Factories of Knowledge, Industries of Creativity (Volume 15) (Semiotext(e) / Intervention Series (15))

by Gerald Raunig

Other authorsAntonio Negri (Afterword), Aileen Derieg (Translator)
Paperback, 2013

Status

Available

Call number

LIT.RAG.FKI

Collection

Publication

Semiotext(e) (2013), 168 pages

Description

With the economy deindustrialized and the working class decentralized, a call for alternative horizons for resistance: the university and the art world. What was once the factory is now the university. As deindustrialization spreads and the working class is decentralized, new means of social resistance and political activism need to be sought in what may be the last places where they are possible: the university and the art world. Gerald Raunig's new book analyzes the potential that cognitive and creative labor has in these two arenas to resist the new regimes of domination imposed by cognitive capitalism. Drawing on Gilles Deleuze's concept of "modulation" as the market-driven imperative for the constant transformation and reinvention of subjectivity, in Factories of Knowledge, Industries of Creativity, Raunig charts alternative horizons for resistance. Looking at recent social struggles including the university strikes in Europe, the Spanish ¡Democracia real YA! organization, the Arab revolts, and the Occupy movement, Raunig argues for a reassessment of the importance of cultural and knowledge production. The central role of the university, he asserts, is not as a factory of knowledge but as a place of creative disobedience.… (more)

Language

Original language

English

Physical description

168 p.; 7 inches

ISBN

1584351160 / 9781584351160

Call number

LIT.RAG.FKI

Library's review

With the economy deindustrialized and the working class decentralized, a call for alternative horizons for resistance: the university and the art world.

What was once the factory is now the university. As deindustrialization spreads and the working class is decentralized, new means of social
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resistance and political activism need to be sought in what may be the last places where they are possible: the university and the art world. Gerald Raunig's new book analyzes the potential that cognitive and creative labor has in these two arenas to resist the new regimes of domination imposed by cognitive capitalism. Drawing on Gilles Deleuze's concept of “modulation” as the market-driven imperative for the constant transformation and reinvention of subjectivity, in Factories of Knowledge, Industries of Creativity, Raunig charts alternative horizons for resistance.

Looking at recent social struggles including the university strikes in Europe, the Spanish ¡Democracia real YA! organization, the Arab revolts, and the Occupy movement, Raunig argues for a reassessment of the importance of cultural and knowledge production. The central role of the university, he asserts, is not as a factory of knowledge but as a place of creative disobedience.'

Summary from MIT Press (Cambridge, Mass.) March 2013.
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Pages

168
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