Status
Available
Call number
Collection
Publication
Peepal Tree Press Ltd. (2001), 168 pages
Description
"Focusing on literature, film and the broadcast media, these essays are drawn from a conference at the University of Barcelona in Spain to celebrate the fiftieth anniversary of India's independence. The essays look both backwards and forwards in time, both to developments within India and to the growth of Indian communities settled throughout the world. In particular, the volume explores the position of women, both in literary and filmic portrayals, and through the emergence of important women's voices in Indian writing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Language
Original language
English
Physical description
168 p.
ISBN
1900715406 / 9781900715409
Call number
AHC.FIK.IFY
Library's review
Focusing on literature, film and the broadcast media, these essays are drawn from a conference at the University of Barcelona in Spain to celebrate the fiftieth anniversary of India's independence. The essays look both backwards and forwards in time, both to developments within India and to the
In particular, the volume explores the position of women, both in literary and filmic portrayals, and through the emergence of important women's voices in Indian writing.
In the first section, dealing with writing both in English and Indian languages, Murari Prasad traces the evolution of feminist ideas; Mary Condé explores anglophone women's writing with particular reference to Arundhati Roy and to expatriate writers in North America such as Bharati Mukerjee; and Elizabeth Russell discusses issues of identity in Indian women's writing in relationship to theories of gender and ethnicity.
In the second section, which focuses on the defining voices of Indian nationalism, C.D. Narasimhaiah pays homage to the founding fathers of Indian writing, Mulk Raj Anand and Raja Rao. Syd Harrex analyses the work of R.K. Narayan and Savita Goel discusses the contemporary images of Rohinton Mistry.
The third section deals with Indian writing in the diaspora. Kathleen Firth looks at the twice-displaced writer M.G. Vassanji; Rajana Ash focuses on the work of Indian women writers currently working in Britain; and Felicity Hand looks at the position of the Asian community in Britain through the work of such writers as Hanif Kureishi.
The final section examines the development of Indian film and broadcast media. Somdatta Mandal deals with Bengali nationalism and print media; Daya Thusu surveys the evolution of Indian media into the late-nineties and Sara Martin compares Western images of India in film with India's own film industry.
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growth of Indian communities settled throughout the world. In particular, the volume explores the position of women, both in literary and filmic portrayals, and through the emergence of important women's voices in Indian writing.
In the first section, dealing with writing both in English and Indian languages, Murari Prasad traces the evolution of feminist ideas; Mary Condé explores anglophone women's writing with particular reference to Arundhati Roy and to expatriate writers in North America such as Bharati Mukerjee; and Elizabeth Russell discusses issues of identity in Indian women's writing in relationship to theories of gender and ethnicity.
In the second section, which focuses on the defining voices of Indian nationalism, C.D. Narasimhaiah pays homage to the founding fathers of Indian writing, Mulk Raj Anand and Raja Rao. Syd Harrex analyses the work of R.K. Narayan and Savita Goel discusses the contemporary images of Rohinton Mistry.
The third section deals with Indian writing in the diaspora. Kathleen Firth looks at the twice-displaced writer M.G. Vassanji; Rajana Ash focuses on the work of Indian women writers currently working in Britain; and Felicity Hand looks at the position of the Asian community in Britain through the work of such writers as Hanif Kureishi.
The final section examines the development of Indian film and broadcast media. Somdatta Mandal deals with Bengali nationalism and print media; Daya Thusu surveys the evolution of Indian media into the late-nineties and Sara Martin compares Western images of India in film with India's own film industry.
Show Less
Pages
168