Status
Available
Series
Publication
Penguin Books (2011), Edition: Original, 337 pages
Description
Fiction. Literature. Historical Fiction. HTML:"A bravura performance: a witty, moving, sexy book that bursts with as much color and excitement as the city of Constantinople itself." -Financial Times Roman historian Procopius publicly praised Theodora of Constantinople for her piety-while secretly detailing her salacious stage act and maligning her as ruthless and power hungry. So who was this woman who rose from humble beginnings as a dancer to become the empress of Rome and a saint in the Orthodox Church? Award-winning novelist Stella Duffy vividly recreates the life and times of a woman who left her mark on one of the ancient world's most powerful empires. Theodora: Actress, Empress, Whore is a sexy, captivating novel that resurrects an extraordinary, little-known figure from the dusty pages of history..… (more)
User reviews
LibraryThing member Chatterbox
"Theodora of the Hippodrome, of the brothel, could never have achieved so much if she had not been practical as well as wild." So writes novelist Stella Duffy of Theodora, the daughter of a bear-keeper in sixth-century Constantinople, who rose to become Empress of Byzantium, alongside one of that
Duffy tells the story of how she achieved this improbable feat, born into a world which offered her little choice beyond taking to the stage of the Hippodrome as an acrobat and comedienne renowned, so history tells it, for lewd performances. Offstage, like all actresses of the period, she earned money as a prostitute -- and the most she could hope for was to find someone who would take her on as a mistress for the short term. Then, after her hopes in that direction collapse, she discovers a new direction for herself, both personally and as a public figure.
The Constantinople that Duffy portrays so vividly in this fascinating novel is a world in which ordinary working men and women are prepared to literally come to blows over the pressing theological issues of the day, particularly the precise nature of Christ's divinity. That territory has proven to be a mindfield for other authors, notably Anne Perry, whose The Sheen on the Silk: A Novel was deeply disappointing. Duffy succeeds triumphantly where Perry failed, painting a portrait in words of a woman whose face has come down to us through time in the form of the famous mosaics in Ravenna, Italy. Her Theodora is a pragmatist; hard-headed, ribald and too outspoken for her own good, her challenge to develop judgment, compassion and heart. And the world she inhabits is conjured up for us from the physical setting to its scents and sounds; its mores and the ribald dramas its masses prefer; the role of eunuchs and the importance of the various religious schisms -- Monophysite, Arian, etc. None of that ever feels overwhelming in Duffy's hands.
Best of all, Duffy doesn't make the mistake of romanticizing Theodora's story. For years, Theodora knows pain and pleasure, but romantic love was largely absent in any modern sense in her era, and Duffy doesn't fall into the trap of trying to impose a 21st century ethos on her 6th century characters. True, the language is crisp and modern -- no "thees" and "thous" -- but the attitudes are very much of the time. That can make it harder to identify with Theodora as a person, perhaps, but not to enjoy or appreciate the book itself, which I simply couldn't put down.
This novel is a boon for historical fiction fans, especially those in search of a respite from the endless stream of books set in northern Europe from the 14th to the 17th centuries. Duffy has made her name in the UK with some of her contemporary novels short-listed for the Orange Prize; I'll be hunting for some of those as well as hoping that she pens a sequel to this excellent book, which ends as Justinian and Theodora become rulers of the empire.
Full disclosure: I received an advance copy of the book via NetGalley.com. I expect that when it becomes available for purchase in the US that I'll be adding it to my permanent library.
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empire's strongest rulers, Justinian. Duffy tells the story of how she achieved this improbable feat, born into a world which offered her little choice beyond taking to the stage of the Hippodrome as an acrobat and comedienne renowned, so history tells it, for lewd performances. Offstage, like all actresses of the period, she earned money as a prostitute -- and the most she could hope for was to find someone who would take her on as a mistress for the short term. Then, after her hopes in that direction collapse, she discovers a new direction for herself, both personally and as a public figure.
The Constantinople that Duffy portrays so vividly in this fascinating novel is a world in which ordinary working men and women are prepared to literally come to blows over the pressing theological issues of the day, particularly the precise nature of Christ's divinity. That territory has proven to be a mindfield for other authors, notably Anne Perry, whose The Sheen on the Silk: A Novel was deeply disappointing. Duffy succeeds triumphantly where Perry failed, painting a portrait in words of a woman whose face has come down to us through time in the form of the famous mosaics in Ravenna, Italy. Her Theodora is a pragmatist; hard-headed, ribald and too outspoken for her own good, her challenge to develop judgment, compassion and heart. And the world she inhabits is conjured up for us from the physical setting to its scents and sounds; its mores and the ribald dramas its masses prefer; the role of eunuchs and the importance of the various religious schisms -- Monophysite, Arian, etc. None of that ever feels overwhelming in Duffy's hands.
Best of all, Duffy doesn't make the mistake of romanticizing Theodora's story. For years, Theodora knows pain and pleasure, but romantic love was largely absent in any modern sense in her era, and Duffy doesn't fall into the trap of trying to impose a 21st century ethos on her 6th century characters. True, the language is crisp and modern -- no "thees" and "thous" -- but the attitudes are very much of the time. That can make it harder to identify with Theodora as a person, perhaps, but not to enjoy or appreciate the book itself, which I simply couldn't put down.
This novel is a boon for historical fiction fans, especially those in search of a respite from the endless stream of books set in northern Europe from the 14th to the 17th centuries. Duffy has made her name in the UK with some of her contemporary novels short-listed for the Orange Prize; I'll be hunting for some of those as well as hoping that she pens a sequel to this excellent book, which ends as Justinian and Theodora become rulers of the empire.
Full disclosure: I received an advance copy of the book via NetGalley.com. I expect that when it becomes available for purchase in the US that I'll be adding it to my permanent library.
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LibraryThing member elkiedee
Theodora had to earn a living on the stage since she was five, after her father was killed by his own bear. In her teens she also becomes a prostitute. Yet she ended up as Empress. Not surprisingly, she remains one of the more controversial and colourful figures of the Roman Empire.
