Status
Available
Genres
Collection
Publication
New York : Vintage Contemporaries, 2010, c2009.
Description
Discover a world of sex, excess and urban paranoia where worlds collide, relationships fragment and the dark underbelly of the American dream is exposed. A transsexual prostitute accidentally propositions his own father. A senator's serial infidelities leave him in hot water. And two young lovers spend Christmas together high on different drugs. McInerney's characters struggle together in a shifting world where old certainties dissolve and nobody can be sure of where they stand.
User reviews
LibraryThing member Gagliarde
Jay McInerney is a genius of entertainment. His stories have the present as background; his style changes and evolves with time and you can easily relate to the charachters. For personal reasons I loved this one, 3d after "Bright lights" and "Last of Sauvages". He can be fun and introspective, sad
Salvatore Gagliarde
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and easy goin, light and somehow cultural all wrapped within the measure of a pocket book. Excellent entertainment as I said but forces you to think too, sometimes to remember.Salvatore Gagliarde
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LibraryThing member JimCherry
In the 80's Jay McInerney and Brett Easton Ellis were being touted as the Hemingway and Fitzgerald of a new generation. I don't know if anybody had in mind which was supposed to be Hemingway and which Fitzgerald, but in, How It Ended, McInerney's book of new and collected short stories, I think
The most obvious similarity is he treads the same ground stories with husbands and wives talking. True, Hemingway also used husbands and wives as subject matter (as well as couples that aren't officially united,) but McInerney stories seem to have been influenced by Fitzgerald, you can feel that influence in stories such as "Putting Daisy Down," "Sleeping With Pigs," "Summary Judgment."
McInerney's stories aren't all what they seem to be, for example in "I Love You, Honey" there's a lot of subtext going on, and what the characters are telling each other isn't as important as what they aren`t telling each other. The subtext in the stories may be redemption, even when the characters aren't aware of it or even asking for it. I noticed this while reading "Con Dr." about a doctor with a drug problem who does redeem his career and his life but with unexpected consequences.
Other sources for the stories are writers and the writers life. McInerney shows all aspects of writers from gilded college boys wanting to be writers in "The Waiter," or to the drugged out rock band lyricist, now more a drug dealer than a word purveyor in "The Queen and I."
McInerney isn't a pyrotechnical writer, he doesn't use gimmicks to pull you into his stories with flashy wordplay or bizarre scenarios, most of his starting points are a world we know well, or aren't unfamiliar with. McInerney is a mature writer who has the confidence of his craft and talent and lets his stories unfold in front of the reader. He has the ability to take what at first seems a random comment or observation and make it deftly reflect the unspoken truths behind the situation the characters find themselves in. A lot of the stories are from a male point of view but a standout story that I found amazing was "The Story of My Life" which is told from the point of view of a girl in her 20's and her concerns. At first she seems a vague and vapid person but as the McInerney unravels the story through her phone calls to lovers, friends, and family, you see there is so much more, so much so that you think of her as a person and not a character in a story.
I don't keep bringing up Hemingway or Fitzgerald as a direct story to story comparison of the legendary authors to McInerney, but to illustrate that the quality of work demonstrated in How It Ended is on the level of those legendary authors. If he is the new Fitzgerald or Hemingway or just Jay McInerney, it makes me wish I'd paid a little more attention to McInerney's writing in the past few years.
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McInerney makes a bid for Fitzgerald's mantle. The most obvious similarity is he treads the same ground stories with husbands and wives talking. True, Hemingway also used husbands and wives as subject matter (as well as couples that aren't officially united,) but McInerney stories seem to have been influenced by Fitzgerald, you can feel that influence in stories such as "Putting Daisy Down," "Sleeping With Pigs," "Summary Judgment."
McInerney's stories aren't all what they seem to be, for example in "I Love You, Honey" there's a lot of subtext going on, and what the characters are telling each other isn't as important as what they aren`t telling each other. The subtext in the stories may be redemption, even when the characters aren't aware of it or even asking for it. I noticed this while reading "Con Dr." about a doctor with a drug problem who does redeem his career and his life but with unexpected consequences.
