The Moor's last sigh

by Salman Rushdie

Paper Book, 1995

Status

Available

Genres

Publication

Toronto: Alfred A. Knopf Canada, c1995.

Description

A family saga reflecting the troubled state of India. The protagonists are four generations of the da Gama, who became wealthy in the spice trade before declining into gangsterism. Their tale is narrated by the family's last descendant and he attributes their fall to bickering, a reflection of Hindu-Moslem strife plaguing India today. Peopled with odd characters--the narrator is the product of a Jewish father and a Christian mother--the novel is a pessimistic counterpoint to the author's optimistic Midnight's Children, on India's struggle for independence.

Media reviews

So, another brave and dazzling fable from Salman Rushdie, one that meets the test of civic usefulness -- broadly conceived -- as certainly as it fulfills the requirements of true art. No retort to tyranny could be more eloquent.
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'Such surreal images, combined with the author's fecund language and slashing sleight of hand make it easy, in Mr. Rushdie's words, "not to feel preached at, to revel in the carnival without listening to the barker, to dance to the music" without seeming to hear the message in the glorious song.'

User reviews

LibraryThing member Zmrzlina
No surprises in this story... the telling has lots of twists but the turns are seen well in advance. A beautiful telling, nonetheless. Language so magical one forgives the predictable. Indian history, folklore and drama. I am not such a fool to take this fictional account as gospel, however I was motivated to go looking for more information about events and figures.

The one foreshadowing I cannot forgive involves a "walkman" and its use as a tool of destruction. Too mundane a plot my dear Mr. Rushdie!
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LibraryThing member herschelian
A dense, magnificent book, packed full of images and insights. Like eating a slice of rich dark fruit cake.
LibraryThing member MelmoththeLost
This has to be one of the finest novels I've ever read. Written in a dense, hypnotic interweaving of prose and prose-poetry, richly mythic and complex, this work could in some respects be described as a "family saga" were it genre fiction since it tells the story of several generations of a dynasty of Catholic-Jewish Cochin spice traders from the beginning of the 20th century until the early 1990s. But genre fiction it's not. It's literary with a capital L. It's also tremendously learned and filled with characters who are by turns eccentric, tragic, obsessively selfish, psychopathic, ruthless and comic who play out their lives in the decades either side of Indian independence. The novel also contains a great deal of magical realism, though this is subtle and exquisitely handled.

I originally bought "The Moor's Last Sigh" a couple of years ago when I was going on holiday to southern India since the first part of the book is set in and around Cochin, the spice capital, which was one of the places I visited. Hence I have seen and visited a number of the places mentioned in the book, including the harbour, the synagogue, the spice shops in the old Jewish quarter and St Francis' church, as well as the famous "Chinese" fishing nets.
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LibraryThing member thejohnsmith
Woah! This is a really challenging read and hard to stay with. It took me an age to get through this one but it was worth it. A good story, interesting plots and sub-plots, engaging characters, etc. just pretty dense.
LibraryThing member phooky
Only one book (Crime and Punishment) has ever made me miss my stop on the subway. This book, however, came very close. Littered with puns, many of them miserable groaners, it's a peppy tragedy dressed up in showy clothes. The characters neither demand nor recieve the reader's pity, and so come across as fairly mild, regardless of their particular depravity. The novel is a little compressed in the less-fun final acts; Rushdie can't seem to sink his teeth into the dreary stuff. But neither can I, so I didn't really mind. Loved it. Brush up on your 20th-century Indian history before you crack it, though.… (more)
LibraryThing member P_S_Patrick
I bought this book after enjoying the Satanic Verses, hoping for a similar read. I wasn't disappointed, this book was perhaps a touch less complicated and ambitious, but the plot and the characters were just as well thought out, and the narrative as clever and deep, and enjoyable to read as I was expecting. He does the surreal very well, and this book didn't let me down in this aspect either, but it is done in a more subtle way than in the Satanic Verses for the most part. Despite this it still has the same enchanting illusory feel , it just isn't the one long hallucinogenic trip that the Satanic verses is. I would recommend this book if you enjoyed the Satanic Verses, and vice versa. They are both books I would consider re-reading in the future.… (more)
LibraryThing member freddiefreddie
Madcap, heartbreaking, hilarious. Not all writers can be both great writers and great storytellers. Rushdie is one of the few.
LibraryThing member wrmjr66
The Moor's Last Sigh is Rushdie's best book since Midnight's Children and is superior to The Ground Beneath Her Feet. Rushdie puts his spin on the multi-generational family novel. Like most such novels, it takes awhile to get the characters and families straight, but once you have the whole picture, you can begin to enjoy the magic that Rushdie is weaving through this genre. His first-person narrator ranges from funny to absurd to cruel, and Rushdie's playfulness with language is in full force here. As in Midnight's Children, Rushdie's characters are set in the context of India's turbulent history, and in typical Rushdie fashion, it isn't clear whether history is affecting the family or the family is molding history. The very end of the book seems a bit over-blown, but it's one of the few weaknesses in this very good novel… (more)
LibraryThing member mbmackay
My first Rushdie - and what a book! The man gushes creativity!
The first half of the book is just about flawless - a wonderful family history of the most vivid characters - not all good or all bad, but good and bad in very believable ways; not constant, but very humanly inconsistent. And the story line woven from these characters is just as compelling as the characters themselves, with a weaving of the current characters into a backdrop of historical references.
The second half of the book isn't quite as good. The word play and flourishes become a little undergraduate - the Cashondeliveri family, and the four siblings named in accordance with eeny, meenie, mynie and mo. And the story line goes a little overboard - the Moor's life is lived at double speed - his bood is 40 years old when he turns 20; the patriarch extends his successful business career into drug smuggling and nuclear weapon proliferation.
But even with flaws this was a wonderful read.
Read March 2016
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LibraryThing member amerynth
I enjoyed Salman Rushdie's "The Moor's Last Sigh" -- and since it's the only Rushdie novel I've ever read it didn't suffer by comparison to his much-lauded prior book, "Midnight's Children," which apparently has a similar setting and appears to be generally preferred over this one.