In Theodora:
The story is told as a third person narrative, but it is often so vivid I think I must have been reading Theodora herself telling me it in the first person. Duffy also uses a lot of dialogue, often shown in quotation marks but without using “she said” or “he said” – this technique of writing bits like scenes from a play seems very appropriate for a story about a performer and actress and gives the story more immediacy. At the same time, using the third person, Duffy can report her heroine’s feelings and emotions in a way which would seem unrealistic in the first person. The dialogue includes quite a lot of swear words – they are not there to shock, but seem appropriate to the way in which the writer imagines her characters speaking and to the discussions they are having.
I was shocked by some scenes, particularly at the beginning where 11 year old Theodora is being brutally trained for theatre work – her teacher sounds like a thug and a bully yet she loves him (not in a sexual way) and continues to remember him with affection.
The author's forthright opinions on women's rights, sexuality and everything else are apparent here. I really enjoyed this, although others may object to the imagining of this real historical woman as a feminist icon. Various scenes show how the system is set up to oppress women and how Theodora resists this.
Despite the novel’s provocative title, Theodora's days as a performer and sex worker are mostly over at the start of the story in this book, and it is not another prostitute’s memoir turned into a novel and given a historical setting for flavour. There are quite a few sex scenes - sometimes the sex is recreational or romantic, sometimes it is for other purposes.
Between her life as a child actress and prostitute (or courtesan) and becoming Empress, Theodora travelled to Africa as the mistress of a man who had been sent there as governor. After this relationship ends messily, she had a series of adventures including religious conversion and a friendship/relationship with another woman before returning to Constantinople. I particularly enjoyed the part of the story involving a woman called Macedonia. The religious part of the story is interesting and important, as it was part of what happened next, but I am not sure I fully understood it. There is more to come before the end of the novel as there is the extraordinary story of how a woman from a lowly social class and of a questionable background became Empress.
I found the story of Stella Duffy’s Theodora compelling and entertaining and I would love to spend more time with her if there is a sequel.
In Theodora:
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Empress, Actress, Whore, Stella Duffy takes some of what is known about Theodora of 6th century Constantinople and turns it into a lively, rollicking historical novel. Theodora is an intelligent young woman who learns and takes on several different roles successfully. This is Duffy’s 12th novel but her first foray into historical fiction.The story is told as a third person narrative, but it is often so vivid I think I must have been reading Theodora herself telling me it in the first person. Duffy also uses a lot of dialogue, often shown in quotation marks but without using “she said” or “he said” – this technique of writing bits like scenes from a play seems very appropriate for a story about a performer and actress and gives the story more immediacy. At the same time, using the third person, Duffy can report her heroine’s feelings and emotions in a way which would seem unrealistic in the first person. The dialogue includes quite a lot of swear words – they are not there to shock, but seem appropriate to the way in which the writer imagines her characters speaking and to the discussions they are having.
I was shocked by some scenes, particularly at the beginning where 11 year old Theodora is being brutally trained for theatre work – her teacher sounds like a thug and a bully yet she loves him (not in a sexual way) and continues to remember him with affection.
The author's forthright opinions on women's rights, sexuality and everything else are apparent here. I really enjoyed this, although others may object to the imagining of this real historical woman as a feminist icon. Various scenes show how the system is set up to oppress women and how Theodora resists this.
Despite the novel’s provocative title, Theodora's days as a performer and sex worker are mostly over at the start of the story in this book, and it is not another prostitute’s memoir turned into a novel and given a historical setting for flavour. There are quite a few sex scenes - sometimes the sex is recreational or romantic, sometimes it is for other purposes.
Between her life as a child actress and prostitute (or courtesan) and becoming Empress, Theodora travelled to Africa as the mistress of a man who had been sent there as governor. After this relationship ends messily, she had a series of adventures including religious conversion and a friendship/relationship with another woman before returning to Constantinople. I particularly enjoyed the part of the story involving a woman called Macedonia. The religious part of the story is interesting and important, as it was part of what happened next, but I am not sure I fully understood it. There is more to come before the end of the novel as there is the extraordinary story of how a woman from a lowly social class and of a questionable background became Empress.
I found the story of Stella Duffy’s Theodora compelling and entertaining and I would love to spend more time with her if there is a sequel.
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LibraryThing member careburpee
In choosing Theodora of Byzantium for her subject, Stella Duffy picked a definite case of truth trumping fiction. Duffy fills her novel with richly depictive discourse, transporting the reader into a world of political intrigue and religious turmoil, a world where the worth and potential of an
Born into poverty in a time (mid first century) and place (Byzantium) in which women had very few options, Theodora, daughter of a deceased bear trainer, followed a path considered fortunate for one in her situation. She gained renown on stage as an actress, which sounds innocuous enough to our modern sentiments, but in her day actresses, along with singers and dancers, became prostitutes to their audiences after their onstage work was concluded. Ms. Duffy uses this early portion of the novel to display for us the strength of Theodora’s resolve to rise above her current status, the culture and chaos of Constantinople, and the squalor from which our heroine succeeds in rising. To understand why Theodora is such an anomaly, and thus why she is to be so greatly admired, one must understand the situation from whence she came.
Disclosing too much of the plot would, I feel, rob readers of some of the narrative pull with which the amazing sequence of events of Theodora’s life endows this novel. Once immersed in her tale, it is a difficult book to put down. The story concludes with Theodora’s marriage to the emperor Justinian I and her coronation as empress of Byzantium. Initially I was very annoyed by the ending. In order to fully appreciate the transformative nature of this woman and understand the complete measure of her intelligence you must explore her role as Justinian’s consort. I am happy to report that Stella Duffy announces on the book’s Penguin page that she is working on a sequel, to be titled The Purple Shroud.
