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In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden's investigation of a grisly double murder pulls him into the darkest depths of magical Chicago... As a professional wizard, Harry Dresden knows firsthand that the "everyday" world is actually full of strange and magical things--and most of them don't play well with humans. And those that do enjoy playing with humans far too much. He also knows he's the best at what he does. Technically, he's the only at what he does. But even though Harry is the only game in town, business--to put it mildly--stinks. So when the Chicago P.D. bring him in to consult on a double homicide committed with black magic, Harry's seeing dollar signs. But where there's black magic, there's a black mage behind it. And now that mage knows Harry's name... "A great series--fast-paced, vividly realized and with a hero/narrator who's excellent company."--Cinescape … (more)
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Harry Blackstone Copperfield Dresden (conjure at your own risk) is a private investigator living in and working out of Chicago. He also happens to be wizard of some skill. Currently however, he is down on his luck, behind on his rent, and just a little bit worried about making ends meet. But then, almost simultaneously, a missing person case falls into his lap and he is called in by the police to consult on an investigation of a gruesome double murder. Unfortunately for Harry, as one of the only powerful magic users in the area, he quickly becomes suspect. Already on the outs with the White Council (the governing body of wizards, etc), he must work fast to track down the real culprit in order to prove his innocence. Oh, yeah--and did I mention that not only a few people want him dead?
I really liked Harry, dubious past and all, as the protagonist (although he was slightly exasperating at times) and he is supported by a good handful of decent secondary characters who I look forward to seeing again in subsequent books. Storm Front is an odd mix of fantasy and hard boiled detective fiction, but Butcher pulls it off surprisingly well. I particularly enjoyed the magic system which is based more on intent, concentration, and the focusing and directing of energies more than anything else. It also has a habit of making more modern technology go haywire, which I find to be immensely appropriate. There were a couple of very minor inconsistencies in the book in addition to it being a bit repetitive, but this wasn't enough to really detract from the story overall. Harry's (well, technically Butcher's) style contains quite a bit of dry humor which I found to be greatly amusing, but others might not appreciate it nearly as much. Occasionally the whole thing is utterly ridiculous, but in a good way. The working title of the book was Semiautomagic, which gives a pretty good idea of what it is all about. The book is a lot of fun.
Storm Front was a great introduction to The Dresden Files and works fairly well on its own, too. Enough detail is given to understand the world and what is going on without relying on info-dumps or explaining everything in depth, making it a lighter, less complicated read than expected. But, there is certainly plenty of material to be expanded upon in further volumes. I was never desperate to find out what was going to happen next in the story, but I always looked forward to reading it. Storm Front was a blast and I really enjoyed the book. The Dresden Files isn't a series that I personally need to own (yet), but I will definitely be picking up the next volume, Fool Moon, at the library.
Experiments in Reading
Instead, I thought it sucked. It has a few good moments,
Harry Dresden, the narrator/protagonist, calls himself "old-fashioned" while acknowledging (more than once) that others would call him "chauvinistic." Sadly, these self-assessments do nothing to diminish the offensiveness of his narrative voice. It seems that Butcher is trying to deflect criticism from Harry by showing him to be not a mere tool, but rather a self-aware tool.
If such were the author's intent, it didn't work with me. Instead, I'm remembering an Oscar Wilde quote: "There is luxury in self-reproach. When we blame ourselves, we feel no one else has a right to blame us." Unfortunately, our feeling that way doesn't make it true.
Suffice it to say, I really couldn't stomach Harry.
As for the author himself...well...I could be wrong...but the sexism inherent in the wizard's character seems to stem from a corresponding prejudice in the author. I have to wonder whether Butcher had any inkling -- and if so, whether he cared -- that women might read his books. Yes, all the female characters are described from the skewed perspective of Harry Dresden, and readers may take the wizard's words with a grain of salt. However, I don't think the narrator's accounts of their behaviors are unreliable, and those behaviors consist mainly of crying and seduction...and sometimes mothering.
The following is a cast of Storm Front's female characters:
Monica Sells: housewife/mother
Karrin Murphy: homicide detective
Jennifer Stanton: prostitute
Susan Rodriguez: tabloid reporter
Bianca: vampiress/brothel Madam
Linda Randall: prostitute
Mrs. Beckitt: grieving mother
I think that's everybody.
