Miss Peregrine's Home for Peculiar Children

by Ransom Riggs

Hardcover, 2011




Quirk Books (2011), Edition: 1st, 352 pages


After a family tragedy, Jacob feels compelled to explore an abandoned orphanage on an island off the coast of Wales, discovering disturbing facts about the children who were kept there.

Media reviews

Boken är knappast ett stilistiskt mästerverk. Dialogerna krystas stundom fram och vissa figurer är lika blodfattiga som de spöken som förföljer dem. Det som gör verket unikt är bilderna
4 more
The author’s ability to use the photos to play with the reader’s imagination, while still holding the tension of the plot, is extraordinary. This kind of device can feel like a self-conscious reminder of the authorial hand, but this is not the case in Miss Peregrine’s Home.
In Miss Peregrine’s, a teenager decides to investigate the stories his grandfather told him about an island off the coast of Wales. He finds more than he bargained for, of course, and there are adventures, involving a group of kids with remarkable abilities which are almost, but not quite, entirely similar to mutants from X-Men comics. For a story constructed to make use of a collection of vintage snapshots, it’s impressively cohesive, and there’s certainly nothing wrong with yet another recounting of the hero’s journey from callow youth to manhood. But the book never lives up to its own aesthetic, and the story refuses to get past surface level on the occasional odd idea or intriguing concept. Whatever its faults, Miss Peregrine’s only true sin is that, presentation aside, it isn’t really that peculiar.
Entertainment Weekly
Those Creepy Pictures Explained The idea for Miss Peregrine's Home popped into Ransom Riggs' head when he ran across some sinister-looking vintage photos, which ''suggest stories even though you don't know who the people are or exactly when they were taken.'' As he began writing, he kept searching for images, even combing swap meets and flea markets. ''I was developing the story as I was finding the photos. I'd find a particularly evocative photo and I'd say, 'I need to work this in somehow.' '' Most are reproduced in the novel ''as is,'' but a few have been digitally altered. Riggs says he ended up with more photos than he could use: ''I have a nice big fat backlog for the second book.'' — Keith Staskiewicz
With its X-Men: First Class-meets-time-travel story line, David Lynchian imagery, and rich, eerie detail, it's no wonder Miss Peregrine's Home for Peculiar Children has been snapped up by Twentieth Century Fox. This is a novel with ''movie adaptation'' written into its powerful DNA. B+

User reviews

LibraryThing member lkernagh
Okay, how can anyone resist at least glancing at a book with such a Gothic title and the intriguing cover photo of a levitating girl in period piece dress? Not me, that is for sure!

the YA narrator of this story is 16 year old Jacob. Like most kids, Jacob was fascinated by the strange, outlandish tales his grandfather would tell Jacob of his time spent at a home on an island off the coast of Wales during the second World War. A home filled with, according to the tales Jacob's grandfather told, peculiar children with unique abilities. As a teenager, Jacob grows to question his grandfather's tall tales as myths and lies until the day of his grandfather's unexpected death, leaving Jacob facing nightmares and countless sessions with a therapist. When Jacob discovers a mysterious letter, he decides to journey to Wales to visit the place where his grandfather grew up.

This story drew me in with the prologue and I settled in expecting a haunting, Gothic ride of creepiness and, well, peculiarity. The first couple of chapters, after the prologue, left me a little disappointed and wondering where the story I was expecting had disappeared to. I was starting to feel that a bait and switch had occurred and I wasn't overly amused at that prospect, but the odd sniff of a creepy Gothic mystery would peek out at me from time to time, along with the intriguing Victorian-like photos of unusual portraits that cropped up from time to time, so I continued reading. I am so glad I did. Yes, the story did grow into something fascinating and did finally became a page-turning adventure for me. Not quite the Gothic horror I was expecting but still enough creepiness - and monsters, lets not forget monsters! - to make this a fun, October/Halloween read for anyone that like to ramp up their creepy, suspense reading during that time of year.

Overall, a good alternate reality adventure with a bit of Gothic creepiness, Victorian weirdness (courtesy of the photos scattered throughout the book) packed in a time travel ride I think both YA and adults will enjoy. The ending left off with the potential for a sequel so, one can always hope that there is a book #2 in the works under Riggs' pen.
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LibraryThing member auntmarge64
What a treat this book is! Part suspense, part fantasy, and beguilingly unique.