There is one single element that kept this from being a five star book for me. The book made liberal use of the “F word”. It made me approach the first sex scene with some trepidation, as it seemed to indicate that Ms. Duffy’s writing in that area might be a bit raunchy for my taste. That ended up being not at all the case. Which left me wondering: who is the intended audience for this book? It lacks the explicit sex which the more profane reader might expect, and its copious research would lead one to believe it is aimed at serious readers of historical fiction, who generally, in my experience, appreciate better verb selection. Yes, some might argue that the word is used to show a certain degeneracy of Theodora’s character. I feel it degraded Stella Duffy’s literary gifts. Through wonderful, descriptive prose Ms. Duffy makes clear to the reader the gritty nature of Theodora and her unfortunate origins. If an author does such an admirable job of “showing”, why stoop to the baseness of not only “telling” but doing so with the crassest of four letter words?
Overall, I enjoyed this look at one of history’s oft ignored women of substance. If the one element mentioned above is not one to put you off, I think that lovers of historical fiction, as well as those who enjoy tales of personal transformation and triumph will find this a satisfying read.
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individual was most often pre-determined by birth. Born into poverty in a time (mid first century) and place (Byzantium) in which women had very few options, Theodora, daughter of a deceased bear trainer, followed a path considered fortunate for one in her situation. She gained renown on stage as an actress, which sounds innocuous enough to our modern sentiments, but in her day actresses, along with singers and dancers, became prostitutes to their audiences after their onstage work was concluded. Ms. Duffy uses this early portion of the novel to display for us the strength of Theodora’s resolve to rise above her current status, the culture and chaos of Constantinople, and the squalor from which our heroine succeeds in rising. To understand why Theodora is such an anomaly, and thus why she is to be so greatly admired, one must understand the situation from whence she came.
Disclosing too much of the plot would, I feel, rob readers of some of the narrative pull with which the amazing sequence of events of Theodora’s life endows this novel. Once immersed in her tale, it is a difficult book to put down. The story concludes with Theodora’s marriage to the emperor Justinian I and her coronation as empress of Byzantium. Initially I was very annoyed by the ending. In order to fully appreciate the transformative nature of this woman and understand the complete measure of her intelligence you must explore her role as Justinian’s consort. I am happy to report that Stella Duffy announces on the book’s Penguin page that she is working on a sequel, to be titled The Purple Shroud.
There is one single element that kept this from being a five star book for me. The book made liberal use of the “F word”. It made me approach the first sex scene with some trepidation, as it seemed to indicate that Ms. Duffy’s writing in that area might be a bit raunchy for my taste. That ended up being not at all the case. Which left me wondering: who is the intended audience for this book? It lacks the explicit sex which the more profane reader might expect, and its copious research would lead one to believe it is aimed at serious readers of historical fiction, who generally, in my experience, appreciate better verb selection. Yes, some might argue that the word is used to show a certain degeneracy of Theodora’s character. I feel it degraded Stella Duffy’s literary gifts. Through wonderful, descriptive prose Ms. Duffy makes clear to the reader the gritty nature of Theodora and her unfortunate origins. If an author does such an admirable job of “showing”, why stoop to the baseness of not only “telling” but doing so with the crassest of four letter words?
Overall, I enjoyed this look at one of history’s oft ignored women of substance. If the one element mentioned above is not one to put you off, I think that lovers of historical fiction, as well as those who enjoy tales of personal transformation and triumph will find this a satisfying read.
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LibraryThing member jmchshannon
When considering famous women in ancient history, Cleopatra and Nefertiti are just two women that immediately come to mind. Theodora of Constantinople is not. Yet, given her background and upbringing, it is one of the more extreme and shocking rags-to-riches story of its time, if not of history.
Told with refreshing frankness, Ms. Duffy does not hide the fact nor minimize Theodora's standing as a prostitute. The fact that actresses were automatically considered entertainers both in front of the stage and behind closed doors is as shocking as it is fascinating. More importantly, she emphasizes the psychological impact such professions have on the women forced to work for a living. Out of all the possibilities for professions as a means for survival, being an actress or singer was among the best choices. Yet, being forced into certain servitude at such a young age was devastating to a girl's psyche, and Ms. Duffy shows this superbly.
Theodora was an amazing woman, and Ms. Duffy's admiration for her strength and her spirit shine through each page. While there is no doubt that her rise to power is a testament to her fortitude and strength of character, there is the feel of hero worship in the novel that does diminish some of her feats. Theodora was not a nice woman. She uses her feminine wiles to get what she wants and is as manipulative and dramatic as such behavior typically allows. It is an emotionally turbulent experience reading about some of Theodora's actions.
While her pre-empress life is quite interesting and unique, her growth into her role as empress and eventual saint are sadly left unspoken. The book ends just as this next phase of her life is set to begin, and the reader is left in the dark about how a woman who is worshipped for her bawdiness and bedroom performances ends up being beloved and worshipped for her good deeds. Theodora's transformation from sinner to saint is a remarkable one, and Ms. Duffy missed a huge opportunity in not including this in the novel.
Given Theodora's first profession, the language and subject matter of Theodora: Actress, Empress, Whore is not for the prudish or faint of heart. Ms. Duffy allows Theodora to be as crass and frank as one would imagine someone living such a life would actually be. The story reads quickly, as the reader only gets a very superficial knowledge of Theodora and her inner workings. Not the best work of historical fiction out there, still, Theodora: Actress, Empress, Whore excels at introducing readers to a relatively unknown and yet powerful female ruler as well as spotlighting the unfortunate situations women of her age were forced to experience at such young ages. It is as much a novel about a famous woman as it is a novel about the plight of all women. For that reason, Theodora: Actress, Empress, Whore is worth the read.
Acknowledgements: Thank you to NetGalley and Elaine Broeder from Penguin Group for my e-galley!
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Stella Duffy's fictionalized story of Theodora's rise to power aims to correct this oversight, as it highlights the fascinating and turbulent adolescence and background that helped her ultimately achieve the highest rank a woman could achieve. Told with refreshing frankness, Ms. Duffy does not hide the fact nor minimize Theodora's standing as a prostitute. The fact that actresses were automatically considered entertainers both in front of the stage and behind closed doors is as shocking as it is fascinating. More importantly, she emphasizes the psychological impact such professions have on the women forced to work for a living. Out of all the possibilities for professions as a means for survival, being an actress or singer was among the best choices. Yet, being forced into certain servitude at such a young age was devastating to a girl's psyche, and Ms. Duffy shows this superbly.
