Religio Medici and Urne-Buriall

by Sir Thomas Browne

Other authorsStephen Greenblatt (Editor), Ramie Targoff (Editor)
Paper Book, 2012

Description

Sir Thomas Browne is one of the supreme stylists of the English language: a coiner of words and spinner of phrases to rival Shakespeare; the wielder of a weird and wonderful erudition; annbsp; inquiring spirit in the mold of Montaigne. Browne was an inspiration to the Romantics as well as to W.G. Sebald, and his work is quirky, sonorous, and enchanting. Here this baroque master's two most enduring and admired works, Religio Medici and Urne-Buriall, appear in a new edition that has been annotated and introduced by the distinguished scholars Ramie Targoff and Stephen Greenblatt (author of the best-selling Will in the World and the National Book Award-winning The Swerve). In Religio Medici Browne mulls over the relation between his medical profession and his profession of the Christian faith, pondering the respective claims of science and religion, questions that are still very much alive today. The discovery of an ancient burial site in an English field prompted Browne to write Urne-Buriall, which is both an earlynbsp; anthropological examination of different practices of interment and a profound meditation on mortality. Its grave and exquisite music has resounded for generations.… (more)

Collection

Publication

NYRB Classics (2012), Edition: 1, 224 pages

User reviews

LibraryThing member JBD1
I found myself wandering down a rather unexpected reading rabbit hole: I finished Jill Lepore's Book of Ages (a biography of Ben Franklin's sister Jane), and that led me to Virginia Woolf's Orlando; when I finished Orlando the thing I wanted to read right off was Sir Thomas Browne's Religio Medici.
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The trajectory actually makes a great deal of sense now that I've finished all three books, but in the moment I kept thinking about the strangeness of it all.

There's a very good reason Browne's works are still published and enjoyed: the two pieces included in this volume, though written in the middle years of the seventeenth century, are among the most clearly written and well argued essays I've ever read. While I do not always agree with his conclusions (and in some areas of Urne-Buriall he's just completely wrong), Browne's utterly brilliant use of language is a real treat. There were more than a few times where I found myself reading out loud, just to hear how the prose felt when spoken.

Not only as an example of beautiful prose, Religio Medici is also a truly provocative attempt to reconcile science and religion, and both works here meditate on human mortality and aging. The two are separated by a fair number of years, though, and the differences in Browne's own style and attitudes are evident in the later work. I liked both, but in rather different ways. And it would have been fascinating to see what Browne thought of Religio Medici later in life, as his own views on family life, other religions, and mortality evolved over time.

Highly recommended, and this edition made be particularly good as an introduction to Browne's works. I confess, I've already been hunting down some others since I finished this ...
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LibraryThing member jwhenderson
An inspiring work for all who love words and appreciate erudition. That does not take away from the imaginative largesse of Browne's prose. The glossary and notes included in this edition are helpful to all who are not scholars of the history of literature.
LibraryThing member datrappert
I bought this at the same time as Robert Burton's The Anatomy of Melancholy, as being another example of a 17th century mind and its digressions. While this volume, consisting of Browne's two best known works, has the considerable virtue of being much much (much) shorter than The Anatomy of
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Melancholy, it lacks the wit and the humor of Burton's satire, with its long lists and incredible range of quotes. Still, this is enjoyable once you get into the rhythm of it. Browne is certainly trying to convince himself of the truth of Christianity--in both pieces, as unrelated as they may seem at first--and, I think, largely succeeding, though not with this reader.

The introduction is good, but in addition to the notes at the back--some of which seem unnecessary since I was better at figuring out the meaning of 17th century phrases than I gave my self credit for--should have been supplemented by translations of ALL the Latin (and occasionally Greek) in Browne's own footnotes. This is one area where an ebook would have been far superior, since it would have been an easy task to highlight and paste into Google Translate. Still, good to have checked this one off my list!
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Original language

English

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