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A classic that won Malamud both the Pulitzer Prize and the National Book Award"The Fixer" (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel.Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.… (more)
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Malamud employs a lyrical, folk-based prose in description of Bok's thoughts and words, mixed with Jewish proverbs, biblical allusions, and the simple, often profane everyday language of the common laborers, prison guards, and peasants who populate the novel. Bok maintains a world-weary sense of humor throughout, making the graphic descriptions of torture bearable, and giving way to terror or guilt only during the worst of his ordeals in prison. All in all, the book delivers a powerful message of the need to take action in the face of inhumanity, casting light on the uselessness of passive knowledge of iniquity. Explicit violence, language, and some sexual dialogue throughout.
My only complaint (and the reason it did not get 5 stars) was the ending which was so abrupt that I actually checked to make sure that the copy I had did not have any ripped out pages. I didn't need a complete wrap up but felt that at least some hint of the future for Bok was needed. I am sure that Malamud felt that his ending allowed the reader to write their own, but I would have liked at least a better conclusion. Overall, however, I would still rank this book as a must read. I have studied a lot of Russian history but this viewpoint is usually from those of wealth and power. Reading about the trials if the everyday Russian Jew was fascinating.
Bok leaves the shtetl with hopes of a better life in Kiev. At first, things look up for him. Serendipity finds him a good job, and he is able to afford some books, and even put away some money. The catch is that he has to live in a district from which Jews are forbidden from living. All goes well, although Bok is not a popular figure, until a young boy is found murdered in a cave nearby.
The police show up at his door, arrest him, and summarily throw him in prison. Things go from bad to worse as he is forced to submit to increasingly cruel and dehumanizing treatment, not least of which is having to repeatedly listen to the many crimes he is supposed to have committed. But he steadfastly declares his innocence, and it is this that is supposed to make him one literature's greatest heroes. I'm not so sure about this, but certainly he is a strong character.
His strength almost makes this book harder to read, though. I found myself almost wishing he would confess, even though I knew he was innocent, just so the horribleness would end. But he and I both knew that confessing to a crime that he didn't commit wouldn't help at all, either his own dignity, or the plight of the Jews in Russia. So we endured together until the trial, to which Bok is on his way at the end of the book. At first I was disappointed that we don't fight out what happens at the trial, but then I realized that the result of the trial isn't the point of the book. It's the persecution and the strength that it reveals that really matter.
I particularly like the end. At first, I thought I would be disappointed because I realized there were no pages left for the trial, but then I liked how it is
It tells the story of a Jew living in Russia ~1920. The Fixer is a man who has grown up in the Jewish ghetto and moves into the city of Kiev in an attempt to make a better life for
He gets a job and all is going well until he runs across a man who is passed out, drunk, in the street. After he helps him to his home, the grateful man offers him a well paying job in his warehouse. Though the Fixer knows that it's in an area of Kiev where Jews are not allowed, he accepts the job anyway.
Eventually he is arrested for living in a Jew-Free-Zone and subsequently is charged with the murder of a local boy. The majority of this book takes place in prison, where the fixer tries desperately to get access to a lawyer, to get an indictment or to just understand at all what the charges before him are.
He is poisoned. He is chained to a wall. He's beaten, he's sexually assaulted. Throughout it all, his captures promise to let him go if he will only admit that he killed the boy because 'the Jews' told him to. He is not a religious man, yet he refuses to pass on the blame.
This story was incredibly hard to read. Overall, an outstanding and highly moving book.
Yakov Bok has a hard luck life as a handyman, or fixer, in the Jewish Pale
When the mutilated body of a neighborhood boy is found stuffed in a cave, the evidence – circumstantial and fabricated – mounts against Yakov. He is arrested and left to rot in prison while the sham investigation drags on for years as anti-Semitic authorities try to build a case of ritual murder. With no indictment, no lawyer, and no idea of what is to come, Yakov’s situation is a downward spiral of gloom.
Yakov is motivated by his dwindling hope of exoneration, only meagerly spurred on by a few rare contacts with the outside and tidbits of news about his case. Although claiming to be non-religious and non-political, Yakov worries that his case will spark violent retribution or even a new pogrom against the Jews.
Malamud incorporates Yakov’s tragedy into the larger picture by having characters discuss Russia’s anti-Semitic history and Tsarist politics. It is this contextual detail that raises Yakov’s story above that of one individual’s tribulations and makes it a morality tale about freedom and responsibility in the face of evil and suffering. One of the characters explains Malmud’s thesis:
I am somewhat of a meliorist. That is to say, I act as an optimist because I find I cannot act at all, as a pessimist. Once often feels helpless in the face of the confusion of these times, such a mass of apparently uncontrollable events and experiences to live through, attempts to understand, and if at all possible, give order to; but one must not withdraw from the task if he has some small thing to offer – he does so at the risk of diminishing his humanity.
Or, as Yakov put it more succinctly as he was finally being taken to his trial, “[T]here’s no such thing as an unpolitical man, especially a Jew.”
Malamud is an incredible writer. Even though this story is horribly grim, he grabs the reader and does not let go. The Fixer is a book that everyone should read and, once read, ponder.
Also posted on Rose City Reader.
In early 20th century Tsarist Russia, a restless young Jewish man, a fixer by trade, leaves the shtetl for Kiev. Yakov Bok hopes to improve his mind, earn some money, and maybe immigrate to somewhere better like America. Yakov is not a religious man, but he is basically a moral man. A couple of good deeds involve Yakov in a chain of events much larger than himself. Accused of a crime he did not commit, Yakov spends months, years in jail resisting state pressure to confess for the welfare of all the Jews in Russia.
This novel’s religious themes and the suffering that Yakov endures as the state pressures him to make a statement against his will echo similar themes in Shusaku Endo’s Silence. Both novels wrestle with the silence or absence of God in the face of unrelenting suffering. Interestingly, both novels were first published in 1966. Maybe there’s a thesis there for some aspiring scholar of literature.