Theodora was an amazing woman, and Ms. Duffy's admiration for her strength and her spirit shine through each page. While there is no doubt that her rise to power is a testament to her fortitude and strength of character, there is the feel of hero worship in the novel that does diminish some of her feats. Theodora was not a nice woman. She uses her feminine wiles to get what she wants and is as manipulative and dramatic as such behavior typically allows. It is an emotionally turbulent experience reading about some of Theodora's actions.
While her pre-empress life is quite interesting and unique, her growth into her role as empress and eventual saint are sadly left unspoken. The book ends just as this next phase of her life is set to begin, and the reader is left in the dark about how a woman who is worshipped for her bawdiness and bedroom performances ends up being beloved and worshipped for her good deeds. Theodora's transformation from sinner to saint is a remarkable one, and Ms. Duffy missed a huge opportunity in not including this in the novel.
Given Theodora's first profession, the language and subject matter of Theodora: Actress, Empress, Whore is not for the prudish or faint of heart. Ms. Duffy allows Theodora to be as crass and frank as one would imagine someone living such a life would actually be. The story reads quickly, as the reader only gets a very superficial knowledge of Theodora and her inner workings. Not the best work of historical fiction out there, still, Theodora: Actress, Empress, Whore excels at introducing readers to a relatively unknown and yet powerful female ruler as well as spotlighting the unfortunate situations women of her age were forced to experience at such young ages. It is as much a novel about a famous woman as it is a novel about the plight of all women. For that reason, Theodora: Actress, Empress, Whore is worth the read.
Acknowledgements: Thank you to NetGalley and Elaine Broeder from Penguin Group for my e-galley!
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LibraryThing member thorold
The subtitle makes this sound as though it's going to be one of those challenging and controversial biographies, but of course, as the faceless naked woman on the cover reassures us, it's nothing more sensational than a rather generic historical novel. We get to follow Theodora's familiar but
Duffy gives us an engaging and readable account of Theodora's career, without any very obvious wrong notes, but also without anything really interesting that we weren't expecting. She doesn't seem to have found a good solution for the historical novelist's big problem with well-known characters, that the reader has a good idea from the start how it's going to end, and therefore tends to see the trials and tribulations of the story more as delaying tactics on the way to the inevitable conclusion than as real drama. Of course, there's that silly interlude in Antioch where Theodora briefly becomes a lesbian secret agent working for ... the Patriarch of Alexandria???? Yes, well, the less said about that, the better, perhaps.
It does what it says on the tin very competently, but it doesn't really deliver anything that would take it out of the bracket of generic historical novel.
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improbable rise from dance-classes backstage at the Constantinople Hippodrome to the moment when she first appears in the Imperial box there dressed in purple. Duffy gives us an engaging and readable account of Theodora's career, without any very obvious wrong notes, but also without anything really interesting that we weren't expecting. She doesn't seem to have found a good solution for the historical novelist's big problem with well-known characters, that the reader has a good idea from the start how it's going to end, and therefore tends to see the trials and tribulations of the story more as delaying tactics on the way to the inevitable conclusion than as real drama. Of course, there's that silly interlude in Antioch where Theodora briefly becomes a lesbian secret agent working for ... the Patriarch of Alexandria???? Yes, well, the less said about that, the better, perhaps.
It does what it says on the tin very competently, but it doesn't really deliver anything that would take it out of the bracket of generic historical novel.
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LibraryThing member Big_Bang_Gorilla
This novel imagines the rise from humble origins to a life of influence and power of Byzantium's notorious Empress Theodora. The book is entertaining, if not always well-crafted. The author and her characters too often express themselves in a barnyard slang which I found offputting. And despite the
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publisher's breathless puffery about all the titillation to be found between the covers and the author's pottymouth , sex was infrequent and extremely tepid. Some of the workmanship was simply careless: how does somebody "scream in silent agony", wouldn't it take a long time to walk from Libya to Alexandria if one started out by heading west, and would somebody please introduce the author to that most friendly and useful fellow the semicolon? As an entertaining Horatio Alger type of story, this isn't bad, but it's not well-written and it certainly isn't sexy. Show Less
LibraryThing member Yarrow
Theodora was a 7th century Byzantine empress who began life as an actress and prostitute, and Stella Duffy has woven a story around what we know of her life. There's always a danger with this type of book that it contains far too much historical exposition and not enough plot, but in this case I'd
I really loved this book, and raced through it, wanting to see how the ending would resolve, and I wasn't disappointed. In fact, the only thing I didn't like was the tagline: 'Actress, Empress, Whore'. It sounds a bit silly to me, like it's trying to shock you, whereas I felt the point of the novel was that Theordora was never ashamed of who she was, but I suppose it's designed to intrigue someone enough so that they'd pick it up in a shop.
The book has inspired me to read more about this setting and time period, which is under-represented in fiction, and which I found fascinating, and more about Theodora herself, who was very much ahead of her time.
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say the balance is spot on. The descriptions of Byzantium are vivid and engrossing, but the characters are really well drawn too. In particular, you're always rooting for Theodora, even if you don't like her sometimes. I really loved this book, and raced through it, wanting to see how the ending would resolve, and I wasn't disappointed. In fact, the only thing I didn't like was the tagline: 'Actress, Empress, Whore'. It sounds a bit silly to me, like it's trying to shock you, whereas I felt the point of the novel was that Theordora was never ashamed of who she was, but I suppose it's designed to intrigue someone enough so that they'd pick it up in a shop.
The book has inspired me to read more about this setting and time period, which is under-represented in fiction, and which I found fascinating, and more about Theodora herself, who was very much ahead of her time.
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LibraryThing member mt256
A few weeks prior to reading this novel, I came across a short chapter in a history book about Theodora. She was a larger than life character that knew how to command an audience. Theodora lived during a tumultuous time. There is not a lot of documentation about this period and a lot of what we
Theodora: Actress, Empress, Whore by Stella Duffy depicts Theodora from a young child until her marriage to Justinian I. Theodora's life was not an easy one. As a young girl she was taught to dance, to learn how to turn off her emotions and most of all to survive. Her punishment for misbehaving in her dance lessons sounded torturous. At a young age she was sold to a theater where she began her career as an actress. The title actress was also exchangeable with the title of whore. However life's circumstances did not hinder Theodora from getting what she wanted out of life. In fact some might say she made life play by her rules.
