Temporary Kings

by Anthony Powell

Hardcover, 1973

Status

Available

Genres

Publication

Boston, Little, Brown [1973]

Description

'He is, as Proust was before him, the great literary chronicler of his culture in his time.' GUARDIAN A Dance to the Music of Time is universally acknowledged as one of the great works of English literature. Reissued now in this definitive edition, it stands ready to delight and entrance a new generation of readers. In this sixth volume, with Britain on the brink of war yet again, Nick Jenkins reflects back on his childhood growing up in the shadow of World War I. Wanting to follow in his father's footsteps, Nick sets his sights on becoming an officer in the Army, and asks his old school friend Widmerpool, who is gaining prominence in the business world, if he will help him. But reserves lists are quickly filling up with names, and it's not long until the threat of war is the one thing on everyone's mind.… (more)

User reviews

LibraryThing member devenish
Many of the usual characters are reintroduced to the reader in this the eleventh book of the series. For me this has been about the least interesting of all the volumes as nothing really significant happens. The outstanding episode I suppose,is the argument between Widmerpool and his wife Pamela in which several unfortunate revelations come to light.
I now look forward to reading the final volume of this vast and sprawling work.
… (more)
LibraryThing member Eyejaybee
The eleventh volume of Powell's masterful Dance to the Music of Time sequence is set mainly in Venice where the narrator, Nick Jenkins, has been lured to attend a literary conference. Early in his visit he encounters Russell Gwinnett, an American academic who has taken a sabbatical break to work on a literary biography of the chaotic novelist X Trapnel.
Gwinnett advises Jenkins that he particularly wants to meet Pamela (now "Lady" following her husband's elevation to a peerage) Widmerpool, who had been instrumental in Trapnel's decline after her destruction of the manuscript of his unfinished novel "Profiles in String".
This encounter duly happens as the senior attendees of the conference are invited to visit the palazzo where the Widmerpools are staying. One of the principal attractions of the palce is the ceiling painted by Tiepolo. This painting depicts the story of Candaules and Gyges, as recounted by Herodotus. Pamela siezes on the voyeuristic theme of the painting as an opportunity to denounce some of her husband's own unsavoury habits.
Widmerpool is surprisingly unfazed by this as he has other worries to consider - he is currently under investigation following allegations that he had been a Communist spy with connections to Burgess and Maclean.
Meanwhile Jenkins gets to visit his former boss, Daniel Tokenhouse, who turns out to have extreme left wing sympathies which have brought him into contact with Widmerpool. Powell manages all this with consummate ease, and right up to the end of the novel one is never quite sure whether or not we are going to witness Widmerpool's final demise.
… (more)
LibraryThing member Eyejaybee
The eleventh volume of Powell's masterful Dance to the Music of Time sequence opens in Venice where the narrator, Nick Jenkins, has been lured to attend a literary conference. Among his fellow delegates are the erudite but slightly intimidating academic, Dr Emily Brightman, and Russell Gwinnett, an American academic who has taken a sabbatical break to work on a literary biography of the talented yet personally disordered novelist X Trapnel whose chaotic life formed much of the backdrop to the previous volume, 'Books Do Furnish A Room'.

Gwinnett advises Jenkins that he is particularly eager to meet Pamela (now "Lady" following her husband's elevation to a peerage) Widmerpool, who had been instrumental in Trapnel's decline after her wanton destruction of the manuscript of his unfinished novel "Profiles in String". This encounter duly happens as the senior attendees of the conference are invited to visit the palazzo where the Widmerpools are staying. One of the principal attractions of the palace is a ceiling painted by Tiepolo which depicts the story of Candaules and Gyges, as recounted by Herodotus. Candaules, King of Lydia, had frequently boasted of the beauty of his wife, and arranges for his friend Gyges to lurk in their chamber where he can see for himself. The particular poignancy of this situation revolves around the fact that nakedness was a near taboo among the Lydians. The Queen, however, glimpses Gyges watching her naked form and subsequently confronts hi, advising him that he must either kill her husband and marry her himself (en secondes noces), or she would arrange for him to be killed, thus either formalising his illicit knowledge of her nakedness, or removing him all together. Not surprisingly Gyges opts for the former course, and after killing Candaules and marrying the Queen, he ruled the Lydians for forty years.

Pamela is intrigued by the painting and seizes on its voyeuristic theme as an opportunity to denounce some of her husband's own unsavoury habits. Widmerpool is surprisingly unfazed by revelations as he has other worries to consider - he is currently under investigation following allegations that he had been a Communist spy with connections to Burgess and Maclean. Meanwhile Jenkins gets to visit his former boss, Daniel Tokenhouse, who turns out to have extreme left wing sympathies which have brought him into contact with Widmerpool. Powell manages all this with consummate ease, and right up to the end of the novel one is never quite sure whether or not we are going to witness Widmerpool's final demise.

