by Toni Morrison

Hardcover, 1987





Alfred A. Knopf, (1987)


Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement. After the Civil War ends, Sethe longingly recalls the two-year-old daughter whom she killed when threatened with recapture after escaping from slavery 18 years before.… (more)

Media reviews

"Beloved" is Toni Morrison's fifth novel, and another triumph. Indeed, Ms. Morrison's versatility and technical and emotional range appear to know no bounds. If there were any doubts about her stature as a pre-eminent American novelist, of her own or any other generation, ''Beloved'' will put them to rest.
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As a record of white brutality mitigated by rare acts of decency and compassion, and as a testament to the courageous lives of a tormented people, this novel is a milestone in the chronicling of the black experience in America. It is Morrison writing at the height of her considerable powers, and it should not be missed.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."

User reviews

LibraryThing member jnwelch
Beloved by Toni Morrison is set in a rural area outside Cincinnati after the end of the Civil War, but it also frequently flashes back about 20 years to life-shaping events at "Sweet Home", a nightmarishly named Kentucky slave plantation. This is the first novel by her I've read, and I came away very impressed by her writing. The novel is an industrial strength reminder of the horrible treatment of so many blacks by so many whites during that time. "To Sethe, the future was a matter of keeping the past at bay. The 'better' life she believed she and Denver were living was simply not that other one."

Sethe is a woman in her 30's who was devastatingly mistreated at Sweet Home after the "kind" owner passed away and a relative, the "school teacher" arrived. But she's a survivor, and makes her way, with her daughter Denver, to her mother-in-law's Ohio farmhouse. The house comes to be haunted by Sethe's daughter Beloved (name taken from her funeral service), who was gruesomely murdered under dreadful circumstances. This supernatural element is treated as practical and real, not late night movie scary. Lonely Denver considers the ghost a friend, and even Sethe finds comfort in her presence.

The arrival of another former slave with romantic feelings for Sethe upsets the balance, and Beloved becomes more aggressively present. Members of the town become involved as concern rises, culminating in a reverberation of Beloved's original fate.

The effects of slavery are seen everywhere in the book, with the power wielded by whites over blacks in that time having myriad toxic effects. Sethe's mother-in-law shares the lesson she's learned from her "sixty years a slave and ten years free": "there was no bad luck in the world but white people. 'They don't know when to stop'", she said." We see occasional acts of kindness, but they are overwhelmed by slavery at its worst. There are reminders of the Holocaust - a sense of superiority justifying atrocious acts. A treatment of people as not-people. And the desperate acts of the oppressed. Even those more fortunate had not "lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the whole race sitting there. You needed two heads for that."

It's easy to see why this has become a modern classic. It realistically conveys slavery's damaging effects, and romanticizes no one, including Sethe. The supernatural element engages the reader in a new way, seemingly rooted in black folklore, with elements of magic realism. The writing is exceptional from beginning to end, including passages like this one: "There was a time when she scanned the fields every morning and every evening for her boys. . . . Cloud shadow on the road, an old woman, a wandering goat untethered and gnawing bramble - each looked at first like Howard - no, Buglar. Little by little she stopped and their thirteen-year-old faces faded completely into their baby ones, which came to her only in sleep. When her dreams roamed outside {the farmhouse}, anywhere they wished, she saw them sometimes in beautiful trees, their little legs barely visible in the leaves. Sometimes they ran along the railroad track laughing, too loud, apparently, to hear her because they never did turn around." Sethe is torn throughout between not wanting to look back, and wanting what was good in the past to come back and find her.
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LibraryThing member theokester
This book was actually supposed to be one of the books for a class I cancelled due to scheduling conflicts. It was also listed as one of the best American novels of the past 25 I kept it even after canceling the class. While it was an interesting story and a thought provoking read, I had a hard time with this book for a few different reasons.

Writing Style
The narrative was written in a close third person following very closely alongside the minds of a few main characters, Sethe primarily but also Denver, Paul D and some other characters who showed up later (Stamp & even Beloved herself). The voices used were likely fairly authentic to the voices of mid/late-1800 recently freed slaves in America. The grammar was a little mixed up at times, but generally very understandable.