I enjoyed the details that Stella Duffy gave to Theodora's life. The author dives into the head of one of the most influential women of ancient Rome and makes her come to life. I appreciated the fact that the author did not hold back from the grittiness and brash life of Constantinople and Theodora. Although there is not explicit sex scenes in this novel, it is spoken of very often. Theodora used her body in what ever way suited her best. Duffy doesn't gloss this issue over.
Overall I really like this book. It is an engaging read that will have you wanting to know more about this brazen woman.
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know is speculation. I was really interested in reading Stella Duffy's take on the Empress Theodora. Theodora: Actress, Empress, Whore by Stella Duffy depicts Theodora from a young child until her marriage to Justinian I. Theodora's life was not an easy one. As a young girl she was taught to dance, to learn how to turn off her emotions and most of all to survive. Her punishment for misbehaving in her dance lessons sounded torturous. At a young age she was sold to a theater where she began her career as an actress. The title actress was also exchangeable with the title of whore. However life's circumstances did not hinder Theodora from getting what she wanted out of life. In fact some might say she made life play by her rules.
I enjoyed the details that Stella Duffy gave to Theodora's life. The author dives into the head of one of the most influential women of ancient Rome and makes her come to life. I appreciated the fact that the author did not hold back from the grittiness and brash life of Constantinople and Theodora. Although there is not explicit sex scenes in this novel, it is spoken of very often. Theodora used her body in what ever way suited her best. Duffy doesn't gloss this issue over.
Overall I really like this book. It is an engaging read that will have you wanting to know more about this brazen woman.
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LibraryThing member Bambin
I loved this book, I really didn't want it to end!
LibraryThing member turtlesleap
Theodora is a fascinating historical character and it is somewhat surprising that more fiction and popular biography with her as a subject has not found its way into publication. Theodora, Actress, Empress, Whore, deals with Theodora's life from her childhood as the daughter of a bear trainer up to
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her marriage to Justinian, before his coronation as Emperor of Byzantium. The author has done a commendable job of giving the reader good background without falling back on info-dumping. Her characters are speculative, of course. This is a work of fiction. They are believable, engaging and, with the exception of the sometimes annoyingly modern tone of the dialogue, fairly believable. Show Less
LibraryThing member Florinda
Most Western history consigns the centuries following the collapse of the Roman Empire to the “Dark Ages,” not spending much time discussing the growing strength of the East during that period, centered on the “new Rome” of Constantinople (later Byzantium, now Istanbul). The names of
Drawing on historical records and existing biographies of Theodora, Empress of Byzantium, Stella Duffy brings her to life in this vivid fact-based, dramatically-embellished novel. Theodora’s background was humble, and her family’s poverty forced her and her sisters to work in the popular theatre from an early age. After a few years, Theodora became an on-stage success as a comic actress. She also succeeded offstage as a sought-after private entertainer; in those days, actresses were generally expected to be prostitutes as well, but both professions came with certain social constraints. Theodora found an unexpected way around those barriers: religion. In a city where newer beliefs mingled freely with older pagan practices, nurturing a genuine Christian faith offered opportunities for political influence, ultimately bringing her to the attention of Justinian, Consul and heir to the Emperor’s throne, who came to see her as a partner and trusted advisor in governing the realm.
Theodora’s is a fascinating story, and Duffy depicts the woman as equally fascinating--lively, passionate, strong-minded, and wise to the ways of the man’s world in which she lives. She is surrounded by equally fascinating characters, some real--her eventual husband Justinian, the church patriarchs--and others perhaps not, such as her female friends (and lovers) Stella the dwarf and Macedonia the spy. Speaking of lovers: as one might expect in a novel centered on an actress/prostitute, there are quite a few sexy scenes, but they aren’t graphic. The novel’s voice is quite modern and frank, and that extends to the dialogue, much of which seems anachronistic. That may irritate some readers, but it’s less likely to be a drawback for those who, like me, only occasionally read historical fiction.
If the historical Theodora was even half as interesting as Stella Duffy makes her, she was still quite a remarkable woman--of her time, yes, but also considered from the perspective of ours. I’m glad to have made her acquaintance.
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Byzantium’s leaders are less well-known to Westerners, and the fact that one of those leaders was a woman might be news to many of us. It certainly was to me.Drawing on historical records and existing biographies of Theodora, Empress of Byzantium, Stella Duffy brings her to life in this vivid fact-based, dramatically-embellished novel. Theodora’s background was humble, and her family’s poverty forced her and her sisters to work in the popular theatre from an early age. After a few years, Theodora became an on-stage success as a comic actress. She also succeeded offstage as a sought-after private entertainer; in those days, actresses were generally expected to be prostitutes as well, but both professions came with certain social constraints. Theodora found an unexpected way around those barriers: religion. In a city where newer beliefs mingled freely with older pagan practices, nurturing a genuine Christian faith offered opportunities for political influence, ultimately bringing her to the attention of Justinian, Consul and heir to the Emperor’s throne, who came to see her as a partner and trusted advisor in governing the realm.
Theodora’s is a fascinating story, and Duffy depicts the woman as equally fascinating--lively, passionate, strong-minded, and wise to the ways of the man’s world in which she lives. She is surrounded by equally fascinating characters, some real--her eventual husband Justinian, the church patriarchs--and others perhaps not, such as her female friends (and lovers) Stella the dwarf and Macedonia the spy. Speaking of lovers: as one might expect in a novel centered on an actress/prostitute, there are quite a few sexy scenes, but they aren’t graphic. The novel’s voice is quite modern and frank, and that extends to the dialogue, much of which seems anachronistic. That may irritate some readers, but it’s less likely to be a drawback for those who, like me, only occasionally read historical fiction.