A teenage boy (Jacob) finds his grandfather dying - the grandfather who used to tell fantastic stories of his childhood at a strange island orphanage in Wales and illustrate his tales with photos of odd-looking children and descriptions of monsters. The grandfather pleads with him to go to the island, where he'll be safe, whispers some enigmatic phrases and then "I should've told you a long time ago", and dies, and as Jacob copes with his grief, he determines to travel to the island and search out the truth. What he finds will forever change his life.

Magical, thrilling, and lovingly illustrated with the photos and letters described in the story. This is one of those books that will appeal to adults and older kids equally, and I'm going to pass it on to my 11- and 20-year old nieces and see what they think.
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LibraryThing member arielfl
This seems to be a very polarizing book. People seem to either love it or hate it. Sadly I was on the disappointed side. I won't rehash the plot, there was so little and it seems to be completely raked over in other reviews. The main problem for me was that the pictures were the focus and the story was an after thought. There are places where the author is really reaching to connect the pictures to the story. A secondary problem was that the main character was making out with a girl who made out with his grandfather. Too weird for me. I thought the creepy pictures would facilitate a great story but something got lost in the execution of the book. I didn't connect enough to the characters in the book to want to pursue a sequel. I think it will be enough to leaf through the pictures. By the way, I read this for the R.I.P. challenge currently being held over at Stainless Steel Droppings. You should swing by and check out some of the other reviews as this seems to be a popular challenge choice.… (more)
LibraryThing member Whisper1
Highly creative and original, this was indeed a very interesting book. Shiny bright in some chapters, but lacking in patina in the later pages, much has been said about this book. There are some very positive comments, and then others could not abide the tale. I'm smack in the middle of feeling luke warm.

For most of his life, Jacob has listened to graphic tales spoken by his grandfather. Attributing the conversations to dementia, Jacob listened with interest, then boredom. When his grandfather is killed by a strange creature, Jacob begins a quest to get to the bottom of his grandfather's references.

Journeying with his father to a secluded island in Wales, Jacob finds strange children who are particularly abnormal. Among those in the care of Miss Peregrine is a girl who can float, another who has a mouth in front and in back of her face, a young man who can lift incredibly large boulders, a boy who is invisible and a charming girl who flicks fire at the end of her fingers.

Realizing that these are those mentioned by his grandfather, Jacob is able to transport into a time warp -- a loop where the date is always the same and time is frozen in place.

Augmented by various photos of the peculiars throughout the book, done in sepia duotone, the tale becomes more eerie and surreal.

Realizing that his grandfather was a peculiar and he is as well, Jacob must make a decision to stay or return home with his father.

The first chapters were wonderfully creative, but the later part of the book spun out of control and chase scenes, boogiemen and gore prevailed.

Guardedly recommended.
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LibraryThing member phoebesmum
Another much-hyped but disappointing title. I was rather left feeling that the author is unfamiliar with the fantasy genre and is under the touching impression that he’s created something new and terribly clever. Poor dear. No.

A nondescript American teenager persuades his father to let him visit a remote Welsh island to track down his grandfather’s fantastic stories of children with remarkable features and abilities and the monsters who hunt them, and finds those children still alive, protected by a loop in time that resets itself every day, on a certain date in WWII. So far, so commonplace. The McGuffin here is the inclusion of a selection of weird and creepy found photographs, which are supposed to illustrate the text. Sometimes they do; sometimes they get in the way. Sometimes the text appears to have been manipulated by the author specifically to include a particular photograph, and sometimes the photos don’t seem to fit at all. Still, full marks for effort there.

Less than full marks, I’m afraid, for research: the dialogue is full of Americanisms (we don’t wear ‘slickers’, just for a kick-off), and, even where the author has tried to get it right he sometimes gets it wrong. He knows, for example, that the British nowadays use the metric system – officially, that is, I don’t know anyone who actually does. Unfortunately, he doesn’t know that it wasn’t current in the Second World War, and I’m afraid I laughed immoderately when his WWII era children talked about ‘metres’.
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LibraryThing member janeajones
I read this book because I saw an article in the local paper about the author visiting a Sarasota school from which he had graduated -- as it happened he had graduated from the school the same year my son did, and they had been classmates though not close friends. I was intrigued.

