Status
Publication
Description
LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION "Bold, virtuosic, addictive, erotic - there is nothing like The Pisces. I have no idea how Broder does it, but I loved every dark and sublime page of it." --Stephanie Danler, author of Sweetbitter Lucy has been writing her dissertation on Sappho for nine years when she and her boyfriend break up in a dramatic flameout. After she bottoms out in Phoenix, her sister in Los Angeles insists Lucy dog-sit for the summer. Annika's home is a gorgeous glass cube on Venice Beach, but Lucy can find little relief from her anxiety -- not in the Greek chorus of women in her love addiction therapy group, not in her frequent Tinder excursions, not even in Dominic the foxhound's easy affection. Everything changes when Lucy becomes entranced by an eerily attractive swimmer while sitting alone on the beach rocks one night. But when Lucy learns the truth about his identity, their relationship, and Lucy's understanding of what love should look like, take a very unexpected turn. A masterful blend of vivid realism and giddy fantasy, pairing hilarious frankness with pulse-racing eroticism, THE PISCES is a story about falling in obsessive love with a merman: a figure of Sirenic fantasy whose very existence pushes Lucy to question everything she thought she knew about love, lust, and meaning in the one life we have.… (more)
Media reviews
User reviews
There is so much I find wrong with this book. I struggle with reviewers who describe the story as hilarious because the novel is, frankly, depressing. Lucy is a mess, and reading about her insecurities, her ennui, and her dangerous behavior when it comes to men is not something I find particularly funny. She is abrupt and coarse in pretty much everything she does or says, a blatant coping mechanism that becomes tedious after a while. Her issues with her thesis piss me off because she openly acknowledges that she is taking advantage of the system. I cannot feel sorry for someone whose blatant disregard for a system set in place to enhance learning is a key point in trying to win our favor. That she has issues with relationships is very clear, but I did not need multiple explicit examples to prove the point. One time going home with the wrong man and putting herself into a situation that could have severe consequences is all it takes for me to understand that Lucy needs professional help.
Then there is the fact that Lucy does begrudgingly attend group therapy sessions, but she mocks the idea and her fellow attendees almost every time she attends a meeting. It is understandable why Ms. Broder would make the members of Lucy's therapy group caricatures, as we only see them through Lucy's eyes and that is how she views them. It does not make them more enjoyable in a scene though. Yes, we have problems with our mental health support and care. Yes, we take the idea of therapy too far at times. Yes, there are people who are in need of such therapy and do benefit from it. No, I do not need to have this lesson repeatedly thrown at me with all the subtlety of a wooden log.
Then there is the idea that this novel is sexy. That is a resounding no. There is nothing sexy or erotic in Ms. Broder's descriptions. In fact, her overt crassness in such scenes is the opposite of erotic. It is the cold shower of erotic. As for the merman scenes, I have no words. Actually, I do. Ms. Broder ruined the idea of mermen for me with her depiction of sex with them. Everything about those scenes is wrong, creating visuals that I would rather forget but know I will not be able to do so.
The thing is that it is not Lucy's bluntness that bothers me so much, although it certainly did its job in making me uncomfortable. It is not even the explicitness of the novel, although anyone who takes umbrage at the c word should stay far away from this one. Taken separately, those are a writer's prerogative that do not bother me. It is the combination of everything which is repellent to me. It is Lucy's unapologetic nature. It is the complete lack of sexiness in all of the sex scenes, even when they are supposed to be nurturing and loving. It is the lack of subtlety of the entire novel; I prefer my stories less obvious and aggressive in their lessons. Subtlety in writing is an art, and there is none to be found in The Pisces. While it is obvious Ms. Broder can tell a story which evokes feelings and makes a point, her storytelling methods are not something I enjoy. In fact, I am quite surprised others find this particular novel so impressive. To me, The Pisces has all the subtlety of being beaten over the head with a steel pole; you would not think so many people would enjoy that.
Personally, I found the depiction of depression moving, the portrayal of her disordered thinking incisive and realistic, and the magical realism elements surreal and creative. It was a gripping read which gave me plenty to consider about personal responsibility, intellectual ambition, interpersonal relationships, and mental health. If you were to use this book as a handbook, the advice would be to do the opposite of everything that this main character does, but I enjoyed experiencing and reflecting upon the nightmarish world that the main character created for herself.
Over the years there have only been a handful of times where my tendency to judge a book by its cover has steered me wrong. For one I would like to give Rachel Willey major props for her cover design for this book. It is so striking and even after finishing the book I’m sitting
I found most of the writing of the ‘erotic’ variety very sterile at the beginning and then further on so caught up in flare to lose my focus on the page. I am all about words taking on a poetic bend to bring home the emotion of a character and the story; this book felt very distracted by it.
