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After Englishman John Blackthorne is lost at sea, he awakens in a place few Europeans know of and even fewer have seen-Nippon. Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed. Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Sh?gun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Sh?gun is, as the New York Times put it, "...not only something you read-you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Sh?gun.… (more)
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I've read reviews complaining the depiction of the Japanese isn't always accurate; it isn't surprising Clavell, an Australian-born American citizen, might miss nuances of the different cultures he depicts, largely Japanese, (but also British, Dutch, Spanish and Portuguese) especially since the novel is set about 400 years in the past. (I read that, in particular, Clavell's Japanese is Babelfishian in its syntax and there are cultural anachronisms. For those who find the overall plot implausible, however, they should look up William Adams, the real English pilot and samurai upon whom Blackthorne is based.) I'm not qualified to know where Clavell might have gone astray, but at least the novel is balanced enough that both the Europeans and Japanese are portrayed as having admirable and repugnant qualities as cultures and individuals.
The prose isn't smooth. There are point of view shifts and a lot of information dumped on the reader in less than an organic way, especially in the first couple of parts. Despite that I found this an engrossing yarn. Clavell is wonderful at conveying Blackthorne's reactions to a culture so alien to him and how he's transformed by his experiences with it, part conversion, part Stockholm syndrome. At the heart of the story is a well-rendered romance, and I thought Mariko, a Christian Samurai, made both a good match and foil to Blackthorne. There was certainly plenty of intrigue, (often gory) action, and touches of humor to hold my interest and the novel did make me want to learn more about Japan and wish to read a Japanese novel or history sometime, especially about this period. (I've heard the Japanese historical novelists Shusaku Endo and Eiji Yoshikawa are good places to start.) I liked it enough I might even try Clavell's other novel of Japan, Gai-jin, a kind of sequel to this one, but dealing with the period of the Meiji Restoration and reopening of Japan to the West around 250 years later.
He exerted all his strength as the rudder bit into the torrent. The whole ship shuddered. Then the prow began to swing with increasing velocity as the wind bore down and soon they were broadside to the sea and the wind. The storm tops’ls bellied and gamely tried to carry the weight of the ship and all the ropes took the strain, howling. The following sea towered above them and they were making way, parallel to the reef, when he saw the great wave. He shouted a warning at the men who were coming from the fo’c’sle, and hung on for his life.
For me, the real meat of the story isn’t all of the Japanese political intrigue (you almost need a flowchart to keep track of who is backstabbing who), or even the (somewhat predictable) love story between Blackthorne and Mariko, but Blackthorne’s transformation. In the beginning, he is an Englishman, through and through, but by the end of the story even his personal thoughts are more Japanese than English. Believe it or not, I actually wish the story had gone on a bit longer… I wanted to know Blackthorne’s story to its conclusion. Will he ever be completely happy in his new home? Will he find love? Does he survive Toranaga’s war? So many questions!
Also true is the fact that the intimate relationship between Blackthorne and the
When this novel was new, many science fiction fans of my acquaintance devoured it eagerly, saying "This is a science fiction novel!" When I asked what they were talking about, they said "It's about a man coming to terms with an alien civilization", and that is true. Japanese society and culture works on completely different rules to Western society, and that has been the cause of so much pain and suffering during the 20th century. Clavell wrote this book from a position of knowledge; he had experience of the Japanese as a PoW in the Second World War, but he then went further and did his research to uncover the reasons behind what he saw. This book, and others like it, play an important part in increasing our understanding of this alien culture, no matter how much they have spin and fancies added for the entertainment of Western audiences.
Shogun was one of them. I'm not sure if Dad read it, but I sure did. And I've read it every six months or so, ever since.
Why? Several reasons:
1. It's incredibly readable. This is one of those amazing books that simply sucks you in and makes you live its story. Clavell had the rare gift of writing, and Shogun was his masterpiece.
2. It's really long. I'm an extremely fast reader, but even I can't get through Shogun in less than a week. And yet every time I finish it, I always wish there was more, and more...I'm lucky that I can re-read it within six months and enjoy it as much as ever.
3. It presents a fascinating and accessible take on an ancient culture. True, it may not be an entirely accurate picture of Japanese society in the 1600s (I just read an article by a scholar that sneered at the book unmercifully, although many scholars are far less negative about the book). Still, I've learned a little Japanese from the book - enough to help me understand anime a bit better - and while the culture as presented is doubtless over dramatized, I believe that it has still given me some useful insights into Japanese culture.
