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Before his thirtieth birthday Holden Garfield has already burned out as a journalist in war-torn Bosnia. Returning to the United States, he hopes the familiar sunshine and rolling hills of Virginia will help him put aside the horrors he reported. Instead he finds Melanie, his mentor's sister, who is institutionalized with a mysterious amnesia after her husband and son were killed five weeks earlier by a freak force of nature. Struck as if by lightning by her beauty, Holden sets out to help her reconstruct her past, and the pair is swept up in a passionate love affair -- one fighting to remember, the other struggling to forget. With this breakneck story of love and loss, Marianne Wiggins delivers a compelling novel that is a series of powerful metaphors for the curative forces of love as well as her own personal love letter to the American South.… (more)
User reviews
What catches my eyes is usually bright colors - lime greens, magentas, oranges. But lime green and magenta on a white background - dead giveaway - chick lit. Especially if there's a title in a scrolly font. It was the lack of a scrolly font that made me pick up Marianne Wiggins' Almost Heaven, even though the magenta and lime green were there, resting on a white sea.
I remembered Marianne Wiggins from her marriage to Salman Rushdie days - when he had that fatwa hanging on his head, and they were living in hiding, darting out of alleys and bus stops in the imagination I had. That didn't last - neither the fatwa nor the marriage. The book itself was about a woman who had witnessed her husband and children killed before her eyes in a tornado, and had suffered from a memory loss, as a result. A jaded news reporter who had witnessed the massacre in Srebenica, her brother's protege and close friend, helps her find her memory and finds his appreciation of his life. Even though I liked Wiggins' writing, I couldn't stomach the way I could foresee the dots.
Jaded reporter - finds out about his friend's sister having the accident - decides to visit - friend's sister is a stunner, even if she's prone to blank stares every time something from her recent past is brought up. You can see where it's going, right? Right into steamy sex in a trailer. Even if Wiggins explored nature and memory and loss, her plot points are way too Hollywoodish. I don't understand myself either. I love it when I can foresee the story line when I'm watching a film. Then why not a book? I don't know.
The most interesting part of the book to me was the dedication page. She had written something to the effect of "In memory of [some date], 1995". It just made me curious to know what that day was. Was it the day Rushdie's fatwa was lifted? Or when she got a divorce from him? Or her son was born? Who knows? Doesn't bode well to me that that is the most intriguing thing about the book.