The Passionate Mistakes and Intricate Corruption of One Girl in America (Semiotext(e) / Native Agents)

by Michelle Tea

Other authorsEileen Myles (Afterword), Brandon Stosuy (Foreword)
Paperback, 2007

Status

Checked out

Publication

Semiotext(e) (2007), Edition: Reprint, 192 pages

Description

The critically acclaimed adventures of an ex-Goth, ex-straight-girl, ex-lesbian, ex-Catholic schoolgirl on the road in 1990s America. Published by Semiotext(e) to critical acclaim in 1998, Michelle Tea's debut novel The Passionate Mistakes and Intricate Corruption of One Girl in America quickly established Tea as an exciting new literary talent and the voice of a new generation of queer, bisexual, transgendered, and straight youth. The Village Voice called Passionate Mistakes "the legacy of thirty years of feminism," and Eileen Myles, writing in the Nation, hailed the novel as "a hunk of lyric information that coolly, then frantically, describes the car wreck of her generation. "The too-smart, caustic, and radiant narrator of Passionate Mistakes is, at twenty-seven, an ex-Goth, ex-drummer, ex-straight girl, ex-lesbian separatist vegan graduate of vocational high school in the working class town of Chelsea, Massachusetts. Written with lyrical precision and charm, the novel describes a journey with no final destination, a fast-paced and picaresque road trip that yields a redemptive vision of an America that has nothing left to offer its youth. This new edition of a Semiotext(e) classic includes critical essays by Brandon Stosuy and Eileen Myles that describe Michelle Tea's achievement as a literary innovator and cultural icon. Michelle Tea is the prolific author of the Lambda Award-winning Valencia, the graphic novel Rent Girl, the "inspired queer bildungsroman" Rose of No Man's Land, and other books. She was a 1999 recipient of a Rona Jaffe Foundation Writers' Award for fiction. Her critically acclaimed books have appeared on "books of the year" lists in publications ranging from the Voice Literary Supplement to the San Francisco Chonicle. She lives in San Francisco.… (more)

User reviews

LibraryThing member Crowyhead
My copy of this is sooo dogeared. I love this book; in some ways, although I love Michelle Tea's other stuff, I think this will always be my favorite.
LibraryThing member heatherheartsbooks
This book was good, and I loved her use of language. Very funky and lyrical, rather reminescent of Francesca Lia Block. However, I felt disconnected on several occasions, like something was missing.
LibraryThing member Citizenjoyce
Michelle Tea writes of life as a high school goth and punk groupie, black clothes, white face, black gooped up eyes, big hair - her friends felt betrayed when she started wearing color. Lots of drinking and soft drugs with continuing rage against her nurse mother, step father and father. A friend's
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mother allows her to throw a party for her goth friends then becomes irate when she finds the daughter making a deal to get LSD for the group. The mother comes off as a psycho bitch, I'm thinking if that were my daughter with those friends planning on a trip to the ocean with booze and LSD, you can bet I would have been the bitchiest of psychos. Time passes, she's in a long term relationship with her boyfriend but his penis makes her wretch. She wants to have sex with women. She does have sex with women, he's fine with it and plans their marriage. Finally she leaves the boyfriend, moves out of her parent's house, gets a girlfriend and becomes a prostitute.

The ad at the back of the book for the Native Agents series says, Michelle Tea's tale has all the grit and adventure of a life lived large, free, and on the edge. On the edge I'll give you, but the life is small, sticky, oppressive and far from free. But there are some great quotes. Speaking of her girlfriend's ecological opposition to fireworks she says She'd been a mean little troublemaker her whole life but getting a political consciousness had really given her direction. I'd watched her progress from random cruelty to truly righteous hostility,

The pathetic hanger on of the memoir becomes Michelle Tea who writes the memoir. How that happens, I guess, is the stuff of other books, but they say all the parts of the journey bring you to where you are. Where Michelle Tea is now is opening our eyes to parts of the world some of us didn't know existed. Where she was then was a cramped and joyless place to be.
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Language

Original language

English

Physical description

192 p.; 6 inches

ISBN

1584350520 / 9781584350521
Page: 0.3888 seconds