There were a few times I agreed with Lucy’s inner observations of how she perceived the world. I could see myself feeling those same things. As the story goes on I kept asking what Melissa Broder is trying to achieve with her character here, though. I have read books wherein we are supposed to hate the narrator and be drawn in more and more by the nature of the reader vs. anti-hero relationship. From one page to the next you don’t know if you will be championing a possible redemption story or screaming out your fury because they are such a disgusting human being. Here it was incredibly unclear what I am supposed to feel about this character. Obviously there were moments to feel uncomfortable.
I never found this book to be funny and it wasn’t so much strange as trying to be something it wasn’t. It wasn’t, to me, an erotic merman story. It wasn’t funny. It didn’t achieve a redemption or a failure. I mean yes she makes a final decision at the end, but I don’t see her sticking with an upward path.
Maybe I’m asking too much of a ‘novel’, but I found this jumbled and wishing for the ending. I don’t know what more to say because I agree with other reviewers people are either going to hate or love this book. I’m stuck feeling like I don’t want to spend any more time with this book and I don’t hate it necessarily, but I’m glad to be done with it.
It is increasingly odd to me how we tack on the word ‘strange’ to things that are not strange or that could be stranger. Erotica if anything is supposed to bring a deeper intimacy to whichever art form it is being used in and yes that’s not for everyone, but it’s meant to emote stronger feelings than ‘strange’ or quickly forgotten.
OK, I confess, I made a mistake in requesting this book. I had read about it and didn’t think it was a book for me. But weeks went by and I saw a review by Kirkus Press that spiked my interest showing a different cover and I requested it. When I realized which book I had requested, I knew I had made a mistake. But I decided to go into this book with as open a mind as I could and give it every chance. Which I really did. Although this book is marketed as being hilarious, I found it to be horribly depressing. Do women really feel like this about their relationships with men? How awful to contemplate such a state. The book is also marketed as being erotic but I didn’t see it as erotic at all, only extremely sexually explicit, which are two different things.
Lucy’s irresponsibility in her care of her sister’s home and ill dog was beyond belief. This was not a young, impressionable girl but a 38-year-old woman. There was nothing about Lucy that I could relate to. To any animal lovers reading this review, beware of the heartless neglect of a dog which destroyed any sympathy I may have felt for Lucy.
I recently saw “The Shape of Water” and enjoyed it very much. I had hoped in reading “The Pisces” that there would be traces of that story that would lend some beauty to the book but any similarity is very superficial. Granted, I don’t believe it was the author’s intent to write a beautiful love.
The book did hold my interest but in looking back at it, it just left me with a bad feeling all around and I can’t recommend it.
This book was given to me by the publisher in return for an honest review.
The novel sounded quite enthralling to me since I thought that it would be easy to relate to the protagonist: being at a turning point in life, questioning her job and relationship, added to this an intellectual female character who might have an interesting approach to the whole love stuff. Moreover, “love addition therapy group” promised to be great fun to read since it sounds quite absurd.
To sum up the novel, I am a bit disappointed which might be my own fault since I did not pay too close attention to the fact that the novel is rated as “Women’s fiction”. Thus, the protagonist wasn’t the intellectual character I had hoped for, but quite some dumb and brainless being who was only searching for men to spend her nights with and who devoted her days to browsing shops for clothes (which she bought for an incredible amount of money) and thinking about her make-up and waxing. Lucy is incredibly shallow which annoyed me a lot wasn’t in tune with the intellectual researcher we got to know in the beginning. Apart from this, there were by far too many explicit scenes over too long paragraphs. Some readers might like it, it’s just not my favourite type of novel, but as said before, I didn’t pay close attention to the genre.
After the first half of the novel – which had some quite funny incidents and absurd dialogues that I really enjoyed – Lucy meets the swimmer. First of all, I thought that I had misunderstood something. Then I was waiting for the moment Lucy wakes up and realizes that she had quite some strange dream. Yet, this moment never came, the author simply implemented some utterly bizarre prop which didn’t work for me at all.
I can understand why some readers truly enjoy to read the book, it just wasn’t one for me. Too strange and weird in the plot, the protagonist not really authentic and too many explicit passages.
Graphic and gritty contemporary women's fiction with depressing characters. Sometimes realistic, but I never connected with MC or any of the supporting characters. The descriptions of the beach were probably my favorite part.
Penguin First to Read Galley
Lucy, the protagonist, is a difficult person to relate to. I'm not sure any reader truly relates to her completely but, what saves it for me, there are many instances where I can relate to her at that moment. Usually something she says or thinks that I have been ashamed of myself for thinking in the past. For much of the story she is the unregulated subconscious released on the world.
