The Bad-Ass Librarians of Timbuktu: And Their Race to Save the World's Most Precious Manuscripts

by Joshua Hammer

Hardcover, 2016

Status

Available

Publication

New York : Simon & Schuster, 2016.

User reviews

LibraryThing member cbl_tn
Timbuktu has long been used in slang to refer to somewhere as far away as it's possible to be from civilization. Because of that usage, it's easy to assume that there is not and never has been anything in Timbuktu that is worth the effort of getting there. That assumption is wrong. Timbuktu was once a center of Islamic scholarship, and it has a tangible legacy in the form of thousands of Arabic manuscripts. Most of these manuscripts have been in private hands for hundreds of years, passed down through families. Hammer tells the story of one heir to his family's manuscripts, Abdel Kader Haidara, and his dedication to Mali's literary heritage.

Haidara was still in his teens when his father died and he became the custodian of his family's manuscripts. He was soon approached by the director of a government manuscript collection in Timbuktu, and he ended up working for this library for more than a decade. He learned about manuscripts and their preservation, and he built a network of contacts among the families who owned manuscripts. He eventually turned his attention to his own collection, and he was successful in securing grants from international donors to restore and preserve the manuscripts.

When an Islamic jihadist group seized control of northern Mali, including Timbuktu, Haidara realized that his life's work was in danger. He devised a plan to smuggle the manuscripts out of Timbuktu and into government-controlled territory. It's probably obvious that the operation was successful, or there wouldn't be a book about it. But what did it involve, and how successful was it? You'll have to read the book to find out!

Hammer includes a lot of background information on the jihadists and their operations. The background material comprises nearly half of the book. It's a complex tale, yet it's important context for the rescue of the manuscripts. Readers need to know what these manuscripts were rescued from. The background details also demonstrate that the jihadist insurgency in Mali wasn't an isolated event. It's connected to terrorist organizations and networks that include Al Qaeda and ISIS.

World music fans may be interested in the connections to Tuareg music and the Festival in the Desert. If you're familiar with Tinariwen, Amanar, or Khaira Arby, this book may be for you.
… (more)
LibraryThing member Gwendydd
I found the first few chapters of this book to be really fascinating. Those chapters focus on Timbuktu in the medieval and early modern eras, when it was a center of Islamic learning, full of scholars and libraries, and producing impressive quantities of manuscripts on every topic imaginable. Then the book describes how war and religious reform drove the libraries into hiding - hundreds of thousands of manuscripts have been hidden in peoples' homes for centuries. One man started collecting those manuscripts into libraries, consolidating them and preserving them.

So far, so good.... but then, Hammer starts talking about war. I realized that Hammer is a war correspondent - his passion is reporting on war and power struggles and troop movements. Once he started covering the rise of Islamic fundamentalist terrorist cells in Mali, and their eventual conquest of Timbuktu, he stopped talking about books and libraries at all. In fact, probably about half of the book is just about war, and includes no mention of librarians. Then there are a few chapters at the end where manuscripts are mentioned again, almost as an afterthought, and with annoyingly little detail. He does tell the story of how the manuscripts were smuggled out of Mali, but leaves open more questions than he answers.

If this book had been written by a librarian or a manuscript scholar, it would have been really really good. Or if it had been advertised as the story of the war in Mali, it would have been just fine. But it starts out as a fascinating story about manuscripts and the Islamic contribution to world scholarship, and then it just becomes a war story.
… (more)
LibraryThing member cathyskye
With its title, I just had to read this book, especially since I'd already read about Timbuktu's ancient and storied history and its devotion to writing and knowledge. The sections about Timbuktu's history, of Abdel Kader Haidara's canny and careful forays into the desert, and of his smuggling them away from the very real threat of destruction are absolutely wonderful. I couldn't get enough of reading about a society that measured wealth in terms of books and knowledge, or about a man who was willing to spend his life gathering together and restoring such treasures.

Although completely necessary to the book, I did find that it bogged down in the politics. Who did what to whom. Who should've done this. Why this group moved here. It was eye-crossing after a while, but I soldiered through so I could thoroughly appreciate what Haidara and other people did.

