Hong Kong Art Review

The present collection was motivated by a number of events, but can largely be taken as the outcome of several years of discussion by members of the Hong Kong section of the Internation Association of Art Critics. While a relatively young protion of a global organisation, the section has been

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formed by critics who have been in frequent contact for a number of years. In a sense, its establishment and the formal conferences that hae been mounted these past years have evered to ring opinions that were often elaborated in private into a public dialogue.'

(Abstract from Foreword)

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