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Named Person: Moses de Leon
Description: Sefer ha-Zohar (The Book of Radiance) has amazed readers ever since it emerged in medieval Spain over seven hundred years ago. Written in lyrical Aramaic, this masterpiece of Kabbalah exceeds the dimensions of a normal book; it is virtually a body of mystical literature, comprising over twenty sections. The bulk of the Zohar consists of mystical interpretation of the Torah, from Genesis through Deuteronomy.
The tenth volume of The Zohar: Pritzker Edition presents Midrash ha-Ne'lam on the Torah, the earliest texts of the Zoharic corpus and first fruits of the Zoharic world. In contrast to the main body of the Zohar, Midrash ha-Ne'lam is composed in both Aramaic and Hebrew; its style combines philosophical allegory and kabbalistic midrash.
Particularly noteworthy is the extended allegorical interpretation of the patriarchal narratives. They are read as an account of the descent of the soul, its adventures on earth, and its wandering journey after death, finally culminating in its reunion with the perfected body following resurrection. Quintessential Zoharic motifs such as "walking on the way" and the "nocturnal delight in the Garden of Eden" make their first appearances here. The volume also includes many short narratives featuring the "Masters of Mishnah," a group of sages possessing esoteric knowledge of the soul and the cosmos, the forerunner of the Zoharic fellowship. -- publisher
Contents:
Midrash ha-neʼlam:
Parashat Be-reshit-
Parashat Ki Tetse
FY2020 /
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Description
Sefer ha-Zohar (The Book of Radiance) has amazed readers ever since it emerged in Spain over seven hundred years ago. Written in a lyrical Aramaic, the Zohar, a masterpiece of Kabbalah, features mystical interpretation of the Torah, from Genesis to Deuteronomy. The tenth volume of The Zohar: Pritzker Edition presents Midrash ha-Ne'lam on the Torah, the earliest texts of the Zoharic corpus and first fruits of the Zoharic world. In contrast to the main body of the Zohar, Midrash ha-Ne'lam is composed in both Aramaic and Hebrew; its style combines philosophical allegory and kabbalistic midrash. Particularly noteworthy is the extended allegorical interpretation of the patriarchal narratives. They are read as an account of the descent of the soul, its adventures on earth, and its wandering journey after death, finally culminating in its reunion with the perfected body following resurrection. Quintessential Zoharic motifs such as "walking on the way" and the "nocturnal delight in the Garden of Eden" make their first appearances here. The volume also includes many short narratives featuring the "Masters of Mishnah," a group of sages possessing esoteric knowledge of the soul and the cosmos, the forerunner of the Zoharic fellowship.… (more)