Other sources for the stories are writers and the writers life. McInerney shows all aspects of writers from gilded college boys wanting to be writers in "The Waiter," or to the drugged out rock band lyricist, now more a drug dealer than a word purveyor in "The Queen and I."
McInerney isn't a pyrotechnical writer, he doesn't use gimmicks to pull you into his stories with flashy wordplay or bizarre scenarios, most of his starting points are a world we know well, or aren't unfamiliar with. McInerney is a mature writer who has the confidence of his craft and talent and lets his stories unfold in front of the reader. He has the ability to take what at first seems a random comment or observation and make it deftly reflect the unspoken truths behind the situation the characters find themselves in. A lot of the stories are from a male point of view but a standout story that I found amazing was "The Story of My Life" which is told from the point of view of a girl in her 20's and her concerns. At first she seems a vague and vapid person but as the McInerney unravels the story through her phone calls to lovers, friends, and family, you see there is so much more, so much so that you think of her as a person and not a character in a story.
I don't keep bringing up Hemingway or Fitzgerald as a direct story to story comparison of the legendary authors to McInerney, but to illustrate that the quality of work demonstrated in How It Ended is on the level of those legendary authors. If he is the new Fitzgerald or Hemingway or just Jay McInerney, it makes me wish I'd paid a little more attention to McInerney's writing in the past few years.
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LibraryThing member figre
I have lost count of the number of times I have purchased The New Yorker in airports with the idea that, this time, I will enjoy it. And time after time I face disappointment. Similarly, I keep trying to read The Best American Short Stories and, time after time, I am bitterly disappointed. What I
This is a collection of those stories. That McInerney has writing skills is not the question. Can he make me care about anyone he writes about or care about the stories being told? That is the question. Can he make me care that I spent the time to read these stories? That he can do – I care that I used up my time.
I will not go into the stories – even to point out what didn’t or (very rarely) did work. I look through the table of contents and can barely remember them. I can only say what I have said before. I read them, and there is little else to be said
These are stories that are obviously to the taste of others, just as The New Yorker and Best American Short Stories are to the tastes of others; others who seem to have a great degree of clout and who must have more refined tastes than I.
But I will not pick up another New Yorker, I will not pick up another Best American Short Stories, and I will not pick up anything else written by Jay McInerney.
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find in these stories (stories I have begun calling, in a derogatory manner, “New Yorker” stories) Is a tail that covers a person’s life or a year in a person’s life or a month in a person’s life or a week in a person’s life or a day in a person’s life or some snatch of time in a person’s life and, at the end of these stories, the author uses a line or a paragraph or a page to be profound. And, at the end of these stories, I sit back and say, “So what?” Nothing has happened, nothing has changed, nothing makes me care. The authors are skilled. But there is nothing more there than a slice of life about which I just can’t care.This is a collection of those stories. That McInerney has writing skills is not the question. Can he make me care about anyone he writes about or care about the stories being told? That is the question. Can he make me care that I spent the time to read these stories? That he can do – I care that I used up my time.
I will not go into the stories – even to point out what didn’t or (very rarely) did work. I look through the table of contents and can barely remember them. I can only say what I have said before. I read them, and there is little else to be said
These are stories that are obviously to the taste of others, just as The New Yorker and Best American Short Stories are to the tastes of others; others who seem to have a great degree of clout and who must have more refined tastes than I.
But I will not pick up another New Yorker, I will not pick up another Best American Short Stories, and I will not pick up anything else written by Jay McInerney.
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LibraryThing member bettyandboo
OK, so here's one of my guilty literary pleasures. I absolutely love me some Jay McInerney. I adore the guy and his writing, and have for quite some time. But here's the thing about me and McInerney: as much as I hate to admit it, I've come to the conclusion that I can only take him in smallish
By page 110 or so of this collection of stories, I felt like I needed to check myself into the likes of the Betty Ford Clinic because I was feeling in needed of a detox. The coke! The parties! The beautiful people! The affairs! New York! It's all here, and it's the stuff that Jay McInerney's stories are made of (and why I love him so).