Shogun tells the story of an English sailor who comes to Japan a barbarian. By the end of the story, he has been civilized by the Japanese. He has even become a samurai. This illustrates one of the major points of the book. From the perspective of the Japanese, their first encounters with the West showed them we lacked civility. We had no standards of hygiene. We lacked the order of their feudal system. We had no concept of honor nor the willingness to kill ourselves and others to maintain that honor. We were childish in our views of sex and love. Etc.
On the other hand, we see the English perspective just as clearly. The samurai are brutal, oppressive to the lower classes and obsessed with death. They are so consumed with pride they fail to see the real threat the West poses. They are intolerant of religions that differ from their own. Etc.
You see clearly the flaws and strengths of each culture and the interaction between them that results seems realistic. It is a sharp clash. But you also realize at the end of the day, each character is the same: Human.
Clavell does his historical homework here, to justify all of this. But does the actual story hold together? In my view, that is it's true strength, even more than the clash of cultures. The English ship pilot Blackthorne feels as real as the Japanese samurai woman Mariko. It is amazing how a man in the 20th century can put himself in the mind of people who lived in different cultures, were not of his gender and lived so many years ago. Clavell does this, and then some. The story line itself is equally engaging. The struggle for power in Japan, the struggle between Christianity and traditional Japanese religion, and the struggle of each characters internal problems all keep you reading.
This alone makes this novel worth it. But there is an added element. Clavell based this all on real events. Of course, he changed many things, but after you are finished reading Shogun, look at the real historical figures this story was based on and you will find a tale just as interesting as the novel.
I think this book is Clavell's best because of the historical facts that it is based upon (otherwise the book would
It's no Crime And Punishment but Shogun is still a great read, that's tremendously entertaining, and ultimately, at the end of the day, that's all that mattters.
First, it is SO much better than the miniseries made in the 1980s, although that wasn't too bad.
Secondly, the society, the people are fascinating. Even those characters who you think are horrible turn out to have other sides to their personalities...you can't assume
It's a big book, with violence and other 'adult' situations that do not distract from the story, nor do they glorify those situations...they just ARE.
I've read this book in its entirety several times since I first picked it up, about 1980, and I have learned not to pick it up just to refresh my memory about a certain passage, because I wind up reading the whole thing again!
Highly recommended.
This novel is breathtaking, a classic epic that everyone should read. Clavell writes with an enormous amount of skill, his tale weaved cleverly with both wit and grace
One of the best books I've ever read, I'm sure I'll read this book again and again.
Karma, neh?
I guess it's inevitable with a book over a thousand pages long, but I was bored a fair amount of the time. The characters are clearly drawn, so it's pretty easy to keep them straight most of the time. Even so, with many layers of intrigue and lies told to different people to manipulate them in different ways, you're bound to get lost occasionally. Before too long, though, the cast is shortened by someone getting their head lopped off or committing seppuku, so don't despair.
Recommended for: people who watch a lot of anime, people who find sword violence less objectionable than gun violence, fans of Machiavelli.
Quote: "The peasant soldier who became a samurai and then a general and then the greatest general and finally the Taiko, the absolute Lord Protector of Japan, is dead a year and his seven-year-old son is far too young to inherit supreme power. So the boy, like us, is in pawn. Between the giants. And war is inevitable."
Clavell’s fictionalized account of the first Englishman’s arrival just before the founding of the Tokugawa shogunate is a political thriller disguised behind a man in a foreign nation story. The 1200+ page novel is an engaging read though parts throughout are repetitive—Blackthorne’s internal thoughts obsessing about the Black Ship being the main culprit—that make me thankful that Clavell cut over a third of the original during the editing process. While I enjoyed the sight into Japanese culture and the political intrigue throughout the book, the history enthusiast in me disliked Clavell’s decision to renaming historical individuals because every time I saw Toranaga I kept thinking Tokugawa Ieyasu, Ishido was Ishida Mitsunari, the Taiko was Toyotomi Hideyoshi, and Goroda was Oda Nobunaga, etc. to the point that I got a tad frustrated because I mixed the historical name with the fictionalized name. Yet Clavell’s overall writing was able to bring me back to the historical novel.
Shogun is a fantastic historical novel of an Englishman’s arrival in late Sengoku era Japan that brings the culture to the fore and the political intrigue twisted throughout a nice highlight.