The grammar wasn't as difficult to follow as the actual style of the voices themselves. Often, I was caught in a sort of stream-of-consciousness type narrative from one of the characters. Being pulled that far inside the character's head made it difficult for me to keep my bearings or perspective clear. The roundabout way subjects were treated left me confused and really slowed down the reading for me while I tried to keep the message straight. I'm not sure if this disorientation was intentional or if it's my own personal distance from this type of character that made it hard, but that was my primary complaint with the book.

Characters, Setting, Tone, etc
The characters were well created and very alive to me, especially as the book progressed. Even though the 'stream of consciousness' writing hung me up a lot, it also helped me get to know the characters better. I felt like I understood Sethe and Denver much better after getting into their heads.

The settings fluctuated back and forth for me...sometimes they felt extremely real and vivid and other times they felt very flat and clapboard/2-d.

My biggest complaint with the characters and the setting was that I often lost site of the fact that this was set in the mid-1800s in a post-civil-war/abolitionist nation just rising out of slavery. The tone of the novel was often the largest element, and that tone often didn't ring "post-civil-war" to me.

Again, it could be my distance from the subject but many times through the book, it was almost a shock to be reminded that these characters had just recently been living on a plantation as slaves. Most of the time while I was reading, my mind conjured up a more contemporary setting...people living in a poor borough in the 1900s, perhaps even the late-1900s.

Maybe that should be a compliment to the story rather than a shows that this is a Timeless sort of tale that could easily happen 150 years ago or last week.

This novel presented a number of strong messages.

The racial message was naturally there loud and clear. It came as a strong reminder of the horrific reality that was slavery in the U.S.A...and the racism that followed after abolitionism...and even today. I loved the line where Sethe comments that she has her freedom now, but she's still not free.

That sense of freedom leads into another major theme, that of Identity. Sethe and these other ex-slaves are trying to redefine themselves in a world that has chewed them up and spit them out. Beyond the slave reference, Sethe and her family have an added stigma because of Beloved. All of the characters come face-to-face with their own identity (or lack thereof) and have to take major actions to determine what they want to become.

The other major theme that struck me was that of Family and of relations within the Family. Most of what Sethe did was for her family. She was driven to escape slavery to protect and provide a better life for her family. She ran with her kids in tow to the tool shed when the white authorities came, because she had to protect her family. She went to prison for her family. She lived alone and stigmatized in a haunted house in an effort to keep her family whole. And yet, her actions also served to drive her family apart. Her sons leave as soon as they feel physically capable of doing so. Her remaining living daughter Denver is totally estranged and practically ignored by her. Going back to the "identity" factor, Sethe hasn't really learned how to be a mother and has to learn what it means to create a family in the world she's living in.

Overall I had a hard time with this book. It was a very slow read for me, often talking itself in circles and leaving me confused. Still, I found the story very interesting and thought provoking. I felt awful for Sethe and her family and for the trials they had to endure. Even though, as I mentioned above, I felt that the 'slavery' theme often got overshadowed, I was still struck by the awful fact that slavery did exist (still exists some places in the world) and just how awful it was. Even the "good" slave owners (of "Sweet Home" where Sethe ran from) were despicable and made me shrink in shame.

It was a good book, but hard to read. I don't know how good the movie was, but if it's true enough to the book, I might recommend watching that rather than trying to push through the book.

Still, it's worth reading if only to get a new insight into the world of slavery and racism that raged (and still lingers) in America and the world.

3 stars
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LibraryThing member igjoe
Once again a very popular book has disappointed me. Boring and slow. I can see the qualities in this book, but it feels like a book that you are being forced to read in high school. Over-hyped and a struggle to finish.
LibraryThing member MoniqueReads
Before I get to a review I have a story to tell. When I was growing up, I lived in a mostly white town. In fact, I think there was only one other black family in the whole town. So, my grandmother felt the need to constantly give me books written by black authors, and try to force me to read them. I would not have had a problem with it if it had not been for the fact that the books that she picked always seemed to deal with slavery. And for 8 or 9 year old me, that topic was too distressful. So, one day she gave me "Beloved" to read. Yes, my grandmother gave me, a 8/9 year old little girl, "Beloved". Needless to say, that I was so confused by the first chapter. This book is hard for some adults to read, I cannot begin to understand why she thought it was appropriate for a child. I have a feeling that she did not read the book herself but did like the concept. But anyways, I did not pick up that book until two decades later and was quick to tell anyone who asked that it was difficult and I would never try to read it again. In walks the Pulitzer Project and 1,001 Books You Must Read Before You Die and "Beloved" is on my TBR list.