Miss Peregrine's Home for Peculiar Children is a YA gothic fantasy novel that begins in Englewood, Florida, where Jacob Portman's grandfather Abraham is killed by what the police determine must be a wild animal. But sixteen-year old Jacob was present at the attack and remembers seeing something else that he cannot describe. He hears his grandfather's dying words: "Go the island, Yacob. Here it is not safe.... Find the bird. In the loop. On the other side of the old man's grave. September third, 1940."

Thus begins Jacob's quest for the Welsh island where his orphaned grandfather was raised before WWII. It takes most of the rest of the novel for Jacob to decipher his grandfather's cryptic message and discover the mystery of the "peculiar children." While some of the plotting is predictable and some of writing reflects the efforts of a first novel, an intriguing and original aspect of the book is the incorporation of vintage "found" photos of both "freaks" and ordinary people to illustrate the book.… (more)
LibraryThing member Cailin
I loved the old pictures and enjoyed the story but somehow thought it could be better. I felt some of the characters were underdeveloped. I enjoyed the book but it kind fo fell flat for me.
LibraryThing member ken1952
A fine fantasy novel, accompanied by eerie photographs, about a teen traumatized by his grandfather's death. His desire to learn the truth about his grandfather's life leads him to an island off Wales where he learns the secrets, wonders and dangers of Miss Peregrine's Home for Peculiar Children. Looking forward to the next installment.… (more)
LibraryThing member Kelly_Mills
Based on all the hype I thought I would love this book. It wasn't bad by any means, but I didn't find it to be anything special either. I actually liked the concept of the book more than the story. The author wrote a plot around some antique photos, which is a unique approach. However I found that I didn't particularly like any of the characters and although the book ends on a cliffhanger of sorts, I'm not inspired to read the sequel to find out what happens. Perhaps my expectations were too high, but I'm unable ro recommend this book.… (more)
LibraryThing member SpazzyDragon13
Miss Peregrine's Home for Peculiar Children was one of those books that I kept seeing reviews for everywhere. The best part? All the reviews were good and included the word 'creepy'. Those two things made me want to read it even more than I already had. So, naturally, I was ecstatic when I received it as a birthday present. (Not that I could read it right away, since a family member decided to take it and read it fist. :d)

That being said, when I finally was able to get my hot little hands on a copy of this book, I was instantly hooked. I LOVE books that grab you right from the beginning. There was no suspension that had to be built up for me to become interested. Not to mention the floating little girl on the cover...who could trun this book away and not want to know what the heck a floating girl is doing on the cover to begin with and WHY exactly she is floating!? I couldn't.

Character wise, they were brilliant. All the characters were unique and easy to distinguish. Another major thing that I liked about this book, was how the author kept the language confined - for lack of a better term - to the time area the person was from. The language also made certain situations laughable. (For instance, the scene where Millard is wounded. Bahaha.)

Plot wise...EPIC. I don't think I really need to discuss this. Its pretty obvious that the plot is going to be big, based off the prologue. Also, I don't think I SHOULD discuss it. Too many spoilery-spoils!

Lastly...the author. His name is Ransom Riggs (EPIC NAME!) and he has successfully gained a humongous new fan. Why? 1. His story is really good. Really, really good. 2. He managed to pull off the attempt of combining two of my favourite things; photography and a good book.
Photography is a passion of mine, and so is writing. So, naturally, I love books too. I don't know why its taken so long to find a book with a plot that also included pictures. I'm seriously fan-girling over here about it. Its not something that's easily explained, so you should just go read this book. Like now. Go. Buy it. Read it. Enjoy it. Squee.
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LibraryThing member ChristineEllei
Jacob Portman has been listening to his grandfather’s stories for most of his life and the older Jacob became the less he believed these tales. They just seemed too fantastical to be true. When Jacob’s grandfather suddenly dies his death seems to be somehow connected to all the stories. While helping his family dispose of his grandfather’s things, Jacob comes across a letter with an unfamiliar and mysterious signature. As Jacob begins to unravel the mystery of his grandfather’s life people begin to think he is losing his grasp on reality as much as they believed his grandfather had. Until he manages to talk his father into a trip to Ireland where everything falls into place … and all the stories he’s been told turn out to be true.

