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Fiction. Science Fiction. HTML: From the National Book Awardâ??winning author of The Absolutely True Diary of a Part-Time Indian, the tale of a troubled boy's trip through history. Half Native American and half Irish, fifteen-year-old "Zits" has spent much of his short life alternately abused and ignored as an orphan and ward of the foster care system. Ever since his mother died, he's felt alienated from everyone, but, thanks to the alcoholic father whom he's never met, especially disconnected from other Indians. After he runs away from his latest foster home, he makes a new friend. Handsome, charismatic, and eloquent, Justice soon persuades Zits to unleash his pain and anger on the uncaring world. But picking up a gun leads Zits on an unexpected time-traveling journey through several violent moments in American history, experiencing life as an FBI agent during the civil rights movement, a mute Indian boy during the Battle of Little Bighorn, a nineteenth-century Indian tracker, and a modern-day airplane pilot. When Zits finally returns to his own body, "he begins to understand what it means to be the hero, the villain and the victim. . . . Mr. Alexie succeeds yet again with his ability to pierce to the heart of matters, leaving this reader with tears in her eyes" (The New York Times Book Review). Sherman Alexie's acclaimed novels have turned a spotlight on the unique experiences of modern-day Native Americans, and here, the New York Timesâ??bestselling author of The Lone Ranger and Tonto Fistfight in Heaven and The Absolutely True Diary of a Part-Time Indian takes a bold new turn, combining magical realism with his singular humor and insight. This ebook features an illustrated biography of Sherman Alexie including rare photos from the author's personal collection.… (more)
User reviews
Unfortunately for Zits, he met another young delinquent in the “kid jail,” a charismatic cult-leader type who calls himself Justice. Justice breaks Zits out of the half-way house and begins to exploit Zits’ desperate need for family, acceptance, and meaning, managing to convince Zits that justice can only be achieved with guns. Soon enough, Zits finds himself standing in a crowded bank with a loaded gun, enacting a twisted 20th century version of the Lakota Sioux Ghost Dance, attempting in this one act of extreme violence to sweep all white people off the earth in revenge for the injuries dealt to him.
When Zits is killed by a bank guard’s bullet to his brain, he is catapaulted onto a century-spanning journey of discovery and, perhaps, redemption. He finds himself occupying the bodies of individuals young and old, on both sides of the ages-old conflict between North America’s native peoples and the European settlers who displaced them. Zits becomes a white FBI agent fighting Indian radicals on a reservation in the 1970s; a mute Indian boy at the battle of Little Big Horn, a white tracker leading the cavalry to massacre an Indian village, his own alchoholic father, and others. In each body he experiences both the overwhelming violence and the astonishing grace of which all humans, regardless of race, are capable.
While the plot is a bit simplistic and the quixotic and sarcastic voice of the bitter and naĂŻve teenage protagonist can grate at times, the overall flow and narrative thrust of the story can be spell-binding, as Zits matures, slowly but surely discovering that there is much more to the story than his own bitter childhood and that perhaps justice and a gun are mutally exclusive after all.
When I started this work, I almost gave it up. It was that boring. Yeah, yeah, here we go, an Indian kid known as Zits (whose real name is Michael) is fostered out to several families, each worse than the one before, the kid is rebellious, gets in trouble and meets up with the wrong type of friend; gets talked into killing people in a bank. I’ve read this before. I know where it’s going . . . then with an impact as hard as the bullet that kills Michael, the story takes a radical turn and gets real deep.
In what follows next, he is reborn in different times in bodies belonging to people facing various problems. He is aware that he is not his original self, but he is also not in charge of what is happening to his new self. In each incarnation, he learns some new piece of what it means to be a whole person, to overcome your inner problems and become fully realized. By having Michael entering several incarnations that are not Native American, Alexie shows the universality of Michael’s dilemma.
Like I said, some real deep philosophical territory. It is not all doom and gloom, however. The author’s sense of humor and irony is put to good use throughout the story. There is also the redeeming factor in that Michael finally learns that we are in control of ourselves and we can change our life’s path if we really try.
Because of the time travel using reincarnation as the means of time travel, I’d call this science fiction for those who don’t like science fiction. Because of the reincarnation by itself, I’d classify this as a metaphysical novel. There are also strong elements of psychology, sociology and just plain old fashioned storytelling as well. This is very hard to classify, other than calling it fiction. It is also a little strong for the typical YA book, but I can see a very strong appeal to High School readers and should promote some good class discussions.
In short, another fine offering from Sherman Alexie. A good solid four and a half star read.
