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Fantasy. Fiction. Horror. Thriller. HTML:â??Koontz gives [Odd Thomas] wit, good humor, a familiarity with the dark side of humanityâ??and moral outrage.â?ťâ??USA Today Once presided over by a Roaring â??20s Hollywood mogul, the magnificent West Coast estate known as Roseland now harbors a reclusive billionaire financier and his faithful servantsâ??and their guests: Odd Thomas, the young fry cook who sees the dead and tries to help them, and Annamaria, his inscrutably charming traveling companion. Fresh from a harrowing clash with lethal adversaries, they welcome their hostâ??s hospitality. But Oddâ??s extraordinary eye for the uncanny detects disturbing secrets that could make Roseland more hell than haven. Soon enough the house serves up a taste of its terrors, as Odd begins to unravel the darkest mystery of his curious career. What consequences await those who confront evil at its most profound? Odd only knows. â??Odd Thomas is the greatest character Dean Koontz has ever created. Heâ??s funny, humble, immensely likable, courageous, and just a joy to read about.â?ťâ??Seattle Post-Intelligencer â??[Odd Thomas is] one of the most remarkable and appealing characters in current fiction.â?ťâ??The Virginian-Pilot â??Supernatural thrills with a side o… (more)
User reviews
Loved it!
A very pregnant Annamaria as well as the German shepherd ghost dog Boo play tertiary roles at best in this book. As always, Annamaria enchants those she meets and speaks in riddles. Odd isn't really sure why he is with her but knows there is a reason not yet revealed to him. Adding a chilling context to the read is the statement Odd makes that his stories will not be published until after his death. Koontz excels at portraying evil characters and does not disappoint with this outing. Of interest is his introduction of NikolaTesla into the character pool and the way in which he weaves the plot around Tesla's futuristic inventions. There's plenty of nail-biting suspense and horrific creatures and characters, ensuring another exciting read from the master of storytelling.
There is definitely some padding in there. Odd Thomas' frequent monologue is definitely witty, although at times it allows the tension to drift away. Easy to read and visualise, the action sequences are memorable and well choreographed. The Odd series is a clever blend of horror, humour and the supernatural and Apocalypse is a welcome addition to the series - and it doesn't stop here.
I enjoy the tone of the Odd Thomas books. Casual, as if we're having a conversation. His sarcastic remarks or odd observations at tense moments make this a fun read even when there are
Overall, I think it's the character of Odd Thomas that draws me to these stories. He's a unique character, one that you can't help empathizing with and even growing to care about. And not wanting to DIE.
A third of the way through Apocalypse, I was missing the character of Annamaria, wishing she was more a part of the story. It's not that her character is so brilliant. We actually don't know much about her, though we do learn a bit more about who she is in this story. Annamaria provides Odd with clues, encouragement, and even hope. But she's not a part of the story. Although Odd talks about her often enough that she feels like she should be, like at any point she will become more central to the story, she doesn't. When Odd wants or needs to speak with her, he goes to her room, which she never leaves. It's... odd. Perhaps Koontz will reveal more about her in the next installment. On the other hand, Nikola Tesla was an interesting addition, since we didn't know what he was for a while.
Koontz seems to explain a bit more than I remember him doing in previous Odd Thomas books. At first, there are some good reminders, but at times it feels like Odd is repeating himself.
I also noticed that there are fewer spirits in this story for Odd. Just the one, really, and a brief visit by another. It makes it feel less like an Odd Thomas story and more like an ordinary mystery. A good mystery, but there is something of the previous Odd Thomas stories that's missing.
Despite these disappointments, once Odd found the weird mechanical things, I was fascinated. The tension and action build from then on, and there are few disappointments after that. Perhaps my familiarity with Odd Thomas is what makes this story seem a little less out of the ordinary. And yet, a fascinating mystery.
In Odd's words: There is in me a darkness that, by darkness challenged, will rise up and have its way. I act in defense of the innocent, but I sometimes must wonder if I will be innocent in my own heart, or even redeemable, at the end of my strange road.
I can't help but wonder at Odd's fate myself.
So, while part of me really enjoyed the eccentric characters and the crazy plot, at the end of it I really just feel kind of "meh" about the whole thing.
Never has a book made me feel so stupid. I felt like the entire thing went over my head. I'm an avid reader and I consider myself above average intelligence and I could not follow this thing for the life of me.
My issue is I went purely off the title. I adore apocalypse
First of all, Odd is the of the lead character. His name is Odd Thomas. I think he's a twenty-something guy who can see and talk to the dead. I don't know, and I don't care. He's insufferable and pretentious. This is a novel where farts are cliffhangers to chapter ends and swear words have been removed in lieu of telling the reader to "imagine the worst kind of swear word" or "[expletive deleted]".
