Status
Available
Genres
Publication
Oxford : Oxford University Press, 1957.
Description
Charles Dickens's Sketches by Bozforeshadows his novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention. This Penguin Classics edition is edited with notes and an introduction by Dennis Walder.Published under the pen-name 'Boz', Charles Dickens's first book Sketches by Boz(1836) heralded an exciting new voice in English literature. This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer.In his introduction, Dennis Walder discusses Dickens's social commentary, his view of London and his imaginative mixing of genres, and places the Sketches in the tradition of eighteenth and nineteenth-century reportage. This edition also includes the original illustrations by George Cruickshank, a chronology, further reading, appendices and notes.Charles Dickens is one of the best-loved novelists in the English language, whose 200th anniversary was celebrated in 2012. His most famous books, including Oliver Twist, Great Expectations, A Tale of Two Cities, David Copperfieldand The Pickwick Papers, have been adapted for stage and screen and read by millions.If you enjoyed Sketches by Boz, you might like Dickens's The Pickwick Papers, also available in Penguin Classics.… (more)
User reviews
LibraryThing member nosajeel
I had read a number of these before but had never read Sketches by Boz in its entirety. Dickens first book, published when he was twenty-four and already on his third or fourth career, contains his earliest writings, ranging from semi-fictional sketches to a series of "tales" that range from farce to melodramatic tragedy. They contain much of what one would find throughout his career: walking through the streets of London, middle-class families, clerks, comedy, satire of pretension, tragedy, farce, a preoccupation with prisons, etc. Many of the pieces are excellent, virtually none of them are bad or even seem particularly immature, but for most people Sketches is fairly superseded by the novels which take many of the same types of characters and scenes and embed them in a much more compelling and readable format. That said, Sketches was very enjoyable and I would expect to read many of the individual pieces in it again.… (more)
LibraryThing member john257hopper
A mixed bag of sketches, with some very funny and moving ones, and a few that were mediocre and forgettable. Some of the best were redolent of Dickens's later distinctive style, though these were his earliest published works, first appearing in magazines between 1833-36. The first seven sketches, grouped under the title The Parish, were good and funny, especially The Election for Beadle and The Four Sisters. The sections headed Scenes and Characters were rather more variable, though as ever Dickens excels when covering the plight of the poor and wretched, for example in Gin-Shops, A Visit to Newgate and The Prisoners' Van. A Christmas Dinner should become a seasonal favourite. The sketches detailing the coming in of the omnibus were very good as well.
The latter set of Tales were varied, with a few dull ones, but also some very funny ones, esp The Boarding House, Mr Minns and his Cousin (Dickens's first published piece as A Dinner at Poplar Walk), Horatio Sparkins and The Bloomsbury Christening. The Black Veil and The Drunkard's Death were very haunting.
The illustrations by George Cruikshank were marvellous, better than those by Phiz in my view, with a Hogarthian sort of feel about them. 4/5… (more)
The latter set of Tales were varied, with a few dull ones, but also some very funny ones, esp The Boarding House, Mr Minns and his Cousin (Dickens's first published piece as A Dinner at Poplar Walk), Horatio Sparkins and The Bloomsbury Christening. The Black Veil and The Drunkard's Death were very haunting.
The illustrations by George Cruikshank were marvellous, better than those by Phiz in my view, with a Hogarthian sort of feel about them. 4/5… (more)
LibraryThing member jasonlf
I had read a number of these before but had never read Sketches by Boz in its entirety. Dickens first book, published when he was twenty-four and already on his third or fourth career, contains his earliest writings, ranging from semi-fictional sketches to a series of "tales" that range from farce to melodramatic tragedy. They contain much of what one would find throughout his career: walking through the streets of London, middle-class families, clerks, comedy, satire of pretension, tragedy, farce, a preoccupation with prisons, etc. Many of the pieces are excellent, virtually none of them are bad or even seem particularly immature, but for most people Sketches is fairly superseded by the novels which take many of the same types of characters and scenes and embed them in a much more compelling and readable format. That said, Sketches was very enjoyable and I would expect to read many of the individual pieces in it again.… (more)
LibraryThing member Maura49
As a personal project in Dickens Bi-Centenary year I am trying to read some of his books that I had never got around to and this is one that I have been dipping into for years but somehow never quite connecting with it.
I have finally done so and am glad to have made the effort despite the variable quality of these ‘prentice pieces, originally written for a number of different publications.
In the section titled “Scenes” we see London of the 1830’s through Dickens eyes. He knew his city intimately and here he vividly evokes it’s sights and sounds just before the Victorian era dawns. He shows us pawn shops and the gin-soaked criminal quarter of Seven Dials. He visits Newgate Prison, inaugurating his lifetime interest in penal institutions. He takes us inside the London theatres and the cheerful vulgarity of Astley’s Amphitheatre. He sees everything and he also listens. Through him we hear the voices of costermongers and omnibus drivers, prison officers and shoppers, the pleasure seekers at Vauxhall Gardens .
These vibrant pieces are perhaps the best of these early writings. In “Characters” and “Tales” we see his early attempts at imaginative writing. In later life he was critical of many of them, noting the rushed quality they had and seeing many of these short pieces as “crude and ill-considered, and bearing obvious marks of haste and inexperience.” They are interesting though in showing us the development of the writer’s mind and we can see where characters such as Mr Pickwick and Sam Weller came from. I find myself in agreement with Thea Home who wrote the introduction for this ‘Oxford’ edition. She points out that the sketches have a special fascination in both fore-shadowing the work of a writer of genius and also revealing the young Boz . We are surely walking alongside Dickens himself when we encounter the patrons and performers of ‘Private Theatres’ whose proprietors may be “..an ex-scene painter, a low coffee-house keeper, a disappointed eighth-rate actor, a retired smuggler, or uncertificated bankrupt.”