Jennifer Stanton's only appearance is as an in flagrante delicto corpse: she died while servicing a mob boss's bodyguard. But we shouldn't judge or dismiss her. She was a great girl, really. According to friend and co-worker Linda Randall:
"'....She was sweet....She made people feel better about themselves somehow....I could never do that. All I did was get them off.'"
Had Jennifer Stanton made a live appearance in Storm Front, she'd probably have been a MOMMY. Linda Randall, however, falls into the category of SEDUCTRESS. Take, for example, this exchange:
"'Harry who?' she asked.
"'Dresden. I'm a private investigator.'
"She laughed, the sound rich enough to roll around naked in. 'Investigating my privates, Mr. Dresden? I like you already.'"
Harry's other SEDUCTRESS is reporter Susan Rodriguez, who becomes petulant when her attempt to wheedle information from him fails:
"'Harry Dresden,' she said, 'you are a thoroughly maddening man.' Her eyes narrowed a bit further. 'You didn't look down my blouse even once, did you,' she accused."
Oh, chuckle chuckle chortle. Whatever, Butcher.
That covers the SEDUCTRESSES. How about the SNIFFLERS?
The unlikeliest of these is powerful undead Bianca, whose grotesque demonic form Harry magically reveals. And since one of Harry's powers is to see into the soul of anyone who meets his gaze, the narrator can reveal to readers the vampiress's motivations:
"I saw her anger, her rage, and for just a moment I got a peek inside, saw the source of it. She was furious that I'd seen her true form, horrified and embarrassed that I had stripped her disguise away and seen the creature beneath. And she was afraid that I could take away even her mask, forever, with my power.
"More than anything else, Bianca wanted to be beautiful. And tonight, I had destroyed her illusion. I had rattled her gilded little world.
"....She stiffened, then turned her head to one side, and let her fingers go limp. It was a silent, bitter surrender. She didn't move quickly enough for me to miss seeing a tear streak down one cheek."
Again: whatever, Butcher.
Other SNIFFLERS?
Well, there's Susan again...though at least she's got reason to sob, being both terrified by an acid-spewing demon and physically ill from the consumption of magical potions.
But there's also Karrin Murphy -- usually referred to as "Murphy" or "Murph" (to show readers just how hard-nosed she really is). To be fair, Harry doesn't even know for sure whether this friend cries over his refusal to share information with her (in order to protect her, of course):
"I sensed, more than saw, the hardening around her eyes, the little lines of hurt and anger. I'm not sure if a tear fell, or if she really just raised a hand to brush back some of her hair."
Blah.
I imagine Murphy is the character to whom Butcher's female readership is meant to relate. She's an aikido enthusiast, Harry tells us. (We never get to see her fight.) Apparently she's a very capable detective. (Of course, she can contribute nothing but paperwork to this black-magic murder case.) And she's tough -- which is, of course, why she's the one whose life Harry must eventually save.
Murphy's also one of the MOMMY figures. When Harry is physically ill, she drives him home, medicates him, tucks him into bed, leaves him a bit of much-needed spending cash....
Mrs. Beckitt is another MOMMY -- though in this case a grieving one. In an effort to avenge the death of their daughter, she and her husband power black-magic by having ritual sex together. (That's about all we learn of the Beckitts.)
As for Monica Sells....Well, she could be categorized as a SNIFFLER. But she sheds the righteous tears of a loving MOMMY, who only wants to protect her children as no one ever protected her --
Blah, blah, blah.
This is why I don't think the sexism is limited to the character of Harry Dresden. If it were only a matter of the narrator making patronizing comments about Murphy ("one of those liberated, professional women") or others of the "fair sex," then I could lay the chauvinism at the feet of the fictional character. But Butcher's female characters are sexist stereotypes. The weakly weeping woman. The oversexed seductress. The martyrly mother.
I realize that these stereotypes are staples of Butcher's noirish influences. But for crying out loud, this is the 21st century!
I list this book in my library for the sake of posting these admittedly minority opinions. In truth, I've loaned out my copy to someone under no obligation to return it in this lifetime.
