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Paris, 1878: Eccentric antiquarian Lord Littleby and his ten servants are found murdered in Littleby's mansion on the rue de Grenelle, and a priceless Indian shawl is missing. Police commissioner "Papa" Gauche recovers only one piece of evidence from the crime scene: a golden key shaped like a whale. Gauche soon deduces that the key is in fact a ticket of passage for the Leviathan, a gigantic steamship soon to depart Southampton on its maiden voyage to Calcutta. The murderer must be among its passengers. In Cairo, the ship is boarded by a young Russian diplomat with a shock of white hair--none other than Erast Fandorin, the celebrated detective of Boris Akunin's The Winter Queen. The sleuth joins forces with Gauche to determine which of ten unticketed passengers on the Leviathan is the rue de Grenelle killer. Tipping his hat to Agatha Christie, Akunin assembles a colorful cast of suspects--including a secretive Japanese doctor, a professor who specializes in rare Indian artifacts, a pregnant Swiss woman, and an English aristocrat with an appetite for collecting Asian treasures--all of whom are con'ned together until the crime is solved. As the Leviathan steams toward Calcutta, will Fandorin be able to out-investigate Gauche and discover who the killer is, even as the ship's passengers are murdered, one by one? Already an international sensation, Boris Akunin's latest page-turner transports the reader back to the glamorous, dangerous past in a richly atmospheric tale of suspense on the high seas. From the Hardcover edition.… (more)
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Quotes:
On love:
“He is not entirely without vanity, thought Clarissa, but to her eyes this characteristic appeared quite charming and only seemed to make the young man even more attractive. As usual, it was poetry that provided the resolution of the paradox:
For even the beloved’s limitation
Is worthy, in love’s eyes, of adoration.”
On men, this as Renate Kleber tries unsuccessfully to attract and snare our hero Fandorin three ways:
“In fact, of course, men were actually more like members of the canine family. Everybody knew they were primitive creatures who could be divided into three main types: jackals, sheepdogs, and gay dogs. There was a different approach for each type.
The jackal fed on carrion – that is, he preferred easy prey. Men of that kind went for the readily available. ….
[The sheepdog] loved weak, helpless women. All they really wanted was to be allowed to rescue and protect you. A fine subspecies, very useful to have around. The main thing here was not to overdo the physical weakness – men were afraid of sick women. …
[The gay dog] was the least complicated, and entirely devoid of imagination. Only a coarsely sensual stimulus, such as a chance glimpse of an ankle, had any effect on them. On the other hand, many great men and even cultural luminaries belonged to precisely this category, so it was certainly worth a try.
…
Fandorin stepped inside and froze in the doorway. Without turning round, Renate wiggled her rear at him and displayed her naked back to its best advantage. The wise beauties of the eighteenth century had discovered that it was not a dress open down to the navel that produced the strongest effect on men, but an open neck and a bare back. Obviously the sight of a defenseless spine roused the predatory instinct in the human male.”
On women:
“Wasn’t it John Donne who said the secret of female happiness was knowing when to make the transition from one age to the next, and there were three ages of woman: daughter, wife, and mother?”
This is a lightweight series that I hope Akunin is having as much fun writing as he appears to be doing. This installment, according to the cover blurbs, is a takeoff on Conan Doyle and Agatha Christie. Not having read either one, I wouldn’t know, but again,
What is so wonderful about the story is that each of the passengers is a stock figure out of 19th century fiction of this type--an insane member of the English nobility (Akunin seems to really get off on portraying The English aristocracy in this fashion), a Japanese samurai, an English spinster, a young pregnant Swiss, the Inspector whose name is Gauche (can you believe it?), and others. Akunin does a brilliant job of both spoof and characterization, and handles the multiple points of view masterfully. Faithfully keeping to the Christie style (as I understand it), no one is who he or she seems to be, and the plot twists and turns according to revelations about each of the passengers. Fandorin is a great Holmes takeoff.
More than anything else, I was reminded of The Pink Panther and the bumbling inspector whose name I can not now remember. It’s that order of comedy/crime. And it’s that much fun.
Highly recommended.
Following on from the shocking epilogue in 'The Winter Queen', the Russian detective is much changed, from
The comedy and skill of the writing more than sustained this short mystery, however - the era evinced is more roaring twenties than late nineteenth century, but bar a couple of anachronisms ('claustrophobia' and 'psychopath'), the dialogue worked with the historical setting of the series. (And Fandorin precedes the baronet's name with his title when introducing him, when he should have used 'Sir', but that could be in the translation or just a nitpick!)
A fun read, and I can't wait to read more of the series!
People die right and left
Genially recommended.
This novel has everything that should have made it a page turner, but never was, at least for me. Curiously, I struggled to complete the book forcing myself to pick it up and read, never a good sign. The plot moved slowly and the twists and turns were not as interesting as required to keep me turning the pages. The main character, Fandorin, was not greatly interesting and I struggled to figure him out. On one page, more than two thirds through the book, Fandorin reveals some mystery about his past which intrigued me, heightening my interest for several pages, but this soon fizzled out. True, this book is part of a series and I have not read the earlier installment, The Winter Queen, which may have improved my interest in Fandorin. The author casts two men in the role of sleuth, one who is always following the most obvious, but incorrect path to the guilty party, while Fandorin saves the day and puts all to rights.
This novel was not badly written or developed, but did not capture my attention as I hoped it would. Murder on the Leviathan was translated from Russian by Andrew Bromfield. I have rated it 2 ½ stars in my rating system in which 2 stars is “not my cup of tea” and 3 stars is “enjoyable”.
I've seen this work compared to that of Agatha Christie's and Erast Fandorin compared to Sherlock Holmes. hmmm. The book is a great deal of fun to read; the narrative style is not off-putting but actually enhances the experience.
I very much recommend it if you liked The Winter Queen (as I did); but my guess is you probably need to read the series in order unlike I did.
I listened to the audiobook and the stutter nearly drove me crazy at points. I wish I had chosen the ebook or print book instead. The mystery pays homage to Agatha Christie's Murder on the Orient Express with the venue being an 1878 steamship rather than a passenger train. I won't spoil the plot by revealing too much, but Akunin carefully crafts the mystery, keeping readers second guessing themselves almost to the end with lots of twists and turns.
It a good proxy for a Christie novel.with several red herring "solutions" along the way to the final resolution of the mystery. It made for good reading for me, except there is a series of distracting soliloquies in the middle of the book that I found to be tedious and boring.
This was my introduction to the writings of Boris Akunin and I'm sufficiently interested to read another book in this series.