If the historical Theodora was even half as interesting as Stella Duffy makes her, she was still quite a remarkable woman--of her time, yes, but also considered from the perspective of ours. I’m glad to have made her acquaintance.
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LibraryThing member Maryka
Duffy has fashioned a fascinating tale of Theodora. I thrilled to her many adventures and incredible courage.
LibraryThing member vguy
May not be great history (as duffy freely admits) and not great literature - more of a toga-ripper. But a great yarn, feisty central character, colourful walk-ons and pretty well-researched. the feel of a great empire's hub, its factions, its languages, its secrets. Theodora as a theatre/circus
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performer cum high-class tart who's able to turn a quick trick for a couple of carters if it gets her where she's going. Her training by the vicious perfectionist eunuch is something like the SAS. equips her for every challenge she meets on her way to her unexpected high destiny. A feminine touch perhaps that she is not really ambitious, just immensely tough and capable, ready for anything. Neat idea that she goes thro religious conversion (without losing her sexual skills) and that gets her into the future Emperor's favours and his marital bed. The theme is " How could a theatrical trouper become empress?" which is the "Every schoolboy knows,,," version of her history and Duffy makes it believable. The facts may well be otherwise. The theatrical tart idea invented by her enemy Procopius: likely she wasn't even a native of o Polis, but a Syrian. History is not what we have been led to believe! Show Less
LibraryThing member tanzanite
Sixth century Byzantium is not a time period I normally read about and I had never heard of Theodora before, but her story sounded interesting so I decided to give it a try. I’m glad I did! I enjoyed Theodora’s story – a performer-turned-whore-turned-high-class-courtesan-becomes- empress rags
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to riches story. The middle of the story plods along though as Theodora’s journey involves a sort of religious exile of sorts in northern Africa and some of the religious discussions and debates didn’t hold my interest. Show Less
LibraryThing member BookaholicCat
Theodora: Actress, Empress, Whore is the fictional biography of Theodora of Constantinople by Stella Duffy. Theodora was a lowborn woman with a disreputable past who later became Empress of Rome and a Saint in the Orthodox Church.
Theodora was the daughter of a bear trainer and a common woman. After
I live in Istanbul, old Constantinople, I knew about Theodora but not much about her past; for that reason I decided to read Theodora: Actress, Empress, Whore and I’m glad I did. Not only her history is an interesting and an admirable one, but some of the settings in the story are places I know and have visited, this made the story a more enthralling one for me. Mrs. Duffy does a great job depicting the city and the culture at the time, I’m sure you will enjoy this book too if you like to read about different places and cultures.
Theodora was a very interesting character, now only was she real but her life was not an easy one. She was a woman than since day one wanted more and a better life. She was strong and smart and used her wits to get to the place she got in life. Seeing her transformation from a child-prostitute to the moment she is crowned Empress was a very compelling journey.
My final thought: Theodora: Actress, Empress, Whore is a well-written and very interesting read. It’s obvious Mrs. Duffy did a very good job researching the historical facts of the time and intermingled them perfectly with the story. My only complaint when I finished this book was that I needed more. I wanted to learn about Theodora and her life as the Empress of Rome.
After visiting the author’s page on the Penguin Group’s website I discovered than not only Mrs. Duffy is working on the sequel (yay!) but also that Theodora: Actress, Empress, Whore and the sequel have recently been optioned for a HBO television series.
Theodora was the daughter of a bear trainer and a common woman. After
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the death of her father, at a very young age Theodora is forced to earn her living as an actress next to her two sisters. During those times actresses were also prostitutes who entertained an audience in from and back of the auditorium’s curtain at the Hippodrome. Theodora was not an accomplished singer or dancer but she had an special gift in comedy. It didn’t take long for Theodora to become the most famous and sought actress at the time. Theodora thought she was content with her life until the day she meets the new appointed governor of Pentapolis (Northern Africa), Hecebolus and falls in love with him. Following a short relationship Theodora decides to leave the theater and Constantinople behind and moves with Hecebolus to Pentapolis. After just couple of months in Africa Theodora realizes Hecebolus was not the man she thought he was and leaves him. Looking for a way back to Constantinople takes Theodora to Alexandria where she meets The Patriarch Timothy. He offers her help and safe passage to Constantinople in exchange for the atonement of her sins. After accenting Timothy’s offer Theodora spends one year in a desert camp in Africa where she finds her faith. After her conversion she becomes Timothy’s emissary and returns to Constantinople where thanks to Timothy’s schemes she meets Justinian, the nephew and heir of the emperor Justin. After assisting Justinian with the organization of some events they become friends. Justinian recognize Theodora’s good qualities and sees in her a good partner. After some difficulties they marry and following the dead of Justin, Justinian becomes the new Emperor of Rome and Theodora, his Empress.I live in Istanbul, old Constantinople, I knew about Theodora but not much about her past; for that reason I decided to read Theodora: Actress, Empress, Whore and I’m glad I did. Not only her history is an interesting and an admirable one, but some of the settings in the story are places I know and have visited, this made the story a more enthralling one for me. Mrs. Duffy does a great job depicting the city and the culture at the time, I’m sure you will enjoy this book too if you like to read about different places and cultures.
Theodora was a very interesting character, now only was she real but her life was not an easy one. She was a woman than since day one wanted more and a better life. She was strong and smart and used her wits to get to the place she got in life. Seeing her transformation from a child-prostitute to the moment she is crowned Empress was a very compelling journey.
My final thought: Theodora: Actress, Empress, Whore is a well-written and very interesting read. It’s obvious Mrs. Duffy did a very good job researching the historical facts of the time and intermingled them perfectly with the story. My only complaint when I finished this book was that I needed more. I wanted to learn about Theodora and her life as the Empress of Rome.
After visiting the author’s page on the Penguin Group’s website I discovered than not only Mrs. Duffy is working on the sequel (yay!) but also that Theodora: Actress, Empress, Whore and the sequel have recently been optioned for a HBO television series.
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LibraryThing member jwitt33
"Award-winning novelist Stella Duffy vividly recreates the life and times of a woman who left her mark on one of the ancient world's most powerful empires."
