Eugene O'Neill : Complete Plays 1932-1943 (Library of America)

by Eugene O'Neill

Hardcover, 1988

Status

Available

Genres

Publication

Library of America (1988), 1007 pages

Description

The third and final volume of the first complete collection of Eugene O'Neill's dramatic writings (available exclusively from The Library of America) contains eight plays written between 1932 and 1943, when illness forced him to stop writing. They represent the crowning achievements of his career. O'Neill described Ah, Wilderness! as "the way I would have liked my boyhood to have been." Set in the summer of 1906, it affectionately depicts the warm, close family of sixteen-year-old Richard Miller and the innocence with which he faces the trials of first love, strong drink, and sexual temptation. John Loving, hero of Days Without End, is split by his lack of faith into two selves: John and his Mephistophelian double Loving, who wears John's death mask and plots his destruction. Burdened by guilt but desperately wanting to love, John struggles with Loving's nihilistic hatred in what O'Neill termed his "modern miracle play." In A Touch of the Poet, Irish tavern-keeper Con Melody is drawn by his proud past as a Byronic cavalry hero of the Napoleonic Wars toward a fatal confrontation with his wealthy Yankee neighbors, the Harfords. Throughout More Stately Mansions, the idealistic yet cunning Simon Harford, his wife, Sara Melody Harford, and his mother, Deborah, continually shift roles and alliances as they engage in an eerie psychological and sexual battle for possession of each other and their own maddeningly elusive dreams. This volume presents the never-before-published complete text of the revised typescript for this unfinished play. The derelict inhabitants of Harry Hope's saloon in The Iceman Cometh find solace in their comradeship until their drifting calm is destroyed by the visiting salesman Theodore Hickey, who insists that they abandon all "pipe dreams" and face the truth about their lives. O'Neill carefully orchestrates the voices of over a dozen characters to form a chorus of overwhelming despair and surprising compassion. Hughie is a one-act dialogue between a reminiscing gambler and a weary hotel night clerk about the promise and loneliness of city life. Long Day's Journey into Night unsparingly dissects the pain, rage, guilt, and love that drive a wounded family apart and bind it together. In their summer home the four Tyrones--James, a proud actor haunted by poverty, his devout, morphine-addicted wife, Mary, and their sons, Jamie, a cynical drunkard, and Edmund, an aspiring poet--slowly unveil the truth about their lives until they can no longer hope either to save or to escape one another. Published and produced posthumously, it won O'Neill his fourth Pulitzer Prize. In its elegiac coda, A Moon for the Misbegotten, Jamie Tyrone seeks the peace that has long eluded him in the arms of sharp-tongued Josie Hogan. The volume concludes with "Tomorrow" (1917), O'Neill's only published short story. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.… (more)

User reviews

LibraryThing member Devil_llama
A collection of plays from the last period of his writing career. These plays are very personal, many of them dealing with his own childhood. Several of them were published posthumously, and one of them, More Stately Mansions, he left instructions to destroy the manuscript. This should have been done. That play pulls down the entire body of work, and I was quite surprised to find it had ever been performed on stage. At over 300 pages, it is a novel, not a play. The other truly weak work in the group is Days Without End. It starts out incredibly strong, with an interesting premise, but devolves into a church basement play at the end; O'Neill was at his weakest when he was writing religious plays. Overall, a decent collection, including some of his most famous plays. Long Days Journey into Night and The Iceman Cometh would be enough in themselves to make it worth the time.… (more)

Language

Original language

English

Local notes

Library of America

Barcode

11936

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