I just have no real idea what happened. Scary house, Odd is there with some pregnant woman who we're told repeatedly is plain as plain could be. She's so plain, and so not pretty, yet she manages to get people to do things for her which is a complete mystery to the men in the novel. They ruminate repeatedly, every time they speak of her, that "she is SO PLAIN! How does she get me to do these things?". So if she was attractive you'd have no problems? I found it hard not to be offended by it. They are so shocked that they want to do help this plain, nothing of a woman.
I don't know how it ended, something happened and Odd wound up in a capsule that he refers to as an egg. Ugh, it's horrendous and stupid and I will never read this author again. Avoid!
I get the distinct feeling Koontz hurried things a bit in getting this one out. First, although he makes an effort to maintain the feel of the preceding four
Second, the plot is derived undeniably from 77 Shadow Street, which was not an Odd Thomas novel. There even seem to be references to the future drawn directly from 77 Shadow Street (i.e., e.g., nano-creatures).
Third: the character of Annamaria is just extra baggage being dragged about, in part, it seems, just as something to fill up a few pages and to help the story line along. In this sense, she's become a contrivance. And while she was genuinely an intriguing character in Odd Hours, she seems much less interesting - and very, very, annoying - here (a feeling that is even more evident if you've read the Kindle release, Odd Interlude).
POSSIBLE SPOILER The Annamaria problem is only exacerbated by the addition of more baggage by the end of this book. Maybe Koontz should call this the "Odd Bunch for Lunch Club."
A very disappointing effort by Koontz, who should maybe slow down a bit and start developing his stories a little better.
This book... what can I say. Almost nothing. Unfortunately all the stuff I
This one is only slightly better than Brother Odd. I had a really hard time finishing this one. There are no likable characters, no fun interactions, in fact the one new character I did kind of like disappears halfway through the book never to be mentioned again.
Annamarie (Annamaria, whichever, as I can't be bothered to even remember her name) is barely in this one, so that was a big plus. I can't stand her character. Loathe her, actually. There is absolutely no reason for her vagueness. She's not mysterious. She's frakkin' annoying. Now, if we found out the meanings to her riddles at the end of every book, sure, I could see them serving a purpose, but we don't. Sorry if you consider that a spoiler.
I loved Odd Interlude #1, 2 and 3. There was a freshness and urgency to Odd's side quest. I'm pretty sure Dean Koontz doesn't read these reviews, but I would ask him to stop putting Odd in situations where he has to meander about for a hundred pages before getting back to the action.
As with Brother Odd, when the action does strike in Odd Apocalypse, it's banal and short. I read another review of this book where the reviewer said he though Dean was running out of ideas. I disagree, but only slightly. I believe that Mr. Koontz has a notebook full of ideas for stories and he is simply delving into it, adding Odd Thomas as the main character and pressing forward.
Oh, and the second half of the book is a lecture on Nikola Tesla. That's not a spoiler. That's just depressingly boring, given that I knew about everything mentioned. If you don't know who Tesla is, look him up, as his life was fascinating, but it doesn't work here because Odd takes on the role of Professor Thomas, and Professor Thomas drones on and on excessively. Professor Thomas literally sits down at a computer and researches Tesla. I felt as if I were reading a person's account of a wikipedia page. Sorry, Professor Thomas, I fell asleep in class. Twice. This book was better than a pack of Quaaludes down with a gallon of Nyquil.
I am still looking forward to Deeply Odd (Coming in March 2013) because, so far, I have liked more books in the series than I have not.
I give Odd Apocalypse three stars because, while it is boring, it's still better than Brother Odd, which I gave two stars simply for the fact that I was able to finish it.
Until next time,
E.
Personally, I have found Mr. Koontz (one of my long time favourite authors) to be a bit “hit and miss” lately (I really hated 77 Shadow Street) so I was a little apprehensive about picking up the Odd Thomas instalment. I enjoy Odd because he is quirky and, well, odd. As I started reading I could feel myself beginning to cringe as I turned each page because it seemed Odd’s self-deprecating wit and sarcasm had been lost. But I didn’t give up and sure enough, in a perilous scene Odd did a very Odd-like thing and with that I chuckled and we were off to the races. Mr. Koontz had found Odd’s voice again. A definite “should-read” for Odd Thomas fans.
Annamaria, Odd's very mysterious companion, was only there as a way of introducing Odd into a place that would otherwise have been totally inaccessible.
Roselands, an