When I first decided to read this book, it was because I love books about history, and I figured this would be a rather dry, but informative,
Favorite quote: "From the moment she was first allowed on the main stage as a fully fledged public performer rather than as Comito's assistant or just a comedic interlude, Theodora was totally at ease. The people did not fall in love with her immediately, years of watching her father, as well as other actors and singers, had taught her they would not - she knew she would have to make them want her, and so she wooed them, won them without their even noticing it."
In summary, I enjoyed this book very much and give it an enthusiastic 5/5 stars.
I received a copy of this book free of charge in exchange for my honest opinion.
When I first decided to read this book, it was because I love books about history, and I figured this would be a rather dry, but informative,
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book about a fascinating historical figure. I was wrong, though. There was nothing dry about it! I learned so much about Theodora, from her childhood as an actress all the way through to her ascension as Empress of Rome, and all the hardship she experiences in between. The book starts with the gruesome death of her father by a bear that he performed with, which she witnessed when she was just a child, and explains how she and her sisters were forced to begin performing to help support their family. Her story is filled with trauma and abuse at the hands of men, but she amazingly never loses her strength of will. She is so, so strong, and this is what allows her to thrive no matter what situation she finds herself in. This was truly an inspirational book.Favorite quote: "From the moment she was first allowed on the main stage as a fully fledged public performer rather than as Comito's assistant or just a comedic interlude, Theodora was totally at ease. The people did not fall in love with her immediately, years of watching her father, as well as other actors and singers, had taught her they would not - she knew she would have to make them want her, and so she wooed them, won them without their even noticing it."
In summary, I enjoyed this book very much and give it an enthusiastic 5/5 stars.
I received a copy of this book free of charge in exchange for my honest opinion.
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LibraryThing member msjessie
Theodora was one of the most influential women of her time. As a poverty-stricken dancer, as the most celebrated actress/whore in Constantinople, as a penitent nun in a commune in the desert, and as the wife of the most powerful man in Christendom, she commands attention and vast amounts of
Born the second daughter of three to Acacius and an unknown woman, named Hypatia for this novel, Theodora was born into showbusiness as it was then. Her father was the bear trainer at the infamuous Hippodrome of Constantinople. It is the Hippodrome that is the most important place in Theodora's life: her earliest memories, the death of her father at the hands of his beloved bear, and eventually the site of the greatest triumph of her life: her coronation. Duffy writes Theodora as a determined, intelligent and capable young woman. Not the best singer, not the best dancer or even the prettiest girl, Theodora commands attention and awe from her presence, her wit, her spirit and her sheer ambition. Though the novel begins at age eleven for the protagonist, it is never immature or boring: I was captivated from the start.With a singer for an older sister (Comito) and a beautiful younger sister (Anastasia), Theo turns to her true talent: comedy. With it she makes a name, a fortune and a life she always believed was beyond her. I liked Theodora a lot: I actually wished this was a first-person novel rather than third, though I did get to see and enjoy insight into Justinian as well. She was the only female character I enjoyed, the rest seeming rather hard-bitten and begrudging of Theodora's success, even her sisters. I enjoyed - and believed - the growth and maturity Theodora grows into, especially on her travels from Constantinople. She learns humility, grief and even experiences for the first time a sense of equality while in the desert. For the first time, regardless of her sex or past professions or infamy, Theodora was what she has always sought to be: an equal. It's also terribly interesting to read about a indomitable woman who experiences such a wide range of life: from a whore to a penitent nun in an ascetic community, Theodora remains herself and full of fire. From failed love affairs, to child abandonment issues, Duffy presents Theodora as a complex woman. There is no easy answer to the hows and whys of what Theodora did historically, but the reasons Duffy fabricates/infers are more than adequate and totally believable for her version of the Empress.
Let's talk about Justinian, the Emperor. Presented as a bookish, scholarly but kind man, I initially didn't invest in the relationship between the two. Born Flavius Petrus Sabbatius, he was not from Constantinople, an ambitious "foreigner" with a thirst for power "born of a desire for change." A man of strategy rather than force, Justinian quietly emerged as a strong and very likeable character. While their marriage is portrayed initially as more of an alliance to harbor amity between both sides of the religious debate (they were on openly opposing sides of the heated religious debate), it grew into a nice, steady affection and love. The two characters brought out the best in each other: I liked their dynamic and relationship more and more as the novel progressed through their lives together. There is a nice dichotomy between the eventual August and his Augusta as well: Theo is of the City, poor and therefore "one of the people." Justinian represents the other classes of the varied, multi-national Empire: foreigner of the City, rich and royal. Justinian helps Theodora evolve from anti-government to actually being the government, an interesting and hardly believable tale based on fact.
This is a fairly easy read for a historical novel. I found the prose to be a bit stuffy and overloaded from time to time, the dialogue occasionally stilted and unrealistic, but neither issue overwhelmed my enjoyment of the rest of the book. Constantinople itself was one of my favorite parts of the entire thing: it springs to life as much as Theodora and considerably more than the rest of the characters. It is a vibrant city, teeming with life. Contradictorily the Christian capital of the world but still fighting an internal battle over divinity of the Christ, Constantinople is in a constant flux of religious dogma, a microcosm of the entire empire. With the Western side extolling the belief in Christ's humanity AND divinity and the Eastern parts of the Empire contesting He is wholly divine, a schism seems imminent. Between the religious debates and the constant political turmoil and maneuvering of the Blues and the Green, it's easy to see the cracks in the foundation. Duffy does a more than admirable job of explaining the different opinions/beliefs and the reasons for the tensions in the novel without a massive infodump. I will say I didn't like the jumps in the chronology at all: the barely glossed over times ("in those two years....." "For the next three....") because I was interested in a lot of the events/times skipped over.
Love her, hate her, despise her for her less savory acts but you cannot deny Theodora had an impact. On the world, on her Empire, and on religion. An influential woman who refused to stay in her place and do what she was told, I think many historical fiction fans will have fun with this easy-to-read, easily enjoyable novel. Her life began and ended at the famed Hippodrome, but Theodora's legacy and memory still reaches out over 1500 years after she died at the age of approximately 48.
