Status
Available
Publication
Scribner (2008), 177 pages
Description
'A fiercely intelligent writer and an astute observer of people and her surroundings, award-winning novelist Kate Jennings was also and irascible Australian with no time for indulgent New Yorkers and their pampered pets. But when she fell for a spirited border terrier - Stanley - she fell hard. In time, jennings found him a companion, Sophie, who combined an angelic face with steely orphan-girl determination."--Inside dust jacket.
User reviews
LibraryThing member placing
I usually love Kate Jennings sharp wit, but this really is a book for dog lovers only. There is potential, but the fantastic raw honesty that glints through in parts is overwhelmed by the minutiae of detail on dog ownership in NY. At times this is twee and indulgent, and it feels as though this is
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the book Kate Jennings is writing instead of the book she is capable of writing. Show Less
LibraryThing member khollis
I thought this would be a great read and am disappointed that it wasn't. Jennings finds new homes for her dogs, Stanley and Sophie - this is the story of how both dogs and author readjust
LibraryThing member shawjonathan
In her recent writing, Kate Jennings has established a persona who acknowledges her Australian origins but is a literary New Yorker to her bootstraps. This book is a memoir dealing with two dogs she acquired soon after her husband died in similar circumstances to the husband of the heroine of her
I would remember times when he was in great distress, but never tears.
'What's wrong, Dad?'
'I had to shoot all my dogs, and I never want to do that again.'
I absorbed this remark, the shock of those tears. When conversation takes a serious turn, Australians throw vats of boiling, spitting oil over one another in the form of humor [sic]. They are not denying their emotions; they are obliterating them. 'Dad,' I said, 'I think this time it'll be the other way around. The dogs are going to have to shoot you.'
The memoir is full of facts about border terriers, enough to make most people resolve to have as little to do with them as possible. It drops in references to many writers: Thomas Mann (German) and Joe Ackerley (English) loom large, and Bob Dylan offers a surprisingly sweet comment about Old Yeller. There is copious Newyorkana, interrupted by an excursion to Bali. Four people told me the book was so slight as to be hardly worth reading, and I almost took them at their word. Having read it, I couldn't agree less. It may be light. It may go on about the cuteness of dogs and (in Bali) monkeys. It may never come right out with effusive expressions of grief or inspirational Kubler-Ross stages. But it tackles exactly the difficulty with serious emotion named in the quote above, and makes it look easy. A cranky review once described another of Kate's books as a kind of ode. This book, too, is a kind of ode: light, spare, witty, poised, allowing hard emotion to well up from the depths. Kate would never have been so crude as to use this metaphor, but her scruffy border terriers, ratters from way back, burrow down into a dark hole in her Riverina stoicism and New York cool and bring back rich, direct heartfelt emotion.
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novel Moral Hazard. There's a clue on how to read it in an early chapter, where she recalls trying to persuade her elderly father to get a puppy, threatening to have someone dump one on his doorstep, and he astonishes her by weeping.I would remember times when he was in great distress, but never tears.
'What's wrong, Dad?'
'I had to shoot all my dogs, and I never want to do that again.'
I absorbed this remark, the shock of those tears. When conversation takes a serious turn, Australians throw vats of boiling, spitting oil over one another in the form of humor [sic]. They are not denying their emotions; they are obliterating them. 'Dad,' I said, 'I think this time it'll be the other way around. The dogs are going to have to shoot you.'
The memoir is full of facts about border terriers, enough to make most people resolve to have as little to do with them as possible. It drops in references to many writers: Thomas Mann (German) and Joe Ackerley (English) loom large, and Bob Dylan offers a surprisingly sweet comment about Old Yeller. There is copious Newyorkana, interrupted by an excursion to Bali. Four people told me the book was so slight as to be hardly worth reading, and I almost took them at their word. Having read it, I couldn't agree less. It may be light. It may go on about the cuteness of dogs and (in Bali) monkeys. It may never come right out with effusive expressions of grief or inspirational Kubler-Ross stages. But it tackles exactly the difficulty with serious emotion named in the quote above, and makes it look easy. A cranky review once described another of Kate's books as a kind of ode. This book, too, is a kind of ode: light, spare, witty, poised, allowing hard emotion to well up from the depths. Kate would never have been so crude as to use this metaphor, but her scruffy border terriers, ratters from way back, burrow down into a dark hole in her Riverina stoicism and New York cool and bring back rich, direct heartfelt emotion.
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Subjects
Language
Original language
English
Physical description
177 p.; 8.7 inches
ISBN
1416560297 / 9781416560296
Local notes
autobiography