Zits has lost both parents at a very young age. He's basically been
Zits, and yes he does have bad acne adding to his multitude of problems, Meets a new friend who fills the void of having no one to care about him. Justice is a handsome white boy who seems to understand his pain, anger, and loss.
Justice gives Zits his first taste of power; power that comes from seeing fear and terror on the faces of those to whom he is about to do violence. Justice gives Zits two guns, a paintball gun and a real weapon.
Now here is where the book it gets weirdly clever.
Zits intends to mow down random customers in a bank he happens to walk into. Suddenly he is transported through time and space into the lives and experiences of different individuals. First, he awakens in the body of a white FBI agent investigating the alleged activities of American Indian rebels in the 1970s. He participates in the killing of one activist – in the name of a different kind of justice – and quickly discovers his own repulsion at killing.
Transported into the bodies and experiences of a 19th century US calvary scout on the trail of Crazy Horse, a white pilot, and his own father, Zits learns that 'revenge is a circle inside of a circle inside of a circle.'
The end of the story has a satisfyingly redeeming factor.
I first became a fan of Sherman Alexie when I watched the film Smoke Signals. The fandom intensified when I read Indian Killer. Now that I've read Flight, I may just graduate to waving his books in the faces of everyone I meet, exclaiming, "You gotta read these!" Alexie is
Everyone in Flight calls the main character "Zits", and if you wonder how Zits thinks of himself, he'll tell you:
" I'm a blank sky, a human solar eclipse."
Zits is half Indian, half Irish. His alcoholic father took off when he was born. His mother died when he was six. His aunt kicked him out when he was ten after he set her boyfriend on fire. (Don't feel too bad for the boyfriend; he was a pedophile.) Now he's fifteen. He's been in twenty foster homes and twenty-two schools. He has barely enough clothes to fit in a backpack. He's a throwaway kid, and he wants revenge, so one day he takes a gun and walks into a bank...and begins a series of adventures in time travel. No time machine for Zits; the gun is the catalyst for his stints as a mute Indian boy during the Battle of the Little Big Horn, an FBI agent, an Indian tracker, an airplane pilot instructor, and his own father. His desire for revenge rapidly becomes an ongoing lesson in empathy.
The book had barely begun when I fell for Zits hook, line and sinker. What did he say? Something that every passionate reader will understand:
" I bet you a million dollars there are less than five books in this whole house. What kind of life can you have in a house without books?"
Alexie's skilled pen makes Zits anything but a throwaway kid in the reader's mind. I empathized with this lonely young boy, my heart broke when his broke, I became angry when he did. As Zits time-traveled, his attitude began to change, and I found myself hoping with all my heart that he no longer thought of himself as worthless; that someone somewhere would see how valuable he was.
What better thing can you say about a writer than that you were totally involved in what happened to his fictional character? That, for a short period of time, you were transported miles away from your comfort zone and confronted with people totally alien to you, and that you began to care, to get angry, and to be compelled to do something?
Zits finds himself in a bank, committing a terrible crime. When he comes to, he has traveled in time and is inhabiting someone else's body. This is the start of a series of jumps through time, into several different bodies, at key moments.
Through Zits's experiences - in his present, his past, and his time travel - Alexie raises questions about history, the point(lessness) of revenge and war, and much more. There is anger, hurt, loss, desperation, but also glimmers that things can be different. Zits has been exposed to so much at such a young age that there is a sense at the start that he is a lost cause; that he's been written off by family after family, by the authorities, by his social workers and his therapists; that he never had a chance - and that he wonders if it is nature or nurture that he landed him where he is. When he suddenly is jumping from event to event, he is thrust into violent situations, forced to examine who he is, why things are the way they are, how he's ended up here.
The ending is on the neatly-wrapped up saccharine side, but otherwise Flight is a tightly-written, staccato, fast-paced journey through jarring events.
The main character, Zits, is overall fairly compelling. I truly felt for his
This book also takes a look at the foster care system and at the lives of young people who have been driven to lives of crime because of the crappy lives that they live. Zits goes from this life of foster homes and crime to a whirlwind of time travel experiences and finally to end up where he started, but with a chance to change things if he so chooses.
In the end, I felt a strong sense of compassion towards his situation and was fairly attached to the character. However, I don't think that I'll be actively pursuing any more of Alexie's works.
Zits is an orphaned Native-American teenager who has spent
The saccharin sweet ending, should have seemed out of place given the tone of the rest of the novel. But it worked. After all, Zits deserves a happy ending after everything he's been through. The rest of the book reminds us that Zits' ending isn't typical, which just makes it all that much better.
An engaging book but it's story is too short for the subject. I would have liked to see