Status
Genres
Publication
Description
"This is the extraordinary tale of how one family survived the Russian Revolution, the civil war, the rise of Hitler, the Stalinist Terror and the Nazi invasion of the Soviet Union." "There have been many tantalizing rumours about Olga Chekhova, the niece of Anton Chekhov. She left Russia for Germany and became a film star honoured by the Nazis yet secretly worked for Soviet intelligence. Some of her closest relatives joined her in Berlin; the rest remained in Moscow." "Young and beautiful yet with nothing of value but a smuggled diamond ring, Olga Chekhova left Moscow in 1920 to escape starvation and degradation. In Berlin, by making the most of her Chekhov name, she obtained a part in a silent movie. Success followed quickly and she eventually became Hitler's favourite film star." "Olga's brother, Lev Knipper, was a composer who had fought with the White Army during the civil war. When he returned to Russia in 1921 he was forced to work for Soviet intelligence. His controllers sent him abroad to spy on Russian emigres and, in Germany, Lev recruited his sister as a 'sleeper'. Later, at the height of the war, plans were made for the two of them to launch a suicidal attack right at the heart of the Nazi regime." "In putting together this dramatic story, Antony Beevor shows how people lived under the terrible pressures of a totalitarian age. It reveals a confusion of courage, idealism, fear, self-sacrifice, opportunism and betrayal. The astonishing part of the epic tale is that both Olga and Lev survived the most murderous era know in history. What they had to do to stay alive may have left deep but hidden scars."--BOOK JACKET.… (more)
User reviews
At first I was taken aback by sort of distant objectivity and what seemed like lack of passion on the writer's part, but then, as I continued reading, I felt that it was the right approach. His research was meticulous. If, for the lack of historical record, there was something unclear, Antony Beevor didn't assume the facts, and even if he did, he admitted that it was an assumption. Olga Chekhova, a known actress, does remain a mystery - as far as her cooperation, while in Germany, with the Soviet government, and probable spying. But after reading this book, I am inclined to think that the idea was overblown: there might have been an intention to use her in that way, seeing how she appeared close to Hitler and Goebbels, but it never came to pass.
I discovered quite a few interesting historical moments in the period described which were news to me. And I owe a huge word of gratitude to this writer - for not butchering the spelling of Russian names, patronymics, and surnames (even up to the correct gender endings in the last names), of Russian street names and phrases. In so many books it's not the case, unfortunately. Mr. Beevor must have had a great Russian editor.
Checkova, a niece by marriage of Anton Checkov, grew up in a theatrical family closely tied to the fortunes of Moscow Art Theatre; her first husband, Misha, was a famous lead actor in the group. Checkova left for Germany after the revolution and became the leading actor in that country in the years leading up to, and even through, the war. All told, between 1917 and 1974, she appeared in 144 films, which has to be impressive by just about anyone's measure. There is a picture of her sitting beside Hitler at a reception, and she was often invited to evenings by Goebbels and others all of which led to the impression that she had strong connections in the Nazi hierarchy. At the same time, it appears, she was a "sleeper" agent for the NKVD; sleeper in the sense that she was not actively engaged in espionage, but was seen as someone who might be useful some day because of her connections. It is clear that her brother, Lev, was an active NKVD agent, and it is probably thanks to him, that Checkova enjoyed very benign treatment after the war, at the hands of the Soviets, despite having lived for so many years in Germany. But, by all accounts, her influence with the Nazi elite was more a product of wishful thinking by others, rather than a reflection of reality. It is, however, interesting that Beevor mentions a couple of times that a number of files related to Checkova remain firmly sealed and are unlikely to be opened. One wonders what they could hold after all these years that could make any substantial difference today.
Checkova remains something of an enigma, perhaps best summed up by Beevor in this way:
"This again begs the question of whether she had been an ‘adventuress'...or a dedicated agent of the Soviet Union. As is so often the case, neither alternative tells the whole truth. Olga Checkhova had accepted the invitations to Nazi receptions partly to safeguard her career and partly out of curiosity. She was neither a Nazi nor a Communist....her politics belonged to the pre-Nazi era. Like her mother, she despised Hitler and his entourage, but she knew that she had to work with them. She genuinely loathed their anti-Semitism...The simple answer is that Olga Checkova, ever since the collapse of her marriage to Misha Checkov [nephew of Anton], had been a determined survivor, prepared to make whatever compromises were necessary. She had a number of failings, particularly her relationship with the truth, yet she remained a brave and resourceful woman whose main priority was to protect her family and close friends."
Interesting to note that the Knipper family that Anton Checkov married into, had as a family motto, per adrua ad astra, which translates as "through adversity to the stars". This is also the motto of the Royal Canadian Air Force!
(Mar/06)
Protected by its artistic prominence and potential usefulness at the hands of the secret service, members of the family of Chekhov, survive the Revolution, the War and the Terror, while the giant ogres of Hitler, Stalin and Beria are hovering in the background. The book presents detailed biographies of the actress Olga Knipper, one of the original members of the Moscow Art Theatre, who married Anton Chekhov, her brother, the composer Lev Knipper, and most prominently her niece, Olga Chekhova who went on to a life-long career as a film actress in Germany, well into the 1970s.
The book threw a new light on the art scene in Russia, especially the theatre and music between 1915 and 1950, making me yearn for my copy of Chekhov plays (which I could never retrieve), and instead making me revel in memories of all the famed Chekhov plays I have seen performed.
The sinister story of the war, life in Nazi Germany as well as Communist Russia, and the machinations of the leaders of that time, all courting the arts, gives the book a magic twinkle. Very readable, and interesting.