Harry Dresden is the only professional wizard listed in the Chicago phone book. Each book in the series is generally a self-contained murder mystery or crime whodunnit with lots of action, as Harry's primary source of income comes from also being a consultant for the Chicago Police Department. Along the way he runs into at least 3 different kinds of vampires, Summer and Winter Courts of faerie, handfuls of demons, and plenty of other strangeness. Don't let that self-contained nature fool you. You could read the books in almost any order, but the continuity between the books is also excellent. The pieces of the puzzle will fit together much better if you read them in order.
Don't be put off if it sounds like too much fantasy - the nice thing about the Dresden series is that the magic complements the story, not the other way around. If you've watched the TV show but haven't read the books, keep an open mind. The TV show is based on the characters and ideas of the books, but they are really two completely different entities. The books are much less crime-drama, and much more crime-gumshoe. But if you saw the TV show and thought "hey, what a cool idea" then you won't be disappointed by the books. They are much richer and better developed. You're not spoiling anything if you read the books first or watch the TV show first, as they have their own completely distinct continuities.
What I'm really getting into with the urban fantasy books that I've been reading lately is the way they fit magic into modern times. Butcher does this especially well in his books. Harry doesn't just cast spells that bandy about energies and completely ignore physics. If he calls on the wind, that wind has to come from somewhere. If the air is too dry, he can't just create water from nothing. If something slams into an improvised energy shield, that kinetic energy has to go somewhere - so something is going to soak quite a bit of heat. One of the key long-term plot points of the series comes when Harry doesn't handle the physics of a spell properly. He learns from his mistake, but several books later is still dealing with the consequences. It's that kind of attention to detail that I really enjoy in Butcher's books.
Another nice thing about the Dresden books, especially in relation to other urban fantasy books, is the relatively low cheesecake factor. That is, urban fantasy books seem to have an affinity for randomly dropping into estrogen-and-testosterone-spraying-Harlequin-mode at wildly inappropriate times. The Dresden books have some sexual themes and scenes, but they are well-placed and move the story along. You'll end up doing much less eye-rolling in the Dresden books than in most other urban fantasy books.
If you do pick up the series, and I certainly recommend that you do, I would give you two pieces of advice. First, check your local used bookstore to see if they have them. Paperbacks are getting more and more expensive these days, and there are nine books out, so every little bit you save helps. They are very much worth the full price, of course, and there are also versions that collect several books into one volume. Second, be warned that the series is a little slow to really get into its stride. The first 4 books are good, but around books 5 and 6 they start getting great. Don't be discouraged if the first few books seem like those really bad B movies you see on SciFi on Saturdays - stick with them and you won't be disappointed.
Oh, and if you can find them and afford them, listen to at least one of the audiobooks. Why? Because they are read by James Marsters - Spike from Buffy the Vampire Slayer and Professor Fine (Brainiac) from Smallville. He is dead on for reading these books. He's got a methodical and contemplative style that works very well for the books, and hearing him read them adds quite a bit to the experience. In fact, the first few chapters of the first book are available for free download in MP3 format, so why not give them a listen? As of this writing, only through book 4 have been released. They are a bit expensive, so again you may want to check your local used bookstores.
On a final note, I wanted to mention something that gets a lot of lip service in other places. Many people, and indeed some of the blurbs on the books themselves, have drawn parallels between the Harry Potter and Dresden books. This is both true and misleading. If you've read and enjoyed the Potter books, but maybe felt a little silly for reading books aimed at kids and teenagers, then you'll almost certainly get into the Dresden books.
The "Harry Potter for adults" tag line isn't far off. The Dresden books are less fantastical, almost like what Potter's life as an auror would be like once he got out of school and had to start making a living in the real world. While the Potter books take magic at face value, like any kid would do, the Dresden books delve into why and how magic does what it does, like an adult would do. The later books of the Potter series brought in a few shades of grey, but were mostly still black and white and good and evil. The Dresden books are murky with innumerable shades of grey, and nothing is simple. There are certainly parallels, and I know several people that have read and enjoyed both series, but the Dresden books stand up just fine on their own.