What a difference twenty years make. I still believe that "Beloved" is a difficult read. The language and imagery is challenge. But I have to say that I enjoyed every last page. Morrison is a master with the English language. I could see the characters, the town, their past, and their present. For me Morrison made it all come alive. Now that I have really read the book, I can't remember what I found so difficult about it. Maybe my vocabulary and reading ability have evolved (I seriously hope so or the public school system has a lot to answer too).

The characters were very well thought out and portrayed. Each of the main characters (Sethe, Paul D, and Denver) grow throughout the novel. Morrison took the reader inside their thoughts and let you see their feelings and the reasons for their actions. Nothing was left to guess about. Each character had their own personality and past that shaped their decisions. It was intriguing to see how the events in the past lead them to the point where the story takes place. How these events shape how they each react to Beloved's presence.

Now for some people this will be a difficult read. While I enjoyed how Morrison was able to pact so much into the story, I can also see where it would make it hard for some. There are a lot of different things going on. A good portion of the story is dealt with through flash backs. Sethe, has flashbacks to her time as a slave and her escape. Paul D, has flashbacks to his own enslavement, incarceration, and all the hardship he had to go through. Denver has flashbacks to her lonely painful child. Sometimes it can be hard to figure out since Morrison gives you bits and pieces at a time. But I did enjoy her method, it just made me continue to turn the page.

Another thing that can be hard is the imagery. While Morrison does not go into great detail, the subject matter is harsh. And the things that characters go through are sad and difficult (it is a post slave tale). The decisions that they made at times can be unthinkable to someone not in their position.
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LibraryThing member surreality
Plot: A central plot, with subplots tied to it that add the events from the past. Confusing at times since the subplots are not chronological and the point of view shifts regularly. The pieces don't quite fit together, which adds confusion that may or may not be intentional, but is distracting nonetheless. Good set-up but a disappointing ending that doesn't resolve anything.

Characters: Great characterization for some characters, while others fall flat. I found it impossible to find anyone to sympathize with - the ones who suffer are apathetic and uninteresting, while the interesting ones are side characters with not much attention paid to them.

Style: Half of the book is a great narrative, the other half is terribly overwritten. The narrative half packs a punch with its themes and the way they're dealt with. Streamlined, just the right amount of description and beautiful language. The other half reads as though Morrison decided that it's time literature happens instead of just a story, and stuffed in every technique known to mankind. There are moments when it turns poetic, but then comes so much symbolism that all joy goes out of reading.

Plus: It's an interesting ride.

Minus: It's a book that wants to be something greater, and tries too hard.

Summary: High quality, but it failed to leave any lasting impression or make me feel involved.
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LibraryThing member santhony
This Pulitzer Prize winning novel is certainly not the kind of book I would ordinarily take on. Written by Nobel Laureate Toni Morrison, it can be a chore at times, but nevertheless was surprisingly able to keep my attention throughout.

The setting is immediate post Civil War Ohio, with numerous flashbacks and remembrances from the period preceding the War. Sethe, the main character, was a slave at the Kentucky Sweet Home plantation. She escaped with her children (three, with one in the oven) in a harrowing adventure, giving birth along the way. She is ultimately tracked down and due to the Dred Scott decision faces repatriation with her family. In response, she murders her oldest daughter rather than see her subjected to slavery, but is stopped before she can complete her plan to kill herself and all her children.

After the war, she lives in an old two story home that is actively haunted by the spirit of her dead daughter, Beloved. The haunting has led her two sons to flee, but her daughter Denver remains. She is joined by one of the men from Sweet Home; then a mysterious, young stranger appears, named Beloved. It is clearly the physical manifestation of her long dead daughter.

As you would expect from a novel written by a Nobel Laureate, the prose is florid and rich with imagery and symbolism. There are brief periods of stream of consciousness narrative that were incomprehensible to me. Nevertheless, the story is intriguing and much of the history is very powerful and compelling. I took on the novel with somewhat low expectations (not of the book, but for my capacity to appreciate it) but emerged very pleasantly surprised.
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LibraryThing member bluepigeon
I think it is very interesting that most people have either given this book 5 stars or 1 star.

