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In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana's Angola State Prison. In the months before Sonnier's death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute--men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story--which has inspired a film, a stage play, an opera and a musical album--is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it. Read by the author, Helen Prejean Preface written by Archbishop Desmond Tutu and read by Dominic Hoffman Afterwords written and read by Susan Sarandon and Tim Robbins… (more)
User reviews
Draining? Sort of.
Stunning? Yes.
Informative? Certainly.
This book explains Sister Helen Prejean’s, a Catholic Nun, experiences with two different death row inmates in Louisiana. What begins as a simple pen pal exchange
I suppose Dead Man Walking managed to shock and horrify me. I read poverty and violence statistics that I had never seen before, and I was ashamed that a country like the United States could be that unjust. People need to know about this structural violence, and they need to take action. As Prejean proves, even small actions can create huge crescents of change.
While heavy on information, this book is a quick read. I suggest that anyone with interest in social activism, Christianity, or criminal justice take the time to check this out.
The two inmates Sister Helen befriends represent two opposite ends of the spectrum, in the way they approach their looming executions. Patrick Sonnier is scared shitless and does not want to go, while Robert Lee Willie lives incredibly detached and in the moment. He even winks at Sister Helen before they pull the mask over his face. She does a good job of telling their stories, of making them live on in the pages of this book. When they are killed, sympathetic readers WILL feel a twinge or more of sadness that they are gone. I mean, it's so bizarre. Death, in general, gives one that feeling: it's an unfathomable mystery, and here the government is, using it as a penalty for crime. I agree with the author: it's so *wrong*.
But I'm also glad Sister Helen pulls the victims' families' stories into this, and becomes *their* advocate by the end, too. She uniquely and successfully straddles a difficult divide: championing the cause of both victim and offender. I admire how she actively debates the issue of capital punishment with opponents, and manages to hear the other person out even while making herself heard. It's not just in one ear out the other, with her. She listens AND she walks the talk. In fact, she's so good at articulating what she believes and then acting, promptly and decisively, on it, that I wouldn't be surprised if she became a saint one day.
On the same token, the religious spin is the only part I wish I could take out, because I don't think it's central to these two inmates' life stories. However, it IS central to the author's identity, and so a few rabbit trails about the love of Jesus are somewhat inevitable. Hers is at least one brand of religion I wish were more common, as opposed to others.
All in all, a highly recommendable read.