I usually do not read “fantasy” but the pictures in this book turned out to be too irresistible not to pick it up. I’ve often looked at pictures and paintings and thought to myself that it would be interesting to try and come up with a story about the image. Mr. Riggs took that thought and ran with it. The fact that he had these more than fantastic images and chose to share them in the context of the book was fascinating. Although I enjoyed the story a great deal, it did not leave me with the lingering need to pick up the sequel but I did browse through it just to see the pictures.

I have been going through some old boxes of pictures that my mother had and thought I had come to the decision to throw away any pictures of people I could not identify. Mr. Riggs’ unusual hobby of “collecting pictures of people he does not know” has led to another book called “Talking Pictures: Images and Messages Rescued from the Past” and that is a book I think I may pick up. The concept intrigues me and has made me rethink the idea of tossing those old pictures.
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LibraryThing member picardyrose
It got off to a good start, and the photos are terrific, but now it's the same old teenagers-save-the-world.
LibraryThing member UnrulySun
The cons: When I read phrases like "spine-tingling", "haunting", and "dangerous" on a book jacket which showcases bizarre photographs of creepy children, I tend to expect a story that is indeed haunting and spine-tingling and dangerous. Sadly, this book did not deliver on any of those. Perhaps middle-grade children will be spooked by the photographs, maybe even the grisly scene in the first chapter, but beyond that this story is actually rather twee. There are plenty of misunderstood, lovable, frolicking children; a sweet blushing romance, melodramatic heroics, and PG teen angst. The whole thing seems confused about whether it wants to target elementary-age kids, teens, or adults. (I would put it in a category with books by Mary Downing Hahn, Lois Duncan, and RL Stine.) The photos didn't really add anything to the story, they are just reiterations of what the author spells out in the text, which was often awkwardly and inexpertly contrived to fit the photograph, rather than the other way around. An unfortunate marketing mishap on the part of the publishers.

The pros: It's actually a rather fun light read. Younger readers will likely enjoy it very much.
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LibraryThing member rmboland
Main lesson learned after reading this book: Stop completely trusting reviews. I almost didn't read this book due to the abundance of negative reviews for it on Goodreads-but it was calling to me, in ways a book rarely calls to me, and I just couldn't ignore it. OH was it worth following my gut-I LOVED this book. Yes, the synopsis is quite deceiving, but I think it is only so for those who were expecting a horror. I tend to stay away from anything that scares me sleepless, so what I found within these pages was right up my alley.

The beginning started a little shaky (the tiny hiccup that stopped me from giving 5 stars). I didn't grasp the closeness Jacob apparently felt to his grandfather. Jacob came off as more annoyed and impatient with him, as opposed to being his number 1 fan, which he admits to being later on in the book. I felt like I needed to have that idea instilled in my head right from the start in order to completely immerse myself in the story-his grandfather was the main reason for his actions.

However, aside from that, just thinking of this book makes me dizzy with love. I loved the concept, I loved the characters, and I LOVED the magic and intricacy that was the "loops"-a specific day in time that repeats itself. I loved Ransom Rigg's ability to blend his words into some the most beautiful passages of descriptive scenery:

"A patchwork of sheep speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I'd seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue."

I even liked the villains, the 'wights' and 'hollowgasts.' I thought they were just scary and intimidating enough. Some reviews pointed out that they should have been more prominent throughout the middle part of the book, but I thought the lack of them there caused enough tension and anticipation to drive the story forward. I was on the edge of my seat, afraid they would pop up out of nowhere unexpectedly.

I thought the end was just enough of a cliffhanger for me, kind of Pirates of the Caribbean-esque. According to Goodreads, this was only book 1-I can hardly WAIT to see what book 2 has in store.
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LibraryThing member ed.pendragon
There is a technique storytellers use whereby cues — words, phrases, scenes, characters suggested by audience members — are randomly inserted into an improvised narrative. Italo Calvino built up his novel The Castle of Crossed Destinies upon a sequence of Tarot cards, using the images to suggest not only a possible narrative but also to link to other classic narratives. These processes are similar to the ways in which Ransom Riggs constructs 16-year-old Jacob Portman’s journey from suburban Florida to a wet and windy island off the coast of Wales. Authentic ‘found’ vintage photographs of sometimes strange individuals placed in enigmatic positions or curious scenarios — these are the bones on which the author constructs his fantasy of children (with, shall we say, unusual talents) and the dangers they potentially face. For the reader the inclusion of these photos at appropriate points in the text is not only an added bonus but an integral and highly effective facet of the tale.