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interest. Defying social strictures and traditions of her day, Theodora rose from a common birth and life to the most exalted position available: Augusta of "New Rome" also known as Constantinople, the "sparkling gem in a Christian crown" in in 527 AD. Stella Duffy writes an easy-to-read and well-crafted and rounded tale of the infamous woman in one of the most interesting periods of the Roman Empire.Born the second daughter of three to Acacius and an unknown woman, named Hypatia for this novel, Theodora was born into showbusiness as it was then. Her father was the bear trainer at the infamuous Hippodrome of Constantinople. It is the Hippodrome that is the most important place in Theodora's life: her earliest memories, the death of her father at the hands of his beloved bear, and eventually the site of the greatest triumph of her life: her coronation. Duffy writes Theodora as a determined, intelligent and capable young woman. Not the best singer, not the best dancer or even the prettiest girl, Theodora commands attention and awe from her presence, her wit, her spirit and her sheer ambition. Though the novel begins at age eleven for the protagonist, it is never immature or boring: I was captivated from the start.With a singer for an older sister (Comito) and a beautiful younger sister (Anastasia), Theo turns to her true talent: comedy. With it she makes a name, a fortune and a life she always believed was beyond her. I liked Theodora a lot: I actually wished this was a first-person novel rather than third, though I did get to see and enjoy insight into Justinian as well. She was the only female character I enjoyed, the rest seeming rather hard-bitten and begrudging of Theodora's success, even her sisters. I enjoyed - and believed - the growth and maturity Theodora grows into, especially on her travels from Constantinople. She learns humility, grief and even experiences for the first time a sense of equality while in the desert. For the first time, regardless of her sex or past professions or infamy, Theodora was what she has always sought to be: an equal. It's also terribly interesting to read about a indomitable woman who experiences such a wide range of life: from a whore to a penitent nun in an ascetic community, Theodora remains herself and full of fire. From failed love affairs, to child abandonment issues, Duffy presents Theodora as a complex woman. There is no easy answer to the hows and whys of what Theodora did historically, but the reasons Duffy fabricates/infers are more than adequate and totally believable for her version of the Empress.
Let's talk about Justinian, the Emperor. Presented as a bookish, scholarly but kind man, I initially didn't invest in the relationship between the two. Born Flavius Petrus Sabbatius, he was not from Constantinople, an ambitious "foreigner" with a thirst for power "born of a desire for change." A man of strategy rather than force, Justinian quietly emerged as a strong and very likeable character. While their marriage is portrayed initially as more of an alliance to harbor amity between both sides of the religious debate (they were on openly opposing sides of the heated religious debate), it grew into a nice, steady affection and love. The two characters brought out the best in each other: I liked their dynamic and relationship more and more as the novel progressed through their lives together. There is a nice dichotomy between the eventual August and his Augusta as well: Theo is of the City, poor and therefore "one of the people." Justinian represents the other classes of the varied, multi-national Empire: foreigner of the City, rich and royal. Justinian helps Theodora evolve from anti-government to actually being the government, an interesting and hardly believable tale based on fact.
This is a fairly easy read for a historical novel. I found the prose to be a bit stuffy and overloaded from time to time, the dialogue occasionally stilted and unrealistic, but neither issue overwhelmed my enjoyment of the rest of the book. Constantinople itself was one of my favorite parts of the entire thing: it springs to life as much as Theodora and considerably more than the rest of the characters. It is a vibrant city, teeming with life. Contradictorily the Christian capital of the world but still fighting an internal battle over divinity of the Christ, Constantinople is in a constant flux of religious dogma, a microcosm of the entire empire. With the Western side extolling the belief in Christ's humanity AND divinity and the Eastern parts of the Empire contesting He is wholly divine, a schism seems imminent. Between the religious debates and the constant political turmoil and maneuvering of the Blues and the Green, it's easy to see the cracks in the foundation. Duffy does a more than admirable job of explaining the different opinions/beliefs and the reasons for the tensions in the novel without a massive infodump. I will say I didn't like the jumps in the chronology at all: the barely glossed over times ("in those two years....." "For the next three....") because I was interested in a lot of the events/times skipped over.
Love her, hate her, despise her for her less savory acts but you cannot deny Theodora had an impact. On the world, on her Empire, and on religion. An influential woman who refused to stay in her place and do what she was told, I think many historical fiction fans will have fun with this easy-to-read, easily enjoyable novel. Her life began and ended at the famed Hippodrome, but Theodora's legacy and memory still reaches out over 1500 years after she died at the age of approximately 48.
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LibraryThing member librariefellngs
It tells the story of Theodora, before and after she became one of the most powerful women in the Byzantine Empire. In the novel, she explains how her mother offered her and two other sisters to the Blue faction at age five.
In those days, being an actress meant you could not marry, and you also
I think I expected more from this book since it is not a biography or memoir, but a historical fiction novel. Though the narrative style summarized Theodora's life events, the author explained poorly what was going on. My knowledge of the early church and the end of the Roman Empire is very limited, so I wanted to gain a deeper understanding of these topics.
Rather than showing Theodora's life and what made her the powerful woman she was, the story reads like a biography and tells her story. This story disappointed me.
In those days, being an actress meant you could not marry, and you also
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could not own property. During her relationship with Hecebolus, she was his mistress, but nothing more. She did everything a typical wife would do, but she lacked the title. When Theodora sought a priest who could try to have her sins forgiven and the laws changed for her to marry, she searched for the right priest to represent her in court. As the story progresses, Theodora meets Justinian and begins the path to becoming the Empress.I think I expected more from this book since it is not a biography or memoir, but a historical fiction novel. Though the narrative style summarized Theodora's life events, the author explained poorly what was going on. My knowledge of the early church and the end of the Roman Empire is very limited, so I wanted to gain a deeper understanding of these topics.
Rather than showing Theodora's life and what made her the powerful woman she was, the story reads like a biography and tells her story. This story disappointed me.
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Language
Original publication date
2010
Physical description
337 p.; 5.07 inches
ISBN
0143119877 / 9780143119876
Local notes
Fiction