Disability Pride: Dispatches from a Post-ADA World

Adisabled journalist charts the progress his community has made since the passage of the Americans With Disabilities Act in 1990, but he is clear that “we are not resting on our laurels.”

Born with spinal muscular atrophy, Mattlin offers unique insights into disabled people's fights for civil

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rights, the many faces of ableism, and the emergence of a spirit of disability pride. “The idea of disability has shifted from a medical signifier to an emblem of cultural identity,” writes the author, and he shows the links between the fight against disability oppression and the civil rights movement. He describes a move from "internalized ableism" and disability shame to the sense that, as one activist noted, "being disabled can be a positive experience." Mattlin illustrates the "trend of high-profile disability inclusion" with examples from the worlds of fashion, Hollywood, Broadway, and government, and he explains all five main "titles" of the ADA and follows the path of its many amendments and implications. Most significantly, the author expands the parameters of disability to include those with hidden disabilities, chronic illnesses, cognitive and intellectual disabilities, and autism spectrum disorders. He makes convincing arguments that “poverty is linked to high incidences of every disability type” and that White privilege is a continuing problem in mainstream disability circles. The author laments the flawed representations of disabilities in Greek myth, Shakespearean drama, and contemporary film and TV. "The only disability figures in the media were Captain Hook or villains in James Bond,” said a disabled male model whose "ruggedly" handsome face and "rippling" muscles prove that "disability doesn't have to be ugly,” as actor Jillian Mercado notes on her agency’s website. Mattlin cites relevant public personalities such as Ali Stroker, the first actor in a wheelchair to win a Tony Award. The author also describes "adaptive apparel" that meets the needs and tastes of disabled people and introduces some stand-up comedians living with disability, using humor as a tool of awareness.

Illuminating portraits of disability activism with much to teach nondisabled readers.

-Kirkus Review

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