Shakespeare after all

by Marjorie B. Garber

Paper Book, 2004

Status

Available

Publication

New York : Anchor, c2005.

Description

Contains all 38 plays.

User reviews

LibraryThing member Ani_Na
Hands down, the best book on Shakespeare's plays I've ever read. Profound and concise, witty and easy to read, this is a book you can curl up with for fun or use to write any paper or understand a play. Her essays on Hamlet and Twelfth Night are especially intriguing.
LibraryThing member MissWoodhouse1816
Wonderful historical, social, and technical commentary on Shakespeare's plays. Great for supplementing for educational purposes, or for the casual reader to get the most out of the Bard's plays.
LibraryThing member jmcgarry2011
Finally finished the book. 906 pages, not counting footnotes and index. It has an essay on each Shakespeare play. Some are longer than others. It just depends on the play. She does a good job of relating the underlying circumstances, such as political issues going on at the time, as well as Bible
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or other references, to get a better understanding of the play. All in all, a good introduction to Shakespeare.
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LibraryThing member KirkLowery
This book represents 30 years of teaching the Bard by a Harvard professor of English. All of the plays have a chapter devoted to them, including introductions to their content, original production, etc. My only complaint about this large book is that it isn't larger: she doesn't deal with the
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sonnets. Oh well, we can't have everything.

There are many, many commentaries on Shakespeare. This is one of the best, in my opinion. Far superior to Bloom's attempt.
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LibraryThing member antao
Articulated Shakespeare: "Shakespeare After All" by Marjorie Garber I've always tried to avoid judging a 16th-17th century playwright by 21st century standards. To truly appreciate Shakespeare's work one has to make the effort of being conversant with 16th-17th century ecosystem (literature,
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culture, etc.). In so many ways, Shakespeare’s characters created the archetypes that define who we are (or at least give us a language to understand ourselves). What I liked the most about Garber's book was her ability to reading into the plays in some plays and reading out of them in some others. At the end of the book, almost all of her choices seemed right to me. In some instances I didn't agree with her reading. "Pericles" ("The Incest Riddle" seemed far-fetched to say the least) and the "Winter's Tale" come to mind.
 
Read the rest on my blog if you feel so inclined.
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LibraryThing member therebelprince
Really rather good, although - as with so many books of this type - its target audience is a little ... vague.

In terms of accessibility for a general reader, Garber gives us a neat precis of Shakespeare's life and times, followed by analyses of all the plays in the canon. No play misses out, and
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all are treated fairly. At the same time, this is not an "introduction to Shakespeare", no matter what the blurb may try to sell you. All of the chapters assume at least some familiarity with the play in question, or are obscure enough about plot that you'd need to have some detail to begin with. This is not an account of the play's sources, history, or fate on the stage and screen; it's a popular academic treatise. With that said, if you're building up an amateur's Shakespeare library, this is an interesting read. What may be frustrating is an inevitability: there is so much to talk about with each play that, like most books of "essays", Garber tends to pick a few points about each play and then discuss them. This is not anything like a comprehensive overview (after all, most chapters are about 30 pages), but it tackles some of the key questions academics and directors ask about each work.

For the academic reader, I'm not sure how I feel. It seems as if Garber got the commission for the book by promising a general introduction, but she can't quite keep her intelligence at bay. And, hey, I'm not complaining; her insights are valid and well-written. Unlike most Shakespeare writers, I almost never feel as if she's wandering down a rabbit-hole of philosophical ramblings. No, Garber's analyses are - although decidedly deskbound - certainly drawn from real examination of the plays in the context of William Shakespeare's time. There are a few niggles depending on your taste (for me, I dislike that old-school scholar thing of describing a character using dashes, e.g. "Lear is her father-king"), but each to their own.

The challenge is that I'm not sure if the book unites the two worlds very well. Some of the chapters are quite high-minded, and reveal little to the general reader about the play. At the same time, there were very few surprises in the book for me (and thus, I'd assume, even fewer for the full-time Shakespeare academic). It doesn't seem as if Garber is really adding to the hefty discussion on the Bard, but nor is she a Richard Dawkins, able to illuminate a fascinating-but-niche world for the general public.

I should note this is a positive review, indeed a 5-star review (well, 4.6) - in part because I admire Garber's writing, her intelligence, and her views, and in part because as a Shakespeare lover, I was engaged on every single damn page. I heartily recommend this book to people in an "in-between" stage of Shakespeare scholarship, but I'd champion the great populists like Stephen Greenblatt and Stanley Wells for those looking to get their head around the plays in an intellectual-but-understandable way.
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Awards

George Freedley Memorial Award (Finalist — 2005)
Christian Gauss Award (Winner — 2005)

Language

Barcode

10805
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