"The Moor's Last Sigh" is the story of the Zogoiby family -- ruled over by a self-involved matriarch Aurora, an artist of some importance in her corner of India. The narrator of her book is her son Moor, who tells the story of several generations of his family, who are all pretty hell-bent on destroying themselves.

I really enjoyed Rushdie's use of language- he is a clever and entertaining writer. The story is mostly compelling too. I also felt it was a little too sprawling at times and wished it would wander back on over to the point. I definitely will read more books by Rushdie, based on my experience with this one.
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LibraryThing member MarthaSpeirs
Not easy to read as the tricks that Rushdie provides in the language and the magical realistic form make it like a heavy but nutritious meal!
I read this before going to Kerala--Cochin in 2016 and it added a dimension that was welcome.
LibraryThing member sprainedbrain
For me, this book is pretty much perfect. A detailed multi-generational family saga, beautifully written, with magical realism, a little humor, and a lot of intelligence. Once I started on it, I couldn’t really make time for any other books. This was my first Rushdie, and now I’m looking forward to reading his other books from the 1001books list.… (more)
LibraryThing member fiverivers
Every time I read one of Rushdie's novels I come away enlightened and amazed, and certainly reading the literary masterpiece The Moor's Last Sigh is no exception.

Perhaps one of Rushdie's more accessible novels, the story follows a more conventional narrative, although to call anything Rushdie writes conventional is inaccurate. In this case the story follows a family history, that of the Zoigoby clan, which takes us into Jewish, Moorish, Spanish and Indian heritage, illuminating perfections and defects of the body, mind and spirit. There is very much a theme of isolation of spirit and intellect in this novel, of loneliness despite crowded and intimate environments. In conjunction with that Rushdie marries political unrest to to restless spirits, so that both microcosmic and macrocosmic time flow around and through each other, so that one has a sense of a ship tossed upon a boundless sea.

As always there is a fluid and adept use of language and phraseology that defies every literary convention, and in doing so creates breathtaking art. One comes away wanting to memorize phrases for their utter beauty and sagacity. But let it not be thought this is a novel only of high art, for certainly throughout the story Rushdie's irreverent and incisive wit prevail, so that at times I caught myself bursting into laughter.

I would have to say that if a person is new to Rushdie's work, The Moor's Last Sigh would be a perfect introduction.

Highly recommended, and certainly a novel that should be a staple in anyone's library.
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LibraryThing member kerns222
A shaggy, mothers-in-law tale, a mythic history of the Indian criminal-industrial underbelly, a family saga of East-West, Portuguese-Moorish infiltrations. Silly word games. A complete oeuvre of paintings brushed over (in words) by Rushdie. A final trip to Granada, Spain.
Rushdie, as usual, is too, too much. He drops in new characters, makes abrupt shifts, skips in geography, and invents new layers of fiction. Nothing is final, nothing decided. Except the ending.
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LibraryThing member AliceAnna
A pretty entertaining story -- some truly unlikable characters, but that was part of the point. Many of the books I read shortly after 9/11 had things that reminded me of that day. This one had Muslims, buildings being destroyed -- it's jarring. One thing that he said, that really stood out for me and was a good thing to hear at that time, had to do with getting past fear. "I stopped being afraid because, if my time on earth was limited, I didn't have seconds to spare for funk ... I must live until I die."… (more)

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