This book, a odd hybrid of urban fantasy and hard boiled detective noir, has much to recommend it. Butcher does a good job of creating a believable magical world, where the fantastic occasionally and uncomfortably rubs up against the mundane. Dresden himself is a nicely drawn character, and very iconic in his black duster and hat. Butcher's magical system is also nicely integrated into the plot, with details of its mechanics woven into the storytelling, not stopping the action to explain how and why things work. A nice array of secondary characters fleshes things out.
The problem is that Butcher has a tin ear for dialog. Nobody talks like this; or at least not anybody outside a pulp movie from the 40's. Dresden's exchanges with other characters are downright painful to read. Also, Butcher is fond of a certain kind of set pieces, "widescreen" affairs with complicated setups and swirling action. He seems to take great pleasure in creating these scenarios, but the payoff is usually not worth the effort. Overall, a fun book for fans of urban fantasy, and hopefully, a series that will improve as I continue to read it.
First, there is Harry Dresden, a wizard who is not your usual "leading man." As the book begins, business
The plot and pacing are perfect. Lots of suspense. Some unexpected twists. And a final 100 pages that I simply could not put down. Butcher also hints at some aspects of Dresden's past that are not fleshed out in this first book in the series. This book wraps up enough loose ends to be satisfying, but leaves enough open questions to make me want to run out and get the second book in the series.
Butcher also does a good job of mixing a fantasy world complete with wizards and demons with Chicago as we know it. Some of the most interesting parts of the book involve the tensions between these two worlds.
Is there anything better than falling in love with a new series?
I'm still on the fence about this book. I was really looking forward to it, going in, and it was certainly a quick read, but I'm
But despite all that, it was still a quick, enjoyable read based off of a premise with potential. I liked Harry's character, and I think Butcher's built up an interesting world here. The magic felt believable, and I really liked that it was developed in a positive, life-respecting way. There were also a lot of things that I was eager to learn more about, too. What went down in Harry's past? How is the White Council structured? How do wizards train? If Bob doesn't have a body, what does he do at these frat parties?
So this didn't blow me out of the water, but it was good enough that I'll keep an eye out for the rest of the series. Most people seem to agree that they get better as they go along, and I'd certainly like to learn more about this world.
Extended review:
I'm awarding just three stars to this book, the first of a series about a freelance wizard in private practice like a consulting detective. But they're three good stars, with room to grow. And I'll be giving the series a
I didn't expect very much. It's a pulpy page-turner, a lightweight fantasy-thriller with magic, spells, potions, demons, and more of the same, set in present-day Chicago. What's more, it's a bit awkwardly beginnerish, with some sitcom dialogue, cutesy repartee, and uneven exposition. The author also needs some comma therapy and a sharp-eyed editor who won't let him use the same verb two or three times within a short paragraph--a fault that occurs repeatedly throughout.
But the story is well paced and very well plotted, the main character is adequately appealing, and Jim Butcher definitely has a knack for the suspense-thriller device of putting your character into the worst situation you can think of and then making it even worse. He pulls off that feat quite a few times, and also manages some A-Team-worthy saves out of seemingly hopeless situations. Given that we suspended real-world plausibility by page two, the author has a lot of latitude; but he does appear to follow the rules of his invented world. And the book is not full of egregious errors and vocabulary gaffes.
There are some good one-liners, too. I liked this twist on a familiar cliche: "I took the keys and walked up, out of the light and shelter of McAnally's and into the storm, my bridges burning behind me." (page 311)
In sum, I enjoyed this book, and for me in the present moment it offers just about the right degree of diversion at the right pace. I've already put the second installment of the Dresden Files series on request at the library.
My first foray into the world of magical private investigation and, my, does Harry Dresden have a job fraught with peril, rife with opportunities for grievous injury, and o’erbrimming with angry men looking to take him down. I’m one book into the series and
Harry Dresden’s current list of problems include … well, a missing husband, a threatening mob-boss, a nasty double murder of the magically induced variety, being a suspect in the aforementioned murder himself and the target of the killer at the same time, a pissed-off member of the White Council who wants to catch him at something he can legitimately execute him for, murderous toad-demons… it amuses me to no end how quickly his initial problem (the bane of all PIs, whatever their particular talent… paying the rent) gets buried under a pile of magical mayhem.
