"In this definitive biography Adam Sisman reveals the man behind the bestselling persona. In John le CarrÃ©, Sisman shines a spotlight on David Cornwell, an expert at hiding in plain sight. Of course, the pseudonym John le CarrÃ© has helped to keep the public at a distance. Sisman probes Cornwell's unusual upbringing, abandoned by his mother at the age of only five and raised by his con man father (when not in prison), and explores his background in British intelligence, as well as his struggle to become a writer, and his personal life. Sisman has benefited from unfettered access to le CarrÃ©'s private archive, talked to the most important people in his life, and interviewed the man himself at length" --
Guiness portrayal of Smiley in the TV :Tinker'. Lately, the only one of his books that I have read is Absolute Friends. This is a savage book, clearly written in white heat. The ending may have seemed frivolous and too strained at the time, but from what we have learned of the American military or police since then it appears highly likely. I have bought the CD of Geoffrey Burgon's Nunc Dimmitis, which the TV show used to great effect in the 'Tinker' drama, As an old fart American, I feel just as angry as Le Carre about the depths to which this country has sunk in recent years. He was right in his rage in Absolute Friends and he is probably correct on other matters as well.
Altogether it makes for an intriguing portrait of the author and traces how he has drawn on his own experiences and those of people he has met, as well as using selectively their personalities and physical attributes to create the characters that inhabit his stories. Undoubtedly, this book will be of interest to anyone who has enjoyed his novels.
I'm definitely going to check out more of John le Carré's books though. In fact, I have a copy of Smiley's People that's been lurking for entirely too long on my shelves...
In actual fact it becomes clear that David specialised early on in the art of cultivating multiple personalities and multiple versions of events. This is not surprising considering the propensity at conjuring, scheming and double-dealing of Ronnie, David’s maverick father. It provided an excellent preparation for David the spy and an even better school for David the entertaining raconteur, who could add spicy elements to a suspenseful story. The countless incidents of humiliation foisted on David and his brother John by their father, must have given David a bleak outlook on life and the motives of men. Ronnie was a womaniser, a drinker, a gambler, a connoisseur, a British gentleman, a Mafiosi. David’s mother disappeared from the scene early on in his life – she was fed up with Ronnie’s tricks which invariably resulted in another bankruptcy or jail sentence or both. Two traits emanate from such a childhood – a remarkable capacity to please and charm while at the same time embellishing the truth AND some difficulties with the female species (certainly when his father’s absence resulted in boarding school at Sherborne and later, teaching at Eton). One other remarkable thing about le Carre is his tendency to become an angry ‘old’ man over time, moving steadily to the left and more radical part of the political spectrum (contrary to many men, and particularly rare among the class of filthy rich men, whose ranks David has joined, no matter what or how). Ironically that is how I got to know le Carre – my first le Carre novel was a ‘The constant gardener’, one of his angry books, written in old age, speaking out against the baseless and morally bankrupt behaviour of the pharmaceuticals. Once I had read that I was hooked. Le Carre showed how one could write a book which is a million times more effective than whatever scientific research. This provided the seeds of my own writing aspirations (and disillusion with academia). I continued with reading all his recent work and then going backwards in time.
Of course another influential event in Le Carre’s life was his magnificent success with A spy who came in from the Cold. His third book was a game changer, not only for the genre of spy thrillers but also for David himself. My personal favourite of his cold war spy novels is Tinker, tailor, soldier, spy. In between these two spy thrillers David went through a process of adjusting his life to his newly found affluence, experimenting with adultery – big time – and searching, initially, in vain for renewed success and greatness. It was only Tinker, tailor, which brought him back to the pinnacle of success. And from there it went on and on and on, starting with the magnificent BBC tv series made of Tinker, tailor with Alec Guinness starring as George Smiley (I still haven’t seen the series, but I did hugely enjoy the 2012 movie with Gary Oldman as George Smiley – one of the best movies made, ever – and with Gary Oldman starring big time, after his magnificent 24 hour Party people, a forgotten movie on a forgotten era of tremendous success of Manchester music).
Throughout the book it becomes clear David is a serious writer, who lives like a Hermit most of the time, talking books with his second wife Jayne whilst sticking to a strict writing routine in his rural dwellings in Cornwall. David is meticulous in his writing – rewriting complete manuscripts up to 8 times in a row, throwing out hundreds of pages, starting afresh if it does work for him. The man is a monument. In terms of his craft, I found it revealing that David seems capable only of developing his main protagonist characters once he meets a living equivalent, or to put it better, when he has met or been able to observe the base material of that character in the flesh. A final thing about the craft of writing is that David can develop a draft of a novel and then visit its main locations, and work his scenic impressions back into the novel. There are several scenes and moments that are described in the biography that provide interesting snippets and nuggets on the life of David. Like the scene where David has dinner with the PM at the invitation of Margaret Thatcher. The Dutch PM Ruud Lubbers also attends and despite him being the most savvy of all Dutch PMs in the post-war era, he confesses he doesn’t know Le Carre (Auchh!). I was equally delighted to read that David for his book The Mission Song, which engages with corporate resource exploitation in the Congo, visited the Eastern Congo with Michaela Wrong (so, so) and Jason Stearns (yes! The leading analytical light on the topic!!).
What an interesting character the subject is, and what a horrible childhood he had to endure! It’s amazing that he has functioned at such a high level for so many years. John le Carré: The Biography is also a mini-clinic on the workings of the publishing industry when it comes to the world’s top-selling writers, as Mr. le Carré certainly is. Such intrigue!
I love the way the author points out discrepancies between the way Mr. le Carré describes an event in his life and what the documentary evidence shows and/or various versions of the same story the subject has spoken or written of in the past. Then the author gives his impression of where the truth lies.
There’s lots to like in this book for just about every biography reader.