Jacob’s grandfather has regaled him with stories of his escape from wartime Poland to a place of refuge in West Wales, the titular Home for Peculiar Children run by the equally peculiar Miss Alma LeFay Peregrine. He is taken to Cairnholm Island by his amateur ornithologist father for a therapeutic holiday — this after the trauma of witnessing his grandfather’s violent demise — in part to resolve the unanswered questions that he’s left with. He finds the home in ruins, bombed during the war, but whenever he visits a prehistoric tomb beforehand he finds that the house returns to its former splendour. And he discovers that at those times it is inhabited…

Ransom Riggs’ first novel has many attractive features for a fantasy: initial mystery (exactly what did Jacob’s grandfather do on his ‘hunting trips’?), the increasing appearance of magic (the incredible powers of individuals, travel elsewhere in time and space through a portal) and menacing monsters (what exactly are wights and hollowghasts?). After a slow start the story’s pacing then starts to grip the reader and, as opposed to novels where it isn’t clear till the final few pages, here there is a clear sense of a beginning of a promising series. But is the plot driver really only a random-ish selection and sequencing of weird photos, however unexpected they may be?

I’ve generally avoided reviews and discussion of this book and so I don’t know if what I’m about to say is already known; nor do I know if my theory is, however plausible, way wide of the mark or merely coincidence. But I offer it as a chance to look aslant at the story, through half-closed eyes as it were, and that by throwing light on the novel from a different angle new aspects may be revealed.

Ten years of living in West Wales made me curious about the island of Cairnholm, site of a small fishing community and Miss Peregrine’s Home. ‘Holm’ is a common name for an offshore island around the coast of Wales, a legacy of Viking raids and settlement around a millennium or so ago; the ‘cairn’ element refers to a Neolithic burial mound which dominates one end of the island. We know from a preview of the book’s sequel included in the paperback edition that ‘Cairnholm’ is around nine kilometres — five or so miles — from the mainland. Is there a real Welsh island that could have been the model for Cairnholm?

After Anglesey and its satellite Holy Island off the coast of North Wales, the third largest Welsh island is Skomer, separated from the Pembrokeshire mainland by a deep channel. It’s a ornithological paradise, and in season includes thousands of pairs of nesting seabirds — including the Manx shearwater that Jacob’s father gets excited about when he spots it. About 2 miles by 1½ miles in size, it’s possible to conceive this as Cairnholm even if there’s no fishing village here, just a farmhouse and some holiday cottages. The problem is that it’s no real distance from the mainland.

However, about ten kilometres (six miles) to the west of Skomer is the island of Grassholm, in Welsh Ynys Gwales. Essentially this is a giant uninhabited rock largely covered in gannet guano, and doesn’t seem at first a likely contender. But Ynys Gwales has a long mythological history as the location of a mystery island. At the end of the 19th century a sea captain reported an island floating a little below the surface of the sea in the vicinity of Grassholm; earlier in that century mainland folk claimed they could on occasion see Fairy Islands a short distance off the coast, supposedly densely populated with fairies; and Victorian scholar John Rhys suggested that a phantom Pembrokeshire island inhabited by ‘the Children of Rhys Ddwfn’ (Plant Rhys Ddwfn) was really a fairy island, as these folk were properly Plant yr Is-Ddwfn, that is, ‘the Children of the Underworld’. The oldest identification of this island with Grassholm or Ynys Gwales was in the Medieval Welsh tale of Branwen the Daughter of Llyr.