Powell demonstrates, yet again, his extraordinary ability to write a novel in which precious little actually happens yet throughout which the reader is kept at a pitch of excitement and expectation comparable to the most rip-roaring thriller.
… (more)
LibraryThing member Kristelh
This book starts in Venice. Jenkins is at a literary conference. Two new characters, a don, Dr. Emily Brightman, and Russell Gwinnett, an American who plans to write a biography of X. Trapnel. Really this book goes into a lot of sexual behaviors which were the emerging subject in the years following the war. Widmerpool and Pamela play a pretty significant part in this book.… (more)
LibraryThing member Eyejaybee
The eleventh volume of Anthony Powell's masterful Dance to the Music of Time sequence opens in Venice where the narrator, Nick Jenkins, has been lured to attend a literary conference. Among his fellow delegates are the erudite but rather intimidating academic, Dr Emily Brightman, and Russell Gwinnett, an American professor who has taken a sabbatical break to work on a literary biography of the talented yet personally disordered novelist, X Trapnel, (based upon Julian Maclaren-Ross) whose chaotic life formed much of the backdrop to the previous volume, [Books Do Furnish A Room].

Gwinnett advises Jenkins that he is particularly eager to meet Pamela Widmerpool (now more properly addressed as ‘Lady Widmerpool’, following her husband's receipt of a life peerage), who had been instrumental in Trapnel's decline following her wanton destruction of the manuscript of his unfinished novel "Profiles in String". This encounter duly happens as the senior attendees of the conference are invited to visit the palazzo where the Widmerpools are staying. One of the principal attractions of the palace is a ceiling painted by Tiepolo which depicts the story of Candaules and Gyges, as recounted by Herodotus. Candaules, King of Lydia, had frequently boasted of the beauty of his wife, and arranges for his friend Gyges to lurk in their chamber where he can see for himself. The particular poignancy of this situation revolves around the fact that nakedness was a near taboo among the Lydians. The Queen, however, glimpses Gyges watching her naked form and subsequently confronts him, telling him that he must either kill her husband and marry her himself (en secondes noces), or she would arrange for him to be killed, thus either formalising his illicit knowledge of her nakedness, or removing him all together. Not surprisingly Gyges opts for the former course, and after killing Candaules and marrying the Queen, he ruled the Lydians for forty years.

Pamela is intrigued by the painting and seizes on its voyeuristic theme as an opportunity to denounce some of her husband's own unsavoury habits. Widmerpool is surprisingly unfazed by revelations as he has other worries to consider. At the time of his arrival in Venice he had been denounced in scurrilous elements of the British Press who had learned that he had been under investigation on suspicion of having been a Communist spy with connections to Burgess and Maclean.

Meanwhile Jenkins gets to visit his former boss, Daniel Tokenhouse, who turns out to have developed extreme left wing sympathies which have independently brought him into contact with Widmerpool. Pamela pursues, or is pursued by, several prospective suitors, including Gwynnett and Louis Glober, a larger than life American film producer, who is not without his own sexual idiosyncrasies.

Powell manages all this with consummate ease, and right up to the end of the novel one is never quite sure whether or not we are going to witness Widmerpool's final demise. Once again, Powell demonstrates his extraordinary ability to write a novel in which precious little actually happens yet throughout which the reader is kept at a pitch of excitement and expectation comparable to the most rip-roaring thriller.
… (more)
LibraryThing member EadieB
Book Description
In this penultimate volume, Temporary Kings (1973), Nick and his contemporaries are at the height of their various careers in the arts, business, and politics. X. Trapnel is dead, but his mystery continues to draw ghoulish interest from readers and academics alike 14as well as from his lover, Pamela Widmerpool. Kenneth Widmerpool, meanwhile, is an MP with mysterious connections beyond the newly dropped Iron Curtain, but he continues to be tormented by Pamela; a spectacular explosion, Nick can 19t help but realize, is imminent.

My Review
Another great installment in Anthony Powell's Dance to the Music of Time. It's 1958 and Nick is attending a conference in Venice. Pamela Flitton-Widmerpool continues to leave ruined men in her wake. We are introduced to two new, American characters. Gwinnett is an academic preparing a biography of X. Trapnel. Glober, on the other hand, is a millionaire movie producer whom, we are informed in flashback, Jenkins had already briefly met in the 1920s. One quote that I enjoyed was: "You've never grown up. You can't grow old till you've done that." One more book to go and I can't wait to see what happens in the end of this 12 volume book.
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5427
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