Toni Morrison's language flows like a river. At times strong, at times slight, never overwhelmed. Dialog among characters is very well done, and just like in real life, sometimes it may not be obvious what's going on. In fact, this is perhaps one of the most interesting things Morrison does in Beloved. As readers, we visit the thoughts and stories of many characters, and in a way, we have privy to understanding their reasons. So when someone does a certain thing, it seems unbelievable almost that other people do not understand why, because we do. At a certain point in the book, the story actually develops to reveal a misunderstanding and the characters realize it and go on to rectify what they have done. But at another point, again, just like in real life, misunderstandings remain mysteries, remain prejudices, assumptions, opinions born out of a hunch. This becomes one of the drivers in the story, especially in a story dealing with ex-slaves who don't speak much about their feelings or thoughts, perhaps because they are not supposed to have any.

To say that it is hard to relate or sympathize with any of the characters in the book is a sign that a) you are very easily offended by historical facts and human nature, or b) you are ignorant of what might happen to humans or what they will be capable of doing under extremely harsh conditions (i.e. slavery, not being allowed to have sex with anyone for 20 years, rape, abuse, etc), or c) you have not really read the book. Yes, what the characters in the book do during and after their life as slaves might not be wonderful. Yes, they did not crawl under a tree and cry themselves to insanity (well, not all of them, at least,) some survived, some had sex with barn animals, some were forced into sex as well as into labor, some found love, some escaped, some murdered... The list is long, though a much much longer list can be assembled of the things slave owners did to their slaves, even the nicest ones who "listened to what they had to say."

The book and the story does a very good job of telling life how it is (I do not mean "telling life how is WAS." I do not know much about the history of slavery or the lives of slaves and ex-slaves, nor do I know how accurate the depictions in the book are of that time in America. I know enough to be able to judge that it is not too far from reality in general.) How some crimes that seem unimaginable are entirely possible given the right life, right personality, right time (or lack there of.) How not all "coloreds" agree on moral and ethical actions and judgments, and how in that regard, they are very much like "whitefolks." How being a mother means something entirely different to one woman compared to another, though it is so easy to pass judgment when one is not in the particular situation. How one charismatic person can bring together a whole community out of scraps of humans trying to outlive their past, and how a single act of violence can change a whole community. In this regard, though the book is "about" slavery and ex-slaves, it could be about any group of people who have had a harsh, unmerciful life trying to make sense of what's left. Dysfunctions arise in such a community, or in any family within that community exist in every community, but perhaps the reasons and how they come about are different.

Yet the book has hope to offer in the end. Hope that some will rise from this broken community, from the dysfunction, put together what they have learned from their grandmothers and mothers and sisters and even strange men, find work, find things to want, a life to desire... Hope that some will learn not to have to think of each day as a fight to keep the past at bay, but a day to be lived to build a future. As some other things in the book, this hope is not surging, in-your-face kind of hope, but a slow, steady trickle in the end that leaves you imagining how, from there, we got here. And how much more we have to go...
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LibraryThing member stuart10er
Draining and wonderful.

I wish I could give it high marks for the writing, which was amazing and splended, vivid and lyrical, and lower marks for how staggeringly depressing and draining it was to read.

Slavery is awful, soul-desroying, for everyone involved and like some kind of old testament punishment curses us unto the seventh generation with its poison. Just awful and terrible.

So - this book is awful in the best possible way. What would you rate that? An exploration of all the terrible things that slavery does to all involved and to their children and their children's children. Painful.
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LibraryThing member Karweenie
This story IS based on actual events (Morrison learned of an escaped slave killing her children from an 1850's era newspaper).