In this old narrative Branwen’s brother Bran is a giant, who commands his head to be cut off and used as a talisman by a group of Welsh heroes, survivors of mighty battles with the Irish. They are to go Ynys Gwales where they will be safe for a time, perhaps a reflection of the island’s etymology (gwâl in Welsh means ‘lair’ or ‘den’, somewhere in fact to shelter). “And at Gwales in Penvro you will be fourscore years, and you may remain there … until you open the door that looks towards Aber Henvelen, and towards Cornwall. And after you have opened that door, there you may no longer tarry…”

There is a coming together of various elements here that I think is reminiscent of Riggs’ novel: the not easily accessible Welsh island, the island where time stands still — at least until a crisis arrives — and the entertaining of the select group of personages by a Head, Bran’s severed head in the medieval tale and the Head Teacher Miss Peregrine in the novel. And the Home for Peculiar Children is the counterpart of a regal hall on the island of Gwales: “And there they found a fair and regal spot overlooking the ocean; and a spacious hall was therein. And they went into the hall, and two of its doors were open, but the third door was closed, that which looked towards Cornwall … And that night they regaled themselves and were joyful. And of all they had seen of food laid before them, and of all they had heard of, they remembered nothing; neither of that, nor of any sorrow whatsoever. And there they remained fourscore years, unconscious of having ever spent a time more joyous and mirthful. And they were not more weary than when first they came, neither did they, any of them, know the time they had been there.” But when the forbidden door is opened “they were as conscious of all the evils they had ever sustained, and of all the friends and companions they had lost, and of all the misery that had befallen them, as if all had happened in that very spot … And because of their perturbation they could not rest …”

Is this the conscious template for Ransom Riggs’ story? Maybe, or maybe not; only the author knows. Either way it provides a narrative depth for the novel that I find very satisfying, in a way that a selection of odd vintage photos, however artfully incorporated, does not. Does this putative blueprint detract from the book’s originality? I don’t think so, as it is the imaginative use and combination of apparently commonplace motifs that can make a novel truly novel. And on that basis, Miss Peregrine’s Home for Peculiar Children — despite a few flaws, mostly culture-specific — is a ‘novel’ novel.
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LibraryThing member LaneLiterati
Upon the abrupt and disturbing death of his grandfather, Jacob sets out to learn the truth of his grandfather's life, hidden in the past. Despite being plagued by waking nightmares and the disbelief of his parents, and the psychologist they hired, Jacob is compelled by a nagging thought that the stories his grandfather had told him, stories he had thought were simply fairy tales, were true.

This book was really an engaging read. Well written and an intriguing story. The use of old photographs was charming, though sometimes seemed a bit forced. There is a small amount of language (fewer times than fingers on a hand in the whole book). I think this book would appeal to guys and girls. It is written from a boy's perspective (16 yrs). It is definitely not what I expected from the title.
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LibraryThing member fyrefly98
Summary: When Jacob was little, his grandfather would always tell him stories. Stories about the mysterious house in which he grew up, a house on an island in Wales, a house that was full of children with strange powers - a boy who was immensely strong, a girl with a second mouth in the back of her head, an invisible boy, a girl whose feet never touched the ground - children who are pictured in a series of incredible photographs, children who were hiding at this house because it was the only place where they could be safe from the monsters. As Jacob grew up, he dismissed his grandfather's photographs as trickery and his stories as mere fairy tales, but when he finds his grandfather dead in the woods behind his Florida home - and sees something impossible and monstrous fleeing the scene - he begins to wonder. His parents and his therapist think that he's suffered a mental break, but he convinces them to let him travel to Wales, to hopefully find out the truth beyond his grandfather's cryptic last words once and for all. But what Jacob finds on Cairnholm Island makes him wonder if his grandfather might not have been making up his stories after all... but if that's the case, then Jacob may have just put himself in mortal danger.

Review: Saying that something is a "multimedia experience" sounds like cheeseball mid-'90s marketing copy, but in the case of Miss Peregrine's Home for Peculiar Children, I really think it might be true. The gorgeously produced book is peppered with vintage photographs, collected from estate sales and flea markets, with each photograph showing something bizarre, unnerving, or just a little off. Individually, it's easy to look at any one photograph and say "Oh, that's double exposure / a trick of the lighting / etc." However, the absolute best part about this book is how everything fits together into a whole that's greater than the sum of the parts. The photos complement and amplify the atmosphere of the story, and the story weaves itself around the photos that they stop feeling like disparate found objects, and more like interconnected pieces from a life, enough to make you stop and think "Well, what if....?"

