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Fiction. Mystery. Romance. Suspense. HTML:Lieutenant Eve Dallas struggles with the endâ??and the beginningâ??of life in this thriller in the #1 New York Times bestselling In Death series. Just as Eve Dallas begins to investigate the grisly double homicide of two young loversâ??both employees of the same prestigious accounting firmâ??her friend Mavis need a favor. One of the moms-to-be in Mavisâ??s birthing class has gone missing. Normally, such a case would be turned over to Missing Persons. But Mavis wants no one else on the jobâ??and Eve canâ??t say no. Now Eveâ??s trying to track down the missing woman, while simultaneously unearthing the deals and double-crosses hidden in the files of some of the cityâ??s richest and most secretive citizens, in a race against this particularly vicious killer. Luckily, her multimillionaire husband Roarkeâ??s expertise comes in handy with the number crunching. But as he mines the crucial data that will break the case wide open, Eve faces an all too real danger in… (more)
User reviews
Some seriously laugh out loud moments here with the baby shower and birth moments but also good tension as she investigates. This series is however losing the detective end of the story to the personalities.
Robb manages some lovely humour as Eve and Roarke, neither of which has an experience of
The mystery is also solid, starting with the apparently meaningless murders of two accountants and getting more complicated and personal as time goes on. A secondary problem is added when a member of Mavis' birthing class goes missing and she asks Eve to find the woman before anything can happen to her and her unborn baby.
Robb weaves the stories together neatly - there's a bit more connection here than is truly realistic, but the story is neatly told so that it doesn't matter.
I thoroughly enjoyed the read and found it one of my recent favourites in the series. The main down side to finishing Born in Death is that I'm now up to date with the series and have to wait for the next one to be written before I can read it.
The highlight of this book is the birth of Mavis's baby, and that's also the framework in which the story took place--beginning with Eve and Roarke attending a childbirth class with Mavis, and ending with the birth itself.
In the meantime, a young engaged couple who
My absolute favorite part of the book wasn't the birth of the baby, contrary to the majority of Amazon reviews (we all know I'm contrary). It was the dilemma provided when Commander Whitney tells Eve that there's concern about Roarke using information uncovered during the case to further his own business. This was just so well done and realistic. Roarke initially reacts in anger, and tells Eve to drop the case, demanding that she prove her priorities: him or the job. I'm not going to spoil the fun by revealing how they work it out, but this is the number one reason why even after more than a score of books, this is still one of my favorite series: the marital issues and how Eve and Roarke learn to work through them.
And to my surprise, the long-awaited birth of the baby wasn't sappy or overdone. I suppose I shouldn't have been surprised, given the experience of the rest of the series, which shies away from sappiness--Nora never showed Eve & Roarke's wedding, for example--but it was emotional, and a fitting end to the story.
Another huge plus was that Tandy's abduction hit too close to home, not for Eve this time, as so many cases have done, but for Roarke.
Of course, there were too many funny moments and great lines relating to Eve and Roarke's phobia about childbirth to count. And mostly they weren't over-the-top, and didn't grate on my nerves.
The negatives were that the explanation of the clues found in the accounting records was very muddled; we didn't get to know Tandy well enough to worry about her--in fact, I believed until very near the end that she'd end up being a villain; and the two mystery threads meshed a little too conveniently and abruptly.
This isn't a story to read for the mystery--it's one to read for the characters, and they're done well enough to make up for any deficiencies in the mystery.
I have enjoyed most of J.D.Robb's mysteries, but I was a bit disappointed in this novel.
I did enjoy Mavis and the birth of her child. I thought the scene had a humorous touch which was refreshing. I thought the plot for the most part was weak. Some parts held my attention, but
Dalls catches a murder case of a young accountant at a big NY firm with international clients. First she is found
Dallas' investigation points towards a multinational foundation headed by a mother son team, who Dallas' murder victim seems to have found large sums of hidden cash being funneled and laundered into some of the employee's pockets at the firm. As Dallas closes in, Tiffany goes missing. Now with two crises on her hands, Dallas seems to be runnign out of time. Can she wrap up both investigations, while havng to deal with her friend's immenent birth-giving?
There really was not much to like in this novel. The characters were neither compelling nor believable. The melodrama was high, the tension low. As far as the detective and mystery aspect of this book, it fell flat. In reading some of the reviews, apparently one of the drawing points to this series is in getting to know some of the characters, but these characters don't seem worth getting to know. The novel was unimpressive and unispiring. I don't see myself coming back for more.
Carl Alves - author of Two For Eternity
In the
All in all, very good book.
I liked this story. I liked seeing Eve and Roarke freaked out about Mavis and her impending childbirth. I
4 Stars
Whether one loves or hates her writing style, Nora Roberts, aka J. D. Robb, has hit on a winning formula with her In Death books and this installment is no exception.
While the murder mystery and abduction storylines are rather predictable (it is easy to guess both the culprits
The interactions between the characters are fantastic as always, especially the snarky banter between Eve and Summerset. That said, this book demonstrates once again why Mavis is not a favorite of mine as her over the top drama continues to grate on the nerves. Oh well, its impossible to like all the characters all the time ...
All in all, I'm now at the halfway mark through the series and still going strong. I actually can't believe I've made it this far :)
WARNING: SPOILERS POSSIBLE READ AT YOUR OWN DISCRETION:
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Mavis and Tawny are pregnant. Dallas has to give Mavis a baby shower--and she foolishly thinks all she has to do is call the caterer!
Dallas can stare down death and the scariest of bad guys--but birth? That scares her. It's a bit of comedy in the homicide laden story. Another bit of comedy comes in Dallas' interactions with Summerset.
The death part starts with two bodies--the girl is found first and when they go to notify her fiance, he is found dead also. While investigating that, Tawny disappears and Mavis begs Dallas to take that case on too.
The tale is convoluted and ends up involving an adoption agency, doctors, a foundation, lawyers, and an accounting firm--all threads that need to be unraveled and woven to make a whole case.
It was good to see that Trueheart has gotten in with Feeney. I liked him in an earlier book in the series but then didn't see his name come up for a bit and wondered what had happened to him.
Can Eve solve the murder of the two accountant firm employees while searching for Tandy and honoring her promise to be with Mavis when her baby is born?
In this twenty-third installment of the “In Death” series, a strong sense of place anchors a narrative filled with well-defined, relatable characters. New readers will appreciate the backstory woven into the telling of the tale. Witty repartee between Eve and Summerset lightens the gruesomeness of the murder investigation even though the case is almost secondary to the often-hilarious escapades surrounding Mavis’s pregnancy.
All the expected characters make an appearance, but the events surrounding the birth of Mavis’s Little One definitely take center stage. The ever-evolving relationships, the camaraderie, the angst, the silliness that serves as a counterpoint to the gritty murders . . . all combine to create a can’t-put-it-down narrative fans of the series won’t want to miss.
Highly recommended.