The really great thing about this book – especially given that it’s the first of the series – is the incredibly tight plotting. There’s a significant amount of things that just keep happening to Harry, yet not one thread goes unused or unresolved. Harry himself may be fleshed out more in later books, but he instantly feels like a complete person, a captivating narrator who pulls the reader into the story and doesn’t let go. A friend of mine likes to say about a good book ‘the pages turn easily’… it applies here, in spades. Very readable, and lots of fun.
First-person narration is a tough thing to do right, in my opinion, but when you've got a narrator like Harry Dresden, it's
The supporting cast is amazing. You have Susan Rodriguez, a reporter for a supernatural tabloid who is way too talented for her paper, but too invested in reporting the supernatural to get a better gig. She's sleek, she's sexy, and she's got a way of making Harry more awkward than usual, if that's even possible. Bob is a spirit in a skull, if you can believe that, and he's sort of Harry's own version of supernatural Google, with a fetish for sorority girls and romance novels. And, my absolute favourite, Lieutenant Karrin Murphy, of the Chicago Police Department, Special Investigations Unit. Murphy's a 5-foot-nothing blonde with (as Harry points out at one point) delicate lady's hands and an attitude that can easily take on Harry's ego. She knows Harry's the real deal, and she expects him to help her, and is about the toughest, bravest, most endearingly stubborn female character I've ever had the joy of coming across.
The worldbuilding is just stellar, my favourite detail being that any sufficiently advanced technology is liable to short circuit, act up, or just start working alltogether. And, of course, the newer it is, the more likely it is that it'll freeze up in a bad way, and quickly. Harry's little basement apartment is lit with oil lamps and candles, and heated by good, old-fashioned fire. He uses a rotary telephone (which doesn't always work), and his ancient VW Beetle is no longer one colour, thanks to all the replacements he's had to make on it. My favourite little bit is when Murphy stops him at her office door while she shuts down and unplugs her computer, so he won't fry it. Priceless. The magic is all really awesome, too, and Butcher has clearly put a lot of effort into it.
As far as plot, you really can't criticize this one too much. There are enough plotlines to keep your mind busy and engaged, and all of them get resolved clearly and neatly by the end of the book. The climax and resolution happen in about 50 pages, which seems like not nearly enough time to get through all the action that needs to happen, yet it never feels rushed or forced.
Harry's life is in very real danger on a lot of fronts for most of the book, because not only does the mysterious black mage have it out for Harry once he hears about him, but he's not really on the good side of Chicago's local mob boss, and the Warden that the White Council (the Wizard governing body, as it were) assigned Harry after he barely escaped execution for killing another person with magic (self-defense was the only reason he got out of it) thinks that Harry's behind the killings going on in the city, and is more than happy to take the appropriate action if that is the case. The appropriate action, of course, being execution.
Of course, in the end, the scruffy wizard with the ridiculous coat and the barely-running junker saves the day and gets the girl. That's how these things go.
Dresden, the only "out" wizard practicing in Chicagoland, has a number of problems: Making the rent; finding a date;
All in one stormy spring weekend.
I am pleased, if unsurprised, to report that he succeeds on all counts. It's a lousy weekend, from many standpoints; how many people would want to visit the vampire madam of a high-class call girl emporium and end up with her teeth mere inches from your throat? And that's just ONE trouble he faces, and faces down.
Harry Dresden is an antidote to the general modern social tendency to make everything that happens around one Not My Fault. Harry, bless his cottton socks, things everything is All My Fault. It's a little wearing. The man needs some Ativan.
In the end, I was entertained by this book exactly enough to be agreeable and receptive to reading the next book in the series. My branch of the liberry has it, and I shall go check it out. In both senses of the word.
Would I buy one of these marvies? Nuh-uh. Good enough to read, not good enough to own. Recommended for the fans of Lord Darcy, remember him?, and of Sam Spade (if they're adventurous fans). Check them out of the library FIRST!
Storywise, the same as the paperback obviously, nothing to add there. It's far from perfect, but
Luckily he improves at the same rate Butcher's writing does as the series continues (and the word height doesn't actually appear enough times to make me rip my headphones off in frustration.) So overall, a good start to the series.