I don't know whether the photographs inspired the story, or if the story dictated which photos to use (probably some of each), but the overall effect is not like anything I've ever come across before. The story is funny and poignant by turns, and effectively creepy throughout, enough to make me wish I'd read it on a foggy October evening. It's not just the bad guys that are creepy, either... even the good guys have a disconcerting, haunting air about them; especially so compared to Jacob, whose perspective and narration style is sufficiently modern to make it a sharp counterpoint to some of the more fantastical things he encounters. Suffice it to say, this book gave me the shivers more than once.

The ending, while it was consistent with the rest of the story, and a good resting place, didn't manage to tie up all of the threads of the book, and is rather obviously providing set-up for a sequel. On the one hand, that kind of open-endedness usually bothers me, but if Riggs's next book is anything near as fascinating as I found this one, the unresolved nature of this ending will be well-earned. 4.5 out of 5 stars.

Recommendation: Definitely recommended for fans of modern YA novels, especially those with a bit of a fantastical twist to them; anyone who appreciates a good haunted house story; and especially anyone with an interest in photography and the power of images. This is definitely a print-only story, though... I'm not usually one to dissuade people from audiobooks, but the photographs are such an integral part of the story that it would be a shame to miss them.
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LibraryThing member marcejewels
From my blog

I saw the trailer of the upcoming movie and remembered I have had this one on my shelf since it was released. I immediately picked it up. The best part of this book are the photographs, unique with a historic artistic feel throughout the story. I love the movies X-Men and thought it may be similar, the Peculiar children were similar and they intrigued me but didn't have the pull were I am so engaged with them I need to follow there journey. I wish this was a stand alone novel, the pictures are great but unsure if that style would continue with great ratings for the whole trilogy.

The first half of the story was engaging, a five star read for me. Jacob's grandfather trusted him and shared some fascinating stories and photos, which you wonder are real or fantasy. Something happens and Jacob is told to go check on his grandfather. He and his friend find the house empty, go in the woods and walk into a horrifying surprise. Part of the reveal takes Jacob and his father on an adventure.

I am excited when Jacob and his father travel to the island. Jacob is eager to understand more about his grandfather and find out how much of the stories are true. The story begins to get creepy and I'm on the edge of my seat waiting for the reveal of the peculiar children. Instead of an elaborate display this part was slowly done as they were unsure of Jacob. And this is where it began to lose its appeal for me. The children were Peculiar but not were I was excited, fascinated or even curious for more. They were revealed and that was it, maybe it was that Jacob had to embrace them for who they were but just didn't feel like the hold your breath moment I was looking for.

This is where the true adventure for Jacob began and it became unsafe for not only him but the Peculiar children and the people on the island. Those that want the Peculiar children become a risk and they are fighting for their existence and safety. I don't mind gruesome but this felt out of place, monsters wanting to eat children, the Peculiars. This becomes a run for their life state of affairs. Jacob has to make a decision, go home with his father back to their family or become a part of what can be his new home with Miss Peregrine and the Peculiar Children. Overall an original idea especially with the photography but I thought it started really strong and just had a weird ending with unforgettable characters in my opinion. If you want to try something unusual, this is it. I am not interested in reading on.

Also, I am glad I had the hardback, I couldn't imagine reading this on a Kindle. I have read that those that have downloaded do not recommend either.