Not many people would risk their lives to save a library, no matter how precious it was. We should all be thankful that men and women like Abdel Kader Haidara exist, and I for one am thankful that Joshua Hammer told their story.
… (more)
LibraryThing member MickyFine
In this work of narrative non-fiction, Hammer recounts the conflict in Mali when Al Qaeda militants attempted to take over the country and the tale of the librarians and archivists of Timbuktu who worked quietly and in secret to transport the thousands of precious manuscripts in the city to relative safety away from the conflict. Hammer's evocative prose works well for this journalistic style non-fiction exploration of Timbuktu's history, the initial efforts to collect the historic manuscripts that date back hundreds of years, as well as the more recent conflict and the efforts of the librarians to evacuate the manuscripts to prevent their destruction by Al Qaeda forces. Whether your interest is in book history and the efforts some truly bad-ass librarians or in the conflict itself, the book is highly informative and extremely readable. My only quibble is that the map included inside the cover is only of Mali and doesn't include the larger region. Also, depending on your non-fiction preferences, while there are end notes citing sources there is no numbering in-text which may bother some readers.… (more)
LibraryThing member dono421846
Here's how I imagine this book came about: Hammer wrote a book about the fundamentalist insurgencies in Mali, and the publisher suggested that in the midst of all that technical military and political history he play up the human interest angle attached to the manuscripts so it will appeal to a broader audience.

I doubt that's how it happened, but that is how it reads. The military sections are intricate and detailed, full of minutiae. We learn the menus of planning sessions and all manner of information. The tale of the manuscripts comes off as comparatively superficial. It's not, really, but Hammer is so invested in the former, showing that there is where his true interest is, that the other pales. Still, though, it is good to have, in this age that so often denies that books have any worth, an account of a life devoted to the physical object of the text even at the risk of life.… (more)
LibraryThing member akblanchard
Whoever gave Joshua Hammer's book the title The Bad-Ass Librarians of Timbuktu deserves an A+ for marketing savvy but a C- for accuracy. A more fitting, albeit less catchy, title might have been "The Rise and Fall of Al Qaeda in the Islamic Maghreb (AQIM) and the Consequences for Mali".

In 2012, manuscript collector, archivist and adventurer (I think it is misleading to call him a librarian) Abdel Kader Haidara launched a daring plan to save thousands of historic Islamic documents from destruction by the fundamentalist jihadis of AQIM, who occupied Tumbuktu at the time. These radical Islamists posed a threat to the manuscripts because they hated the tolerant version of Islam presented in them. Haidara's plan to smuggle the codices to safety was executed not by librarians but by the teenage sons and nephews of librarians, including Haidara's own nephew and chief assistant Mohammad Touré. These young men (and Haidara himself, who coordinated the massive effort) are the real "bad-asses".

Much of the narrative is taken up by background information about Timbuktu, Mali, and AQIM. This information is well-presented, but I kept wanting the narrative to get back to plot to save the manuscripts.

Recommended for those who listen to the radio program "The World" on NPR.
… (more)
LibraryThing member jetangen4571
I missed this book on a Goodreads Giveaway, but I caught up with it as Whispersync on the cheap courtesy of BookGorilla. It combines histories of North Africa (especially Mali), Islam, religious scrolls and the people who have been protecting them, and so much more. The title's catchy, but it ought to be Bad-a$$ Archivists, I think. One man made it his life's work to gather and protect scrolls from everywhere he could, despite extremists and other crazies. It is a very involved and often tense tale, but also written with a detail and sensitivity that makes it riveting. There is much to be learned here, and we all hope for positive change.
Paul Boehmer is a fine audio performer and brings so much to life with his talents.
… (more)
LibraryThing member witchyrichy
This would be a great plot for an Indiana Jones movie if the stakes of losing hadn't been so high. The book provides a nakedly horific view of the jihadists and their disregard for human life and history. But I felt like there were places when the focus on allies and fighting went too far away from the story of saving manuscripts and other pieces of antiquities. I might have preferred to hear about other preservation efforts across the region. That being said, I learned a lot about how and why these extremists are taking over.… (more)
LibraryThing member MichaelC.Oliveira
Being an archivist, I was more interested in the manuscripts and the technology. For me, I felt the book dwelled too much on the Al Qaeda militants, however this did not make the book less interesting.
LibraryThing member phoenixcomet
What happens when Al Quada comes to town? Nothing good. Abdel Kader Haidara, a mild-mannered, but driven librarian spent years traveling Africa, particularly Mali and it's regions to retrieve ancient illuminated manuscripts from destruction from nature. Having collected 377,000 manuscripts, housed in 45 different libraries Haidara coordinates an amazing "save them from destruction" effort to get these volumes out of Timbuktu and to the south in Mali before Al Quada destroys them. An excellent volume that highlights how Al Quaeda came to power in Timbuktu and how the area was eventually liberated. What happens next? Only time will tell.… (more)
LibraryThing member LynnB
I know talking about Al-Queda and the Taliban was necessary for context, but I would have liked less of that and more of the librarians and the manuscripts. To me, the the title verges on “false advertising”. For much of the book, the librarians and the manuscripts they worked so hard to save aren't even mentioned. If this book had been written by a librarian or a manuscript scholar, it would have been very different. I would have liked that.