I found the writing to be wonderful, even the sections I did not enjoy reading. Wait, what? Yeah, a few sections were just too painful for me but the writing was still good, perhaps too good in those moments. I loved the way some of her thoughts were expressed, part snarky and part pure existential angst. My beloved canine companion of ten years died while I was reading this and that influenced my negative feelings toward Lucy tremendously. I actually had to set the book aside for a couple weeks, though that was also due to my inability to focus for a while on anything except missing my dog.
Even with not liking Lucy I think Broder succeeded in making enough (maybe too much?) of her accessible that we could empathize with her even if we felt she often brought it upon herself. I admit to not being into the whole merman erotica as erotica but it isn't simply erotica, it says a lot about the disconnect many people, in this case women, feel in relationships. It also shows that there is no perfect lover, regardless of species.
I would recommend this to most readers who are willing to read what is both a touching and a touched story. There is humor but at times I wasn't sure whether I was laughing with or at. But at least I was laughing. If you want to like and/or relate closely to the main character you might not enjoy this, I wouldn't trust Lucy to care for my cactus, let alone any animal, so there is that.
Reviewed from a copy made available through Goodreads First Reads.
The cover is hilarious and I'd read some good reviews about this book (not sure how this
Yes, the first paragraph contains the main character waxing effusive about how much she enjoys watching and then picking up dog shit. It doesn't get any better from here, unfortunately.
The protagonist (I hesitate to call her this) is an immature whiny self-absorbed "woman." She and I are the same age, but she still hasn't started her life - she's trapped in a relationship in which she doesn't really like the guy (although she doesn't want anyone else having him, either), she has been postponing working on her dissertation forever (to the point that she's about to be kicked out of grad school, after being there for several years, because she refuses to work on it), and she's generally unhappy. She decides to find fulfillment by spending the summer at her sister's house, not working on her dissertation (because why grow up now?) and meeting and hooking up with random guys on the internet (no shame in that, but she was desperately seeking approval and weirdness ensued). And abusing her poor sister's dog, who is like a child to her sister, by not giving him his medications that he needs (he has diabetes) and leaving him locked in the house for hours at end and doesn't feed him properly.
The character never matures, at least in the first third of the book (the only third I could force myself to read). She is completely unlikable and I found myself wishing that the dog would bite her. Like, fatally, if that's possible for an obese lapdog to do.
To say that I dislike this book is putting it too mildly. It's the worst book I've read this year, which isn't saying all that much since I've been in a reading slump for the past several months, but still...I can say that this is one of my least favorite books of the 2010s so far, which carries a bit more weight. I nearly threw my Kindle across the room before I remembered that I had paid over a hundred dollars for this thing and it has been a good companion. So I just contented myself on rage-deleting the file from my Kindle, which was the most satisfying moment this book gave to me.
I won the book through a Goodreads Giveaway.
*Spoilers*
Merman erotica, not the best book to read for dog/animal lovers, and most of the characters were unlikeable.
I hate to DNF a book so close to the end but this just really...... went from bad to worse to.... even worse somehow. I do not give a fuck about the main character who, by the way, was nothing more than a self-absorbed cunt. FUCK this lady for treating her sister's dog like that.
Not to
Also all the references to classical Greek literature just really... I MEAN. I guess if you like fake-deep, pseudo-intellectual pretentious bs that takes itself too seriously and are into "existential cock" it could work for you?
I don't know why, but I do enjoy novels in which women are the agents of their own misfortune. And this one has the interesting twist of the logistical difficulties of getting together with a merman, who may or may not exist.
Utterly bizarre with an absolute mess for a main character who really needs therapy.
It was however quite entertaining. The real victim here though was the little doggie.
The Pisces starts out with a very relatable female lead. She has had a hard time with love and is dating a man who just can't fully commit and she deeply wants commitment and
The concept Broder created of the merman was very interesting, and the ending and what Theo wanted was surprisingly satisfying. Lucy, our protagonist, becomes deeply, deeply unlikeable and starts acting in completely self-destructive and illogical ways. There were points where I was sincerely considering googling Melissa Broder to see if it was a pen name that a man who hated women and had a vendetta against them.
The sex scenes were uninspiring and oftentimes overly wordy, while also being very unbelievable and mostly incredibly offputting. The romance was lacking and any affection the characters had towards each other was very stilted.
I really, really wanted to like this book. I went into it with high hopes but those hopes were dashed on the rocks, much like the ones Theo and Lucy hung around.
*I received this book for free from NetGalley for a fair and honest review.