I almost gave this a 4 because I thought the first half was extremely strong, the photography unique but the 2nd half felt like a different book and it doesn't pull me to want to know what happens next.
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LibraryThing member saffron12
As some of the other reviews state, the photos are great. I looked forward to seeing the "peculiar" pictures as I read the book. The story good enough that it kept me reading to the end, but it felt as if there could be more. There wasn't enough detail for me. I wanted to know more about all of the characters. It felt is if just the surface was skimmed, even with Jacob, the main character. I would read a sequel if there would be a sequel, just because I want to know more, but there could have been more within this book alone.… (more)
LibraryThing member mazeway
I wanted to like this more than I did. I read a review somewhere and placed a hold at the library to get it as soon as they ordered a copy. It came and I was delighted by the creepy photos on the cover and the way it looked and felt. Promising premise and opening: A boy's grandfather tells him stories of a youth spent in Wales, in a home for kids with peculiar powers--levitation, fire making, invisibility. The grandfather has photos of these kids that are doled out to the reader as they are mentioned. As the boy ages, he realizes that the photos were doctored and the stories are fairy tales. His dad tell him that in reality, the Grandpa escaped to Wales from Eastern Europe, where the Nazis killed the rest of his family. The stories of monsters hunting "peculiar children" were just a way of processing the true horror of genocide.
But one day, when the boy is 15, he gets a call from his grandfather, panicked that the monsters have found him again. The boy goes by to check on the old man and finds him slashed and bleeding in the woods. As the grandfather croaks out final instructions to go find the home in Wales, the boy looks up and sees the very monster that the grandfather had long told him of.
Good beginning, right? But it kind of drags after that whiz-bang start up. As he meets the Peculiar Children, it feels very much like a creative writing project: write a story about these photos. It was okay, I don't regret reading it, but I'd hoped to love it and I just didn't.
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LibraryThing member AJBraithwaite
Really liked the first half of this book: the author's sense of humour made me laugh out loud several times. I was less enamoured of the the second half, which wasn't anywhere near as gripping or entertaining as the first. The ending was also unsatisfactory - presumably there will be a sequel, but it's annoying not to get a resolution when you're expecting a full and complete story.

This is another book written by a North American and set in the British Isles (on a small island off the coast of Wales, to be precise), so there were, as usual, some linguistic peculiarities. Maybe I noticed them more because I was listening to the audio book. Jesse Bernstein is easy to listen to, but his attempts at British accents were not entirely convincing. Suspect he's never actually heard a Welsh one...
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LibraryThing member VincentDarlage
Intriguing premise, a novel idea to mix story with photos so well, but the characters were all cardboard. And the person who turned out to be the villain was predictable (and the same basic idea from Fright Night II). The story is set up to have sequels, but now that the trick is done, and the mystery of the photos solved, the characters aren't interesting enough to me to bother reading the sequel. I don't see how it could be anything more than an adventure story.

This novel was a clever (and impressive) trick, but I am not sure how the author can expect to pull it off again.
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LibraryThing member ladycato
There was a lot of buzz about this book when it came out, so when my book club selected this as a read, I was eager for an excuse to buy it.

Miss Peregrine's Home for Peculiar Children is a piece of cross-genre work that is difficult to categorize. The main character is sixteen, but it's not stereotypical YA. Jacob is a protagonist in an interesting position, told he's crazy so often he starts to believe it, and begins to find himself once he's in Wales. The bizarre illustrations throughout add to the text and give an especially creepy vibe. It's not horror, but it feels very gothic at times.

I do wish the end had been a bit stronger, as it obviously relies on the next book to resolve many issues. However, it's a good book and I can see why it earned so much attention. It brings together various fantasy elements and utilizes them in a new way. I will definitely read the next book when it comes out.
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LibraryThing member knitwit2
A fun fantasy read. It seemed like the type of thing that might appeal to middle school kids. I'm surprised it is being marketed to adults. With that said I liked it.
LibraryThing member CarleyShea
*THERE ARE SPOILERS IN THIS REVIEW* This book got a lot of hype when it came out, so I was quick to borrow it from my local library. Without giving too much away, this book is about a boy named Jacob who returns to his grandfather's childhood home in Wales and finds way more than he bargained for. There's time travel, there's magic, there's crime and suspense. Everything you want from a young adult novel.

Miss Peregrine's is a great young adult novel. And while I thought some parts were too quickly paced, I was completely immersed in the story. The idea of the Peculiars was something I really enjoyed and it was very different from the dystopian fiction that is so prevalent right now, but still embraced some of those aspects. I will say that the love connection between one of the Peculiars and Jacob was somewhat odd to me. She may look young, but in actuality the character is much, much older than Jacob AND had a relationship with his grandfather. It was just really strange and I wondered after finishing the book what Jacob and Emma's relationship became. Was that not weird for Jacob?

All in all, I enjoyed this book. It wasn't a favourite, but I am interested in what is in store for these characters in the sequel. And the cover art is stunning, which is one of the reasons I initially decide to read a book.
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