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"Joan of Arc, a village girl from the Vosges, was born about 1412--burnt for heresy, witchcraft, and sorcery in 1431--rehabilitated after a fashion in 1456--designated Venerable in 1904--declared Blessed in 1908--and finally canonized in 1920. She is the most notable Warrior-Saint in the Christian calendar, and the queerest fish among the eccentric worthies of the Middle Ages."--George Bernard Shaw With Saint Joan, Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc but unhappy with "the whitewash which disfigures her beyond recognition," he presents a realistic Joan at war not just with British invaders but with realpolitik. This is a masterpiece of the theater of ideas, presented in the most eloquent, vital, human, and moving terms. Blackstone commissioned this production from the award-winning Hollywood Theater of the Ear.… (more)
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The play itself is, in fact, clearly a tragedy--St
I would say it's one of the best plays I've read, and I've read many of them, Aeschylus, Sophocles, Euripides, Aristophanes, Shakespeare, Milton (Samson Agonistes), Moliere, Addison, Chekhov, Sheridan, Goethe, Synge, O'Neill, Williams, Kushner (ugh!), and so on and so forth...I highly recommend it for 8th-10th grade students, and I know that it was assigned when I was in high school (don't tell anyone I didn't read it then!).
In Saint Joan Shaw
Shaw's play features Joan as an outsider who seems lonely only when she is among those who voiced the common opinions of the day. Her multi-faceted personality is hidden behind her single-minded pursuit of a vision of god's design for her life. Saint Joan is a tragedy without villains. The tragedy exists in a view of human nature where the incredulity of intolerance of both religious and secular forces battle each other. It is made even more interesting by Shaw's epilogue that brings the play into the current time and provides an opportunity for Shaw to discuss the play with the audience. Whether this play is truly great or almost great it is definitely Shaw at his dramatic best.
Shaw's preface is too clever by half and the self important lecture can be skipped with no real harm to
This Joan was rather quick witted, other representations have as a nascent martyr. Her
GB Shaw has impressed me this week, not only for the scale of his vision but the complexity of his characters. There is always tenderness and treachery afoot, often in the same character on a single page.