However, the novel is incoherent and confusing. Narration flips from character to character with no transition, entire chapters are written in stream-of-consciousness, by the end you're so turned off by the style that you're dismissive of the substance. Very disappointing.… (more)
LibraryThing member lilysea
Every person in the United States should be required to read everything Toni Morrison ever wrote, beginning with this book. Perhaps my favorite book by perhaps my favorite writer.
LibraryThing member TShirey
The book begins with the quote: “124 was spiteful,” and I was immediately hooked by its chilling, supernatural content. As the book progressed, I was moved, shocked and repulsed by the atrocities graphically presented by Morrison. The author’s language, symbolism, imagery, and straightforwardness of plot are deliberate, and her writing left me thinking about the book long after I closed the pages. As a female, and especially as a mother, I was haunted by this book. It was one of the most forceful and poignant books I have ever read. With all the emotion it stirred in me, I can honestly say it is one of my favorites

I generally do not think this book fits the bill of YA literature. Morrison’s style of writing in this book is extremely complex. The themes, use of symbolism and sections of stream-of-consciousness alone would be difficult for a high school-aged reader to grasp. The chapters are lengthy, and the plot is, at times, a little slow. It does not have the quick pacing of a YA novel. The graphic scenes are disturbing (which may appeal to younger audiences), but I do not think a high school-aged reader would be as affected as I was – the story’s power relies on the experiences of the reader and the ability of that reader to really identify with the characters. Advanced YA readers may be able to read the book and get something out of it (they may see a bit of themselves in Denver and understand the thick writing), but generally I feel it is more suited for older audiences.
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LibraryThing member janeajones
I've just finished reading "Beloved" for the fourth or fifth time, and I'm sure it won't be the last time. This is THE great American novel. No one has confronted the terrors of slavery and the toll that both slavery and prejudice have taken on individuals and on our country as fully or as bravely as Morrison has. And I doubt that anyone else has the poetic gifts that she brings to her writing to make us see what has been done and what needs to be done.

If you are an American, and you have not read this book, shame on you. And what a treat you have in store for you if you dare to pick it up and engage with Morrison's vision.
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LibraryThing member NeedMoreShelves
This is just a hard book, in all aspects. It's a challenging read, both thematically and textually. It's hard to define - what genre would you even call this brutal, magical, lyrical novel? It's almost too difficult to rate - did I enjoy reading this? No, not particularly. Do I understand that it is a masterful work of fiction? Absolutely. This feels like the type of novel that I wish I could have read in a college classroom, with a lively discussion to follow. Definitely a memorable read.… (more)
LibraryThing member lauralkeet all of Baby’s life, as well as Sethe’s own, men and women were moved around like checkers. Anybody Baby Suggs knew, let alone loved, who hadn’t run off or been hanged, got rented out, loaned out, bought up, brought back, stored up, mortgaged, won, stolen or seized. What she called the nastiness of life was the shock she received upon learning that nobody stopped playing checkers just because the pieces included her children. (pp 27-28)

Sethe grew up in slavery, raised more by a community of women more than by her own mother, and working mostly for the lady of the house. After Sethe’s husband Halle bought freedom for his mother Baby Suggs, and a new and much crueler master took over the Sweet Home plantation, a group of slaves begin planning their escape. Sethe and Halle send their three children first. Sethe is eventually able to get away but Halle doesn’t show. She makes her way across the Ohio River to join her three children and Baby Suggs, giving birth to her daughter Denver during the journey.

Beloved opens eighteen years later; Denver has grown up but the other children are mysteriously absent. Toni Morrison circles around “what happened” for most of this novel, moving between time periods and slowly fleshing out the narrative. Another former slave, Paul D, turns up and helps Sethe learn to love again. But their relationship is threatened by Beloved, a strange girl who appears one day out of nowhere, and Sethe begins to focus more on Beloved’s needs than on Paul D. Slowly, slowly, Beloved’s identity becomes clear and we learn her story.

Beloved is one of Toni Morrison’s best-known works. I first read it more than 20 years ago, and while I knew Beloved’s place in the narrative, I found I remembered very little else about the book so my reading experience was like discovering this work all over again. And it was amazing: beautifully written, emotional, and dramatic, describing through Sethe and Paul D the devastating impact of slavery on the psyche.

That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn't like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. (pp 295-296)

This was absolutely brilliant, and has inspired me to read or re-read more books by Toni Morrison to fully appreciate her work and her literary legacy.… (more)
LibraryThing member DaptoLibrary
After five years we have finally revisited Toni Morrison with our reading of Beloved. This is Morrison's Pulitzer Prize winning novel of Sethe, a runaway slave and her long struggle for freedom - not just for herself but for her children - 'her best thing'.

