Cai Guo-Qiang (Phaidon Contemporary Artist Series)

by Dana Hansen

Paperback, 2002

Status

Available

Call number

MON.CAG.02

Collection

Publication

Phaidon Press (2002), 160 pages

Description

Ephemeral and monumental, the work of Cai Guo-Qiang is founded upon an ancient religious and philosophical aesthetic tradition. Borrowing elements from Chinese culture, the artist also makes reference to Western art in the wake of Joseph Beuys, Yves Klein, and the Arte Povera artists. Seeking a working method that would bring him a "feeling of freedom," Cai Guo-Qiang experimented with various materials, and in 1989 he unveiled a series of drawings created with gunpowder. These drawings, entitled Projects for Extraterrestrials, are among the works published in this book, which accompanies an exhibition at the Fondation Cartier. Also included are the artist's sketchbooks, presented here for the first time. Distributed on behalf of the Fondation Cartier pour l'art contemporain. 80 color illustrations.… (more)

Language

Original language

English

Physical description

160 p.

ISBN

0714840750 / 9780714840758

Call number

MON.CAG.02

Library's review

Cai Guo-Qiang is one of the most important Chinese artists to have emerged internationally in the 1990s. Best known for his spectacular gunpowder projects at locations ranging from museum entrances to the sites of Land art works such as Robert Smithson's Spiral Jetty, Cai has explored a diversity
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of media and artforms. These have included works such as an extension of the Great Wall of China, designed to be seen from outer space by extraterrestrial beings; feng shui rearrangements of public and private spaces both in Japan and New York; participatory projects with kites, jacuzzis and mini golf courses; and sculptures constructed from melted-down cars or abandoned boats. His projects are strongly influenced by their location and the works are frequently altered or developed as they are exhibited at new sites. Unifying Cai's wide-ranging work is his consistent investigation of humanity's place within the universe. Born in Quanzhou, China, in 1957, Cai lived in Tokyo from 1985 until 1995 when he moved to New York. Now recognized as a major artist worldwide, he has made projects in all the inhabited continents of the world.
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Pages

160
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