I had to take three runs at the present book, however, having twice decided not to finish it. The writing was capable and the story interesting enough, but the sexist stereotypes really started to get up my nose. This was published in this millennium, but they seem no further ahead, no more enlightened by the author's having reflected on them, than they were decades ago when I was reading books of the 50s, 60s, and 70s. I kept hoping he was going to shift them somehow, but he never did. So I would not have finished this book if I hadn’t really wanted to give my nephew’s recommendation a good chance. Life is too short for unquestioned stereotypes.
What it does raise for me is the question of how do I respond to him? He wants to know how I like the book. But I also suspect that most of us who love a book don’t want to hear that it’s sexist or racist or otherwise oppressive. We want to hear that our friend likes it as much as we did. Or at least I do, which is why I don’t go recommending books to my friends very often — because we all have different tastes, for heaven sake, and we aren’t going to feel the same way about almost anything.
If I was doing a critique for the writer I would talk about it strong points and what I consider it’s weak points. But again, that’s not what he’s asking for. Do I not mention what put me off? I confess that this is my inclination because I don’t think me saying that a book he read several years ago is sexist is going to accomplish any consciousness-raising for him. But I also don’t feel comfortable saying nothing at all. I know I’ll figure it out, so I’m not concerned about it. I’m just chewing it all over.
Apart from the sexist stereotypes, the book is okay. I can see how people would enjoy it, but there’s nothing really about it that lifts it above the pack.
I really didn't remember a lot of the first book since I had read it so quickly. I was
While Dresden battles an evil mage, everyone else in the world seems to think that Dresden is the one to blame, and even close friends who should know better are turning on him. Dresden, though, holds firm to his convictions and faces the enemy with determination and wit.
The Dresden Files are, in my opinion, the very best of the Urban Fantasy genre. They're fast, witty, exciting and even this first one, which might not be as well-written as the later ones (or that may just have been my mood at the time), is an incredible adventure. Don't miss it!
So naturally, Harry is flung into the middle of a case that's just dripping with dark magic. With the help of Murphy (a Chicago detective), Susan (a reporter/love interest), and Bob (a party-loving air spirit stuck in a skull), Harry must stop a new dark wizard who has been using his power to rip out people's hearts.
The book has a few first-novel problems. Some of the secondary characters are a bit flat, particularly Morgan, the White Council's enforcer. While Morgan gets a single redeeming moment near the end, he's mostly portrayed as the big, single-minded, Harry-hating magical muscle. I didn't get a strong sense of Susan's character, either. Bob the skull, while lots of fun, didn't have enough depth. At times it felt like the characters were there simply to move the plot along.
At the same time, there were aspects of Butcher's character-development that I loved. Harry and Murphy have a strong relationship, one that's broken and only partly healed over the course of the book. That relationship gives both characters depth, and draws you in as a reader. But in my opinion, the best thing Butcher did was with Dresden's love of magic. This isn't a Harry Potter "Wow, I can fly on a broomstick, isn't this cool?" sort of thing. Magic is a beautiful, sacred thing, and Dresden's love borders on religious awe. As does his horror when he sees this beautiful thing perverted by the bad guy.
Plotwise, Storm Front is a pretty quick read. There's plenty of action, some snazzy magical spells, and lots of evil demons and bad guys to fight. Harry's banter-rich first-person narration keeps things moving right along.
It's not a perfect book, but it's a strong first novel. For fans of the SciFi series, there's a lot in the book that didn't make it into the show, from fairies to scorpions to a more magically-aware Murphy. But I do miss the hockey stick.
Harry Dresden is an
anyway, storm front is the first novel in the dresden files series. harry dresden is a wizard. not a harry potter wizard, but a real wizard. living in chicago. harry is a white knight wizard, meaning he likes to save things, and when he's approached by a damsel in distress takes her case. he also takes the case the police offer him, to help investigate a couple of grisly murders. all while the doom of damocles hangs over his head.
but hey, harry's a wizard and can deal.
after all, he's in the book. just look under the entry for wizard.
Don't forget: "Just because you're paranoid, doesn't mean there
Although a real page turner (eventually), this first novel in the series is really only setting the scene, it gets way, way better from here on in!
Harry Dresden is the only
Jim Butcher has crafted a surprisingly creative urban fantasy with great characters and an interesting mystery.