This is an incredibly moving story where we see a mother pushed to the far edge of love and hate and what it eventually does to her and those around her. Our club's opinions varied from rubbish to pure genius. A few could not find the interest to finish, but for those who did, it was agreed that complete concentration was needed to absorb this book. The story is told in fragments and rememories from a variety of characters; all heartbreaking and staggering in depth and emotion.

It was mentioned how well the book emphasised the plight of slaves and how deeply they felt their lack of freedom. Anne pointed out that that is exactly what the book is about - freedeom, and how important it is to people. All people. This book brought many topics to the surface, but our main point of discussion was Beloved. Who was she and was she real? We varied on this also. Some believed yes, she was real, others found her to be phost like, a vision to Sethe and those around her.

My opinion leans more towards the latter. Beloved came from Sethe, and her sorrow and guilt in the death of her child, and her part in it. She was written into the story from Sethe's mind, becoming real to those around Sethe, for she was as much a part of the woman as any child would be. alive or dead. But was Sethe suffering from more than heartbreak? Is it possible that post-traumatic stress brought Sethe to a point where she recreated her dead daughter in herself. In today's terms, was she schizophrenic?

But of course it is all open to interpretation. Just as Morrison meant it to be. This is not an easy read, nor a happy one. I shocked most of the club by saying I loved this book. How could I love such a sad story? Simply because it is so beautifully told. Terrible things happen in this world, but for them to be immortalised in such a way ensures that they will never be forgotten.

Tell Me This - Viti asks, "Why the supernatural and spiritual elements?" What is Morrison trying to get across by writing supernatural elements in to her stories?

A wish to provide a certain amount of superstition and cultural beliefs that have been passed down throughout the generations, therefore instilling something distinctive to Black Americans.

A style of writing that does not allow the reader to get too comfortable, thus creating a slight feeling of apprehension and a compulsion to read on.
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LibraryThing member Stevil2003
I was surprised and delighted to see that this novel-- the third by Morrison that I've read-- takes place in Cincinnati (though on a nonexistent street). It's not often that I get to read fiction set in my hometown. I think I liked this more than Song of Solomon and less than The Bluest Eye, for what it's worth. Morrison is one of those writers you can't speed-read, because you just end up being lost, but that's more of a slight against me than it is her. The story of Sethe and those around her attempting to expunge the ghost of slavery from their lives is a powerful one, and one that engenders mixed emotions: they must not forget the past, indeed "rememory" is central to the novel, but the past is an unkind spirit, one than can trap people and drain their health. The end of the book is ambiguous-- have they really won by forgetting Beloved? I think they've lost something, something important, but it's something they had to lose if they were to go on with their lives. Beloved is Morrison's memorial to the victims of American slavery, since no official memorial exists, but the novel itself suggests that we might be better off without such a memorial, as it would cause more problems than it would solve; we need to forget to heal. Is that why there is no slavery memorial? Will there ever be one?… (more)
LibraryThing member fothpaul
This book seemed to swing between some exceptionall moving elements of poetry to intolerably difficult to read sections which chugged along at a snails pace. Every time I felt exhasperated by the text, another beautiful description or comment would come along and make me carry on reading.

The story was not especially my cup of tea. I enojyed the details of the transition from slavery to freedom and the attempts of Sethe and her fellow former slaves in trying to set up lives after slavery. I didn't particularly enjoy the ghost story part. To me it felt like the author was using the ghost as a metaphor for the ghosts of slavery, coming refusing to leave the newly freed slaves alone and ruining their new lives. This was ok as a concept, but the streams of conciousness which took place about 3/4 of the way through summed it all up for me. Just a little bit too annoying to be truly enjoyable.… (more)
LibraryThing member streamsong
Something is wrong at the house numbered 24. While Baby Suggs was still alive, it was a place of meeting and even dancing. But while her daughter, Sethe and Sethe’s daughter Denver still live there, it is no longer visited by the black community. It’s known to be haunted and people avoid it and those who live there.

Then there are two new arrivals to the house. Paul D and Sethe had been slaves together and he brings pieces of Sethe’s story that she did not know.

The second arrival is a mysterious woman who knows intimate details of Sethe’s life. She’s called Beloved, which happens to be the sole word on the grave marker of Sethe’s murdered child.

