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The Country of the Pointed Firs (1896) is Sarah Orne Jewett's most popular book. In its elegantly constructed sketches, a worldly, anonymous writer spends the summer in a tiny Maine fishing village where she hopes to find peace and solitude. As she gains the acceptance and trust of her hosts, the community's power and complexity are slowly revealed. While its episodes portray the difficulty and loneliness of rural life, they also display its dignity and strength, particularly as expressed in the bonds between women: mothers, daughters, and friends. Written during a time of rapid change and national conflict, surprisingly modern in its treatment of character and its literary techniques, The Country of the Pointed Firs addresses the delicate and uncertain art of understanding others. This centennial edition contains a facsimile of the original text, thereby restoring the novel to Jewett's own version, which had been considerably altered in other published versions, plus four related stories. Further enhancing the importance of this volume is editor Sarah Way Sherman's introduction, which includes a sketch of Jewett's life and professional development, a commentary on textual accuracy, and a discussion of the book's themes and techniques as well as its historical context.… (more)
User reviews
Like a vacation, outside cares fade while focusing on the lives, habits and landscape of this place. The writing is finely wrought. A real affection for a place and people one knows briefly shines through the work and makes one wish for a time and place when travel, life and writing unfolded at a the speed of a long walk.
Some editions incorporate other stories written about Dunnet Landing into the body of the novella. This can lead to a change in the narrator’s voice that is incongruous with the rest of the work. Look for a version that preserves the order of one of the early publications with other short works in a separate section.
When I return to Monhegan Island each year, the feeling I have
This one takes you through a months-long summer visit to a small seaside town in Maine during the 19th century. It is about as eventful as a summer vacation normally would be, there is no great
It is a slow paced book, and I wanted to pick up a pencil and edit her in places, but it was worth my time, and many of the images and stories have been lingering in my mind.
NOTE: In case it is unclear, the "edition" to which I refer is the 1968 edition "selected and introduced" by Mary Ellen Chase and published in hardcover by W.W. Norton (but not a Norton Critical Edition).
Soon the narrator feels the need to separate so that she can complete the writing project she brought with her. After listening to a strange tale about a limbo-like “waiting place” between this world and the next in the fog-bound arctic regions, the narrator reunites with Mrs. Todd, and they both discover that their relationship has improved in mutual consideration and empathy as a result of the separation. They have achieved a balance between the basic human needs for both connection and separation. This alternating pattern of separation and reunion continues in a number of different ways throughout the novel, ending with the narrator’s departure from Dunnet Landing.
Dunnet Landing and the surrounding country is populated with charming characters whose stories fill the spaces between the description of the lovely Maine north country. One of those characters, Captain Littlepage, had time for both sailing and reading. The latter activity was evidently also a pastime of the narrator who dotted the narrative with references to Shakespeare, Milton, and others.
The scenery is captured in moments like this:
"We were standing where there was a fine view of the harbor and its long stretches of shore all covered by the great army of the pointed firs, darkly cloaked and standing as if they waited to embark. As we looked far seaward among the outer islands, the trees seemed to march seaward still, going steadily over the heights and down to the water's edge."(p. 33)
The chill in the air on winter nights was tempered by the heat from a Franklin Stove (no doubt very much like the one in my sister's home in the high country of northeastern Nevada). One of the best moments in the story was the Bowden family reunion that brought together many of the people from the area in a way that you can only experience in small out of the way communities like Dunnet Landing.
The Country of the Pointed Firs was greeted with strongly positive reviews. Indeed, a few years later, Jewett's friend Willa Cather would rate it as one of the three great classics of American literature (the other two being The Scarlet Letter and The Adventures of Huckleberry Finn). I'm not sure I agree completely with Cather, but this is a fine short novel depicting late nineteenth century Americana.
Written apparently around the turn of the last century it depicts the experience of a woman on a summer vacation type stint somewhere up in Maine along the rocky coast there. The woman she stays with is a fixture in the community of plain clannish types supported primarily be a seagoing and fishing workforce.
Individual stories of some of these individuals is laid out in an enticing enough way to keep ones interest. Of special note was a woman who lived entirely by herself out in the remote due to a past incident in her life there. Having past on she is still somewhat memorialized by the locals. It winds up with a reunion of many of the related people and finally a old man who live the previous woman lives alone and mourns his wife eternally.
The sense of life as it was in those days and how it does or does not relate to how we conduct our lives today with our rampant and intrusive technology was the impression this work left me with. Also how the human drams continues to play out much like the past no matter how the present plays itself out.