Timbuktu has long been used in slang to refer to the middle of nowhere, so I enjoyed learning that Timbuktu was once a center of Islamic scholarship. I also enjoyed learning about Tuareg music and the Festival in the Desert. And especially, I greatly admire the bravery and sense of history that Abdel Kader Haidara exemplifies.
… (more)
LibraryThing member wagner.sarah35
I'm a librarian, so of course I had to pick up a book with this title! And it certainly warmed my heart to read about the efforts to save medieval manuscripts from terrorists - just as much as I found it chilling to read about Al Qaeda setting aflame ancient texts. In addition, this book does an excellent job of detailing terrorism and what it means to the people living under its yoke in a way that news reports cannot. I'd highly recommend this to other librarians (of course!) and to anyone who wants to know what it would be like to live in a city taken over by a terrorist group.… (more)
LibraryThing member Sheila1957
The title is a little misleading. While this does deal with the collection of the ancient manuscripts hidden in and around Timbuktu and through Mali, it deals more with the cultural and social history of Timbuktu as well as current events.

The story of the manuscripts is interesting--how they were gotten, preserved, hidden from the jihadists, removed from Timbuktu, and saved. The cultural history of the area and the manuscripts was more interesting. I learned a lot. The current history of the area was extremely interesting. This book opened my eyes to so much. This is only a drop of what I don't know. It makes me want to read more about African history, colonialism in Africa, the French Foreign Legion, whatever more whets my appetite to learn.… (more)
LibraryThing member AJBraithwaite
An interesting read covering the recent and ancient history of Timbuktu and Mali, none of which I had been aware of before. The tradition of keeping manuscripts in homes rather than in large libraries was fascinating, as was the history of conflict and destruction which made this tradition sensible. It was intriguing to see how the more recent trend to centralise the location of texts in libraries was reversed again in the face of the risk of loss of manuscript materials to extremists in modern times.

I found the author's ego a little intrusive at times, but it was worth reading to find out more about this part of Africa and its rich manuscript traditions.
… (more)
LibraryThing member gypsysmom
Sometimes my lack of awareness of the history and current events of other parts of the world outside of North America embarrasses me. I am partly to blame because I don't like to watch news coverage on TV but I think there is also a lack of reporting of events in small countries in Africa and Asia. This book details an attack by Islamic terrorists associated with Al Queda in Mali in 2013 and I have no recollection of hearing about it before. Good thing there are books written about these events or I would be forever ignorant.

Well before European colonists came to Africa the city of Timbuktu was a centre of learning. Manuscripts dating back hundreds of years have been preserved by families in the city. Until recently these precious manuscripts were hidden in less than ideal places and many were lost to decay. UNESCO recognized the importance of the papers and started a project to conserve them but had no money to fund the project. Eventually money was donated to build the Ahmed Baba Institute to house a collection of manuscripts from the 14th to the 16th centuries. An employee of the institute, Abdel Kader Haidera, found many of the manuscripts in remote parts of the country. Later he went on to preserve the manuscripts his own family had owned in another library and to encourage other families to bring their secret caches into the public. When the terrorists invaded Timbuktu Haidera was concerned that they would destroy the manuscripts and he arranged for many to be boxed up and smuggled by boat and taxi to the south of the country which was not invaded by the terrorists. He turned out to be fully justified as the terrorists burned most of the contents of the Ahmed Baba Institute before they were driven out of Timbuktu by the advancing French and Malian forces.

Engrossing and interesting.
… (more)
LibraryThing member seasidereader
This book frustrated me for the following reasons:
1. The author is a journalist and contributing editor; the publisher is high class. And yet, the book cries out for maps, illustrations, glossary, timelines, and cohesion. There are exactly two visuals, one on each endpaper. One is a map of Mali - missing the context of its geographic location in Africa - the other an unidentified "manuscript page." What a disappointment.
2. Because the action shifts back and forth in time,and the cast of characters is extensive, we lose track of dates and who's who.
3. The story promised by the title is really not the core of the book; rather it is instability of the region fueled by jihadist warfare.
This tale of the manuscripts and the dedicated people who saved them is worth reading, but the book could have been so much better.
… (more)

Language

Barcode

8378
Page: 0.2566 seconds