This is Morrison’s classic novel of the horrors of slavery and how death can appear the lesser of two evils. It’s easy to have head-knowledge of the evils of slavery. This book will bring you to the heart knowledge.

This was a reread for me. The story begins toward the end and follows a complicated timeline with much skipping back and forth. I listened to this on audio, read by Toni Morrison. And while I loved Ms Morrison’s reading, and recommend the audio version wholeheartedly, for me the audio added a bit to the time line confusion in this astounding story.
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LibraryThing member browner56
In the 1870s, Sethe, a former slave, is living in southern Ohio with her daughter Denver and her mother-in-law, Baby Suggs. Sethe’s husband and her other children are long gone, either killed or disappeared in the aftermath of the war. The three women live in virtual isolation from the community because of a terrible, but not-so-hidden secret about Stethe’s past: she was convicted of murdering her daughter—we know her only by the name Beloved—whose angry spirit now haunts their house. Following the death of Baby Suggs, can the arrival of Paul D, himself a former slave who knew Sethe and her husband on their former plantation, exorcise the sins of the past and bring hope once more to their lives? Any chance of that happening is thwarted by the appearance of a young woman who seems to be Beloved returned in the flesh. So, is this girl Sethe’s real daughter or someone pretending to be her? As the characters’ fates are revealed, we learn through their various “re-memories” about the tragic, soul-crushing journey they have taken to get to where they are. Needless to say, these are not pleasant recollections.

There can be little doubt that Beloved is an important book. Its brutal and heart-wrenching depictions of the Civil War era slave trade brought a human face to that sad episode in our collective history and, in so doing, helped to educate an entire generation. It is also a creatively composed tale that allowed author Morrison to exhibit her poetic and affecting writing style in full measure. But was it also a good book? On that point, I really don’t know. I do know that I did not particularly enjoy the experience of reading it. The story was unrelentingly grim in its presentation of misery, pain, and oppression and that made it very hard to get enthusiastic about picking it up at times. Beyond that, I found it difficult to muster much sympathy for Sethe’s remorse at killing a child to keep her from a life of slavery, which was a critical aspect of the whole plot. In fact, other major prize-winning novels (e.g., Sophie’s Choice, Ironweed) have handled a parent’s grief over the death of son or daughter in a much more realistic way. Still, Beloved was a moving story with some memorable characters that taught me a lot. Perhaps this is one occasion when that matters more than whether the book was fun to read.
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LibraryThing member TBRetc
Emperically, I can understand the importance and the appeal of this book. However, it just did not do it for me. The plot was hard to follow, I didnt identify with the character, I did not like the style of writing. I hate to give a classic such a low rating, but it was not for me.
LibraryThing member nancenwv
It took me awhile to know what to say about this book or even want to put it into words. It is haunting and powerful. I think the other worldliness does more to impress the horror and displacement of slavery. Beautifully sad and evocative.
LibraryThing member BookMarc
Beloved is a powerful story that tells the story of a African American community struggling to attempt to create an identity and come to terms with the past tragedies that they all had to endure. The introduction of the 'ghost' in the story creates an unusual atmosphere because the reader is never really sure who or what she is. All that can be truly said is that she is Beloved.

Toni Morrison's masterful literary skill seeks to draw the reader in and make them have a true understanding on the lack of identity through various methods such as not defining who is speaking in a subtle way and identifying characters through the ghost or the past. The lack of explicit character definition forces the reader to have to ask 'who am I and what creates that identity'.
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LibraryThing member ysmng
One of my favorite books. Scenes have stayed with me since I first read the book in early 90's. Strong and powerful imagery.
LibraryThing member drivingsideways
Tragedy and lyricism go hand in hand in this extraordinary tale of Sethe and her dead daughter "Beloved". One of the most moving books I've ever read.
LibraryThing member dawnpen
So picture history. Picture books stacked like bricks around the affluent neighborhoods in Georgia. Picture ‘at yo service’ cookie jars and reels of documentary footage on the editor’s floor. Picture them opening all the windows at the local high school because they’re painting over the graffiti again. During summer, the smart kids talk about reverse discrimination at the Taco Bell. Then they go to college.… (more)



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