I particularly enjoyed “The Tuggses at Ramsgate”, partly set on a pleasure steamer on the Thames and brimful of vivid characters in a tale of a rise in fortune and social climbing gone sadly awry.
“..the City of London Ramsgate steamer was running gaily down the river. Her flag was flying, her band was playing, her passengers were conversing; everything about her seemed gay and lively,- No wonder- the Tuggses were on board.”
I did come to the conclusion that the ‘dipping’ approach has something to be said for it with this collection, as reading straight through does become tedious. This is particularly the case with some of the weaker sections of this edition such as “The Mudfog Papers” which I would not recommend as the humour is forced and tedious in the extreme.… (more)
I have finally done so and am glad to have made the effort despite the variable quality of these ‘prentice pieces, originally written for a number of different publications.
In the section titled “Scenes” we see London of the 1830’s through Dickens eyes. He knew his city intimately and here he vividly evokes it’s sights and sounds just before the Victorian era dawns. He shows us pawn shops and the gin-soaked criminal quarter of Seven Dials. He visits Newgate Prison, inaugurating his lifetime interest in penal institutions. He takes us inside the London theatres and the cheerful vulgarity of Astley’s Amphitheatre. He sees everything and he also listens. Through him we hear the voices of costermongers and omnibus drivers, prison officers and shoppers, the pleasure seekers at Vauxhall Gardens .
These vibrant pieces are perhaps the best of these early writings. In “Characters” and “Tales” we see his early attempts at imaginative writing. In later life he was critical of many of them, noting the rushed quality they had and seeing many of these short pieces as “crude and ill-considered, and bearing obvious marks of haste and inexperience.” They are interesting though in showing us the development of the writer’s mind and we can see where characters such as Mr Pickwick and Sam Weller came from. I find myself in agreement with Thea Home who wrote the introduction for this ‘Oxford’ edition. She points out that the sketches have a special fascination in both fore-shadowing the work of a writer of genius and also revealing the young Boz . We are surely walking alongside Dickens himself when we encounter the patrons and performers of ‘Private Theatres’ whose proprietors may be “..an ex-scene painter, a low coffee-house keeper, a disappointed eighth-rate actor, a retired smuggler, or uncertificated bankrupt.”
I particularly enjoyed “The Tuggses at Ramsgate”, partly set on a pleasure steamer on the Thames and brimful of vivid characters in a tale of a rise in fortune and social climbing gone sadly awry.
“..the City of London Ramsgate steamer was running gaily down the river. Her flag was flying, her band was playing, her passengers were conversing; everything about her seemed gay and lively,- No wonder- the Tuggses were on board.”
I did come to the conclusion that the ‘dipping’ approach has something to be said for it with this collection, as reading straight through does become tedious. This is particularly the case with some of the weaker sections of this edition such as “The Mudfog Papers” which I would not recommend as the humour is forced and tedious in the extreme.… (more)
LibraryThing member charlie68
Funny and interesting book about life in London in the early nineteenth century. Mostly humourous sketches with some darker sentimental ones within. Shows Dickens spreading his wings as a writer fortelling the heights to which he would achieve.
LibraryThing member Smiley
Great Dickens. The reader gets Dickens' characters and descriptive power with a minimum of his ripe sentimentality. A win/win. Good place to start for those new to the author or those that say they don't like Dickens. For those familar with the author's body of work the reader will find the germ of future novels in this early work. The last piece, "A Drunkard's Death", is outstanding.… (more)
LibraryThing member JBD1
Some of Dickens' earliest published writings; there are hints here of what's to come in these vignettes, sketches, and short tales, but I can't say I found the whole collection particularly compelling.
LibraryThing member dasam
In these early works you can find hints of Dickens' later novels, characters, and themes. The wry humor is also reminiscent of Twain with a British rather than American dialect.
LibraryThing member EricCostello
Some of the earliest published work of Dickens, mixed with a few pieces he added when the pieces were collected for the first time in book form. Some vintage Dickens in spots, foreshadowing later characters. The second half, which is more fiction than journalism, drags a bit with repeated themes, usually of bachelors getting done for.… (more)
LibraryThing member therebelprince
The 1st of Dickens' 24 important works, published in 1837 after being variously printed in the previous years, these are the works that made a name for Dickens (even if the name was "Boz"! - which, incidentally, is pronounced "Boze"). They are very interesting, and sometimes hilariously detailed in their stories of cultural mores in the early 19th century. At the same time, the quality varies and they are written for an audience with very different reading expectations, some of which would be shaped and moulded by Dickens himself over the next 40 years. Interesting to read for Dickens fans, and a good way to get in the sense of his first "real" book, The Pickwick Papers but newcomers should skip this and move straight on to Oliver Twist or something similar.… (more)
LibraryThing member AliceAnna
Excellent sketches, but I just had a hard time getting into them. I need a plot. So I much preferred the tales that were included later on in the book.
LibraryThing member Scarchin
Collection of short stories - or "sketches" - about everyday life in London. They range from the very humorous to the tragic.
I experimented with using Libravox with this. On the plus side - a free, complete, audio copy of the book. On the down side, there was a HUGE difference in the quality of readers from chapter to chapter.… (more)
I experimented with using Libravox with this. On the plus side - a free, complete, audio copy of the book. On the down side, there was a HUGE difference in the quality of readers from chapter to chapter.… (more)