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"When April Vogt's boss tells her about the discoveries in a cramped, decrepit ninth arrondissement apartment, the Sotheby's continental furniture specialist does not hear the words "dust" or "rats" or "shuttered for seventy years." She hears Paris. She hears escape. Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the dust and cobwebs and stale perfumed air is a goldmine and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque. And then there are letters and journals written by the woman in the painting, documents showing she was more than a renowned courtesan with enviable decolletage. Suddenly it's no longer about the bureau plats and Louis-style armchairs that will fetch millions at auction. It's about a life. Two lives, actually. With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private documents, April tries to uncover the secrets buried in the apartment. As she digs into one woman's life, April can't help but take a deeper look into her own. When the two things she left bubbling back in the States begin to boil over, April starts to wonder whether she'll ever find--in the apartment, or in her life--just what she's looking for"--… (more)
User reviews
The segments describing many of the items found in the apartment sparkled and made me feel as though I were present at some wonderful archaeological discovery. Equally strong was the story line involving the courtesan who owned the apartment and wrote the letters and journals found by the appraiser. Marthe de Florian is a fully fleshed figure, one that a reader can empathize with and even condemn on occasion.
The story line that really didn't hold up its end was the modern one of April Vogt. She's pursued by a Parisian lawyer while doing her best to avoid her husband, who once cheated on her. Granted, there's not much new and exciting in a tale like that, but I didn't mind it. What I did mind was April's character. She has every appearance of traveling through her life with blinders on... as though she believes there's only one side to every story. Her willful blindness soon began to annoy me, which meant that I took respite in Marthe de Florian's story. And how wonderful it is that there's so much more to this book than April!
Things went along swimmingly for some time and then both Marthe and April do inexplicable things, things that seem random. The entire last section seemed very confused, with all the characters doing inexplicable things, perhaps simply to tie up the loose ends of the story.
This was not an ARC, sadly; it was a fully published book, taken from the shelves of my public library. Was there an editor? Do authors not receive any editing help these days? Do publishers just think people will buy any old thing with a lovely cover and a good start? Did the publisher really read the novel to the end? Very disappointed.
Often when I read these two story line novels, especially ones containing a story from the past entwined with a contemporary story, I find one story gets in the way of the other and I get confused in the muddle. If
It is not that I didn't like either story. I found both interesting. The contemporary story concerned April Vogt, a furniture expert assigned to assess the value of objects found in a "time capsule"--a Paris apartment locked up and untouched since the 1940s. April has some problems, including a difficult marriage, which complicate an extended stay in Paris.
The historic story involves Marthe de Florian a courtesan of Belle Époque Paris, who owned the contents of the apartment. A fascinating woman who had several lovers and admirers including the painter Giovanni Boldini. Gable's book presents a fictionalized account of Marthe as recorded in a series of diary entries. How much of this story is based on fact and how much on the author's imagination is unclear, but it really doesn't matter. It's a good story and it introduces a lot of interesting characters some of which are historical persons. (This stimulated a lot of fun Googling on my part.)
My problem was the way the two stories were connected. The presentation of April's reading of the diary entries at times seems out of sequence and choppy. At times I felt that it would have been better as two completely separate novels. I had to read the last few chapters a couple of times to make sure I got the story straight.
But it was a fun read. In the modern story the Frenchman Luc's stereotypical attitudes about Americans will amuse Americans, especially ones who have traveled or lived abroad.
Who wouldn't want to go to Paris? April was an art history major and
When April found the journals of Marthe de Florian, they made the apartment’s contents even more valuable and the book quite enticing. The journals told about Marthe de Florian's life and her connection and relationships with artists and other famous people.
Famous people such as Victor Hugo and Giovanni Boldini were part of the book's intrigue. Marthe de Florian had quite a colorful life.
A PARIS APARTMENT was a bit rough getting started, but once the journals were found, they and the Parisian atmosphere drew you into the era and its living style.
A PARIS APARTMENT is based on a real apartment and a real person. Ms. Gable did a great deal of research and weaves the story so masterfully that you don't even know it is history, but it definitely revealed a wonderful hidden part of Paris.
For a debut novel, the writing and storyline were marvelous. A PARIS APARTMENT has beautiful, descriptive writing, and the journals made it oh so good.
April’s rocky marriage seemed to be a side story, but the apartment, its contents, and the journals are historical aspects that I thoroughly enjoyed and what kept me reading.
The ending was marvelous as April met an eighty-seven-year-old family member of Marthe de Florian who fills in the gaps of Marthe’s life.
