Status
Available
Call number
Collection
Publication
Arsenal Pulp Press (2002), 288 pages
Description
Documenting the image of the cyborg in all its imaginative guises, THE UNCANNY includes essays and excerpts by Allan Antliff, Bruno Bettelheim, Randy Lee Cutler, Freud, William Gibson, Bruce Grenville, Makiko Hara, Donna Haraway, Masanori Oda, Jeanne Randolph and Toshiya Ueno. One of the most persistent and intriguing cultural images of the last century, the cyborg exists at the intersection of science, technology and culture, and is understood here as an uncanny' image that reflects our shared fascination and dread of the machine and its presence in our daily lives.'
Language
Original language
English
Physical description
288 p.
ISBN
1551521164 / 9781551521169
Call number
EX.CAN.VAN.UNC
Library's review
Catalogue for an exhibition held at the Vancouver Art Gallery from February 9 to May 26, 2002.
'The Uncanny: Experiments in Cyborg Culture is a dazzling and provocative examination of the cyborg―the concept of man-as-machine―in popular culture. The book collects essays and images, in colour and
(Abstract source: arsenalpulp.com)
'The Uncanny: Experiments in Cyborg Culture is a dazzling and provocative examination of the cyborg―the concept of man-as-machine―in popular culture. The book collects essays and images, in colour and
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black-and-white, presenting the image of the cyborg in all its imaginative guises. The title is from a 1919 essay by Sigmund Freud (and included in the book), which deals with the sensation of "uncanniness" as being strange and familiar at the same time.
The idea of the cyborg has been in existence for decades, and is one of the most persistent cultural images of the past century. The cyborg is a cypher―an enigmatic image of figure that is human but not human, a machine but not a machine. It exists at the intersection of science, technology, and culture. For some, the cyborg is evident in the massive presence of technology; we are constantly aided by machines, whether they are computers, vehicles, or military weapons that extend and amplify our presence in the natural world, or by medical prosthetics, such as pacemakers, artificial limbs, and eyeglasses, that maintain and reinforce our existing physical body.
How is one to understand the persistence of this image in the visual arts and popular culture, in science and literature, medicine and cultural theory? This book, in its essays and images, presents the cyborg as an "uncanny" image that reflects our shared fascination and dread of the machine and its presence in our daily lives.
The Uncanny complemented a major exhibition at the Vancouver Art Gallery. The book suggests a significant link between the visual arts and popular culture in the evolving representation of the cyborg, beginning as early is the 19th century.'(Abstract source: arsenalpulp.com)
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Pages
288