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"Still known to millions only as the author of the "The Lottery," Shirley Jackson (1916-1965) remains curiously absent from the American literary canon. A genius of literary suspense, Jackson plumbed the cultural anxiety of postwar America better than anyone. Now, biographer Ruth Franklin reveals the tumultuous life and inner darkness of the author behind such classics as The Haunting of Hill House and We Have Always Lived in the Castle. Placing Jackson within an American Gothic tradition of Hawthorne and Poe, Franklin demonstrates how her unique contribution to this genre came from her focus on "domestic horror" drawn from an era hostile to women. Based on a wealth of previously undiscovered correspondence and dozens of new interviews, Shirley Jackson, with its exploration of astonishing talent shaped by a damaged childhood and a troubled marriage to literary critic Stanley Hyman, becomes the definitive biography of a generational avatar and an American literary giant."--… (more)
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Franklin looks deeply at Shirley Jackson's writing - both her process and her overarching themes. She also spends a lot of time trying to decipher her mental health, which was something Jackson struggled with throughout her life. I also was interested to know that Jackson was a mother of four and did all of her writing while raising her children and supporting the family with her income. Her husband never brought in enough money for them to live on and her income was their primary source of money.
All in all, this is a decent biography of a fascinating person and writer. I'm excited to read the two remaining novels that I've not yet read in Jackson's oeuvre.
Original publication date: 2016
Author’s nationality: American
Original language: English
Length: 499 pages
Rating: 3.5 stars
Format/where I acquired the book: library book
Why I read this: on a whim
Admittedly, I don't read a lot of biographies. Not my thing. Nothing against them, I just prefer to spend my time reading fiction. That being said, when I saw there was going to be a Shirley Jackson bio, I decided to get out of my comfort zone just a bit.
Shirley Jackson is perhaps most
The bio covers her childhood, college years (she wasn't a very good student), early published works, novels, family life, her troubles with anxiety and a period of agoraphobia, and ends with her untimely death.
Shirley Jackson was the mother of four. Two boys and two girls. Laurence (Laurie), Joanne (Jannie), Sarah (Sally), & Barry. Each unique in their own way and often fodder for lighter, more humorous stories she wrote, in sharp contrast to her more serious pieces. She also had a sense of humor about the children's misdeeds. One day Laurence, twelve or thirteen years old, balked when she told him to take a bath. Shirley went into the kitchen, came back with an egg, and smashed it on his head. "Now you need a bath," she told him.
Her husband, Stanley Hyman, was a firm believer in polyamorous relationships, much to Jackson's dismay, but despite numerous thoughts of divorce throughout the years, the couple remained married until her death in 1965.
Of the many quotes from Jackson's work included in her biography, there was one which seemed just as relevant today, as it was when written 60+ years ago. From THE WITCHCRAFT OF SALEM VILLAGE.
"We are not more tolerant or more valiant than the people of Salem, and we are just as willing to do battle with an imaginary enemy...The people of Salem hanged and tortured their neighbors from a deep conviction that they were right to do so. Some of our own deepest convictions may be false. We might say that we have far more to be afraid of today than the people of Salem ever dreamed of, but that would not really be true. We have exactly the same thing to be afraid of--the demon in men's minds which prompts hatred and anger and fear, an irrational demon which shows a different face to every generation, but never gives up its fight to win over the world."
The biography is certainly complete, right own to the seemingly most minor of details. As much a treatise on the times and the publishing industry in general as it was on the life of Jackson. Plus, there are a number of wonderful pictures interspersed throughout the book.
Recommended for all readers who are the least bit curious about Shirley Jackson.
Published by Liveright, a division of W.W. Norton & Company, Shirley Jackson: A Rather Haunted Life is available in hardcover, e-book, and audio formats.
From the author's bio. Ruth Franklin is a book critic and former editor at The New Republic. She has written for many publications, including The New Yorker, Harper’s, The New York Times Book Review, The New York Review of Books, and Salmagundi. She is the recipient of a Guggenheim Fellowship in biography, a Cullman Fellowship at the New York Public Library, a Leon Levy Fellowship in biography, and the Roger Shattuck Prize for Criticism. Her first book, A Thousand Darknesses: Lies and Truth in Holocaust Fiction (Oxford University Press, 2011), was a finalist for the Sami Rohr Prize for Jewish Literature. She lives in Brooklyn, New York.
Quotes: "I would not drop dead from the lack of you/my cat has more brains than the pack of you."
Franklin paints with a broad brush here, covering American society, the world of academia, the publishing business, and the first stirrings of the feminist movement, returning frequently to Jackson’s fiction as reflective of all those influences. Jackson’s heroines, almost always cut off from society or repressed by their own insecurities, struggle to break free to genuine lives, and presage in many ways the concepts introduced by Betty Friedan in “The Feminine Mystique”.
Jackson herself was torn between wanting to write and gaining the approval of a difficult and demanding husband, and providing the support and love to her children that she had always sought, but never received, from her own mother. Her life was almost emblematic of the struggles Friedan discussed in her writings.
An ungainly young woman, Jackson never approached the ideals of beauty her own mother held dear. As she matured, she paid less and less attention to her appearance – a failing her mother never learned to accept. Instead, she turned her energies and her imagination to the characters and situations she created, peeling back facades to reveal the evil and darkness lurking beneath the surface. Her characters are frequently mad, or clinging to sanity by the merest thread. Yet, surprisingly, two of her best selling books chronicled her family life. “Life Among the Savages” and “Raising Demons” were light-hearted looks at rearing children, predating Jean Kerr’s “Please Don’t Eat the Daisies” and Erma Bombeck’s many domestic comedies by several years.
Casual fans familiar only with Jackson’s best-known works will discover the breadth of her collected works; scholars may learn much about the enigmatic and troubled author.