ENJOY, and don't give up too early. :) 4/5
This book was given to me free of charge and without compensation by the publisher in return for an honest review.
In 1942, just before the onset of WWII, Madame De Florian closed and locked the door to her apartment in Paris and fled to the south of France. Although all expenses and upkeep were paid, the apartment was never rented and Madame De Florian never returned to it. Almost seventy
From a newspaper account of the discovery … “Under a thick film of grime, investigators found themselves transported to early 1900s Paris during the height of the Belle Epoque, when the city was celebrating its cultural renaissance and de Florian's grandmother was the talk of the town. Books and newspapers lined the shelves, gold curtains draped the windows, and a luxurious dressing table held hairbrushes, perfumes, and candle stubs that seemed to await the return of a very glamorous noblewoman. Against floral wallpaper and wainscoting, a stuffed ostrich draped with a shawl stood above two pre-war stuffed animals—a very retro-looking Mickey Mouse and Porky the Pig. The formal dining room, with a low-hanging chandelier over the table, wood stove, and stone sink, was still fully stocked with glassware and pots and pans.
It was, one of the inventorying experts said, like “stumbling into the castle of Sleeping Beauty.”
By far the most extraordinary find was an unknown painting by Giovanni Boldini, which through letters and correspondence, was proven to be a portrait of Madame De Florian’s grandmother, a prominent Parisian les demimondaines.
The actual location of the apartment was never made public and more information has not been forthcoming.
The book …
This is the taking off point for Ms. Gable’s novel. April Vogt works as a continental furniture specialist and because she speaks French is dispatched, on behalf of Sotheby’s, to catalogue the contents of the apartment. She has no idea what she is about to step into. To everyone else it looks like an episode of Hoarders covered in dust and while workers drag items out to be sold as a lot at auction April discovers a hidden cache of letters and diaries. She is quickly immersed in the life of the enigmatic les demimondaines who once inhabited this apartment and takes the reader with her to late 19th Century Paris. As April learns more and more about the apartment’s former inhabitant she comes to realize that every piece in the apartment has a story and a history that make it unique … and very valuable.
I found the original story about the apartment fascinating and would most definitely read a non-fiction account of this discovery; Ms. Gable’s novel serves as the next best thing. She obviously did her research and has written an interesting work of fiction based on actual fact. It was the apartment that captivated me. I was less enthralled with April’s struggling marriage and possible love affair, or as a matter of fact with most of the characters, but they were the white bread that carried the caviar, so I had to take the good with the bad.
Abandoned in 1942 on the eve of the Nazi occupation and frozen in time, Marthe de Florian’s apartment
The story so captured Michelle Gable that she spent several years researching and writing a fictionalized account of Marthe de Florian, a demimondaine, which was a unique class of fashionable woman supported by one or more wealthy male patrons.
In A Paris Apartment, Michelle Gable deftly weaves two stories, one of a contemporary Sotheby’s furniture specialist, and the other of a Belle Époque beauty and demimondaine. Stylish and sophisticated, it’s a story of complex relationships, romance, and history.
I enjoyed reading about the life of a Demimondaine in Paris during the Belle Epoque, and about Victor Hugo's family and about the artist Giovanni Boldini. The book was obviously influenced by the discovery in 2010 of the
To be honest I thought that the modern 'twist' was unnecessary . The sections about the American woman were too long and too convoluted.
I am not a fan of 'chick-lit' or Romance fiction and this book borders on both genres.
If you like antiques and a dose of historical fiction you will love this book. The ending was a bit too pat and rushed for me, but it was not outrageous.
The author mentions an article being the inspiration for the novel - it would have been nice for her to have included a reference - for credit as well as for readers own interest.
To my great surprise, A Paris Apartment was not a popcorn
The main character, April, had a lot of baggage, quirks and issues. She wasn’t always likable. I find that important in a book, because rarely do we ever like or agree or sympathize 100-percent with someone in real life. It makes for a more realistic character, in my humble opinion.
The mysteries and family drama that unfolds in this book is CRAZY. It had me shouting updates to my roommate, who periodically tuned into the audiobook by default. :)
I spent a fair amount of time googling names I didn’t know, to find that they were real people! The author clearly did a ton of research for this book.
For example, did you know that fartiste was a real profession? It’s a professional farter. I can’t believe that I’ve only just heard of that for the first time!
Also, if you really want to be immersed in the book, buy some cheese and champagne, because those staples get mentioned. A lot. And now I crave a cheese platter.
Really enjoyable read and jaunt through Parisian history and a Parisian family, through the good, the bad and the laide.