, A Divine Comedy remains a classic in what has become a movement, both within established religions and beyond, to reclaim the goddess and to embody her return.… (more)

User reviews

LibraryThing member bookwitch
The events in this great big (in every sense of the word) celebration of a book begin on All Hallow’s Eve, when Esther Peters, wife of the local rector, finds she has unthinkingly fashioned a primitive and sexually abundant figure of the Goddess out of play dough.
Something huge has been set in
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motion, something that will change Esther and the small town of White Hart for ever.

Elizabeth Cunningham has created a host of wonderful characters, each perfectly realised and, thanks to the depth of her imagination and observation, each starting from the page to pull the reader inwards and onwards. But it’s the Goddess herself who flows through everything, deepening the work with her legacy of magic – imparted so skilfully by the author that the teaching throughout the book – teaching that ranges generously across different belief-systems – could pass unnoticed. It could almost be called a Novel of the Mysteries. And Elizabeth Cunningham is well-qualified to impart the Mysteries – being not only a practising priestess but:

… a direct descendant of nine generations of Episcopal priests. She grew up hearing rich (sometimes terrifying) liturgical and biblical language. When she was not in church or school, she read fairytales and fantasy novels or wandered in the Wood next door to the rectory. (quoted from her website.)

This is a novel with many layers, not least of which is humour – the subtitle, A Divine Comedy does not lie – one with built-in empowerment for women, one every woman should read, whatever beliefs she holds.
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Language

Original publication date

1992

Physical description

388 p.; 9.1 inches

ISBN

0882681575 / 9780882681573

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