Escaping into a McInerney book is like spending an evening in the company of that friend of yours who is living la vida loca - you know, the one who goes to all the great concerts and all the cool parties, the One Who Has A Life while you're in your PJs by 7 p.m. It's fun, in a way, to live vicariously through such people, which again, is why these stories are good but just not read back to back.
The characters in these stories are, for the most part, gorgeous and rich and incredibly lonely and sad. They're adulterers. They're living in the aftermath of the 80s and 9/11. Several make re-appearances from their starring roles in other McInerney novels (notably, Russell and Corrine Calloway from Brightness Falls and Alison from Story of My Life).
How It Ended is comprised of 26 stories. In my opinion, among the best are:
"The Madonna of Turkey Season" about a family struggling to celebrate the holidays each year after the passing of their mother;
"Sleeping with Pigs", a brilliant story about a woman's fetish for sleeping with a pig and how that is connected with her grieving her deceased brother;
"My Public Service," about an idealistic staffer on a political campaign who quickly becomes jaded;
"The Queen and I," about the enduring spirit of friendship over family;
"Con Doctor," about a doctor in a prison who can't come to terms with his own past;
"I Love You, Honey," about the lengths one will go for revenge and possessiveness, and
"Getting in Touch with Lonnie," where a celebrity gets a surprise when visiting his wife in a rehab clinic.
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doses, and How It Ended: New and Collected Stories confirms that theory. This is not a collection of stories that is meant to be read straight through, as I did over the New Years weekend. (Especially over such a weekend made for debauchery such as New Years.)By page 110 or so of this collection of stories, I felt like I needed to check myself into the likes of the Betty Ford Clinic because I was feeling in needed of a detox. The coke! The parties! The beautiful people! The affairs! New York! It's all here, and it's the stuff that Jay McInerney's stories are made of (and why I love him so).
Escaping into a McInerney book is like spending an evening in the company of that friend of yours who is living la vida loca - you know, the one who goes to all the great concerts and all the cool parties, the One Who Has A Life while you're in your PJs by 7 p.m. It's fun, in a way, to live vicariously through such people, which again, is why these stories are good but just not read back to back.
The characters in these stories are, for the most part, gorgeous and rich and incredibly lonely and sad. They're adulterers. They're living in the aftermath of the 80s and 9/11. Several make re-appearances from their starring roles in other McInerney novels (notably, Russell and Corrine Calloway from Brightness Falls and Alison from Story of My Life).
How It Ended is comprised of 26 stories. In my opinion, among the best are:
"The Madonna of Turkey Season" about a family struggling to celebrate the holidays each year after the passing of their mother;
"Sleeping with Pigs", a brilliant story about a woman's fetish for sleeping with a pig and how that is connected with her grieving her deceased brother;
"My Public Service," about an idealistic staffer on a political campaign who quickly becomes jaded;
"The Queen and I," about the enduring spirit of friendship over family;
"Con Doctor," about a doctor in a prison who can't come to terms with his own past;
"I Love You, Honey," about the lengths one will go for revenge and possessiveness, and
"Getting in Touch with Lonnie," where a celebrity gets a surprise when visiting his wife in a rehab clinic.
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LibraryThing member bohemiangirl35
This is my first exposure to Jay McInerney, and I was pleasantly surprised at the variety in this collection of stories. So often collected stories tend to be the same thing over and over, but McInerney did a great job with presenting relationship stories without all of them sounding the same.
Ray Porter's narration is amazing!! He actually has more than one voice for women! And his men sounded different without using accents. I will definitely be looking for more of his work.
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There was plenty of sex, drugs and funky behavior. I was surprised at how well he used women's POV.Ray Porter's narration is amazing!! He actually has more than one voice for women! And his men sounded different without using accents. I will definitely be looking for more of his work.
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Awards
Booklist Editor's Choice: Adult Books (Fiction — 2009)
The New York Times